Tagged with lens - Personal View Talks http://www.personal-view.com/talks/discussions/tagged/lens/feed.rss Sat, 01 Oct 16 16:16:11 -0600 Tagged with lens - Personal View Talks en-CA 8mm F3.5 Meike fisheye http://www.personal-view.com/talks/discussion/15615/8mm-f3.5-meike-fisheye Tue, 30 Aug 2016 10:20:38 -0600 Vitaliy_Kiselev 15615@/talks/discussions image

  • 11 glass elements in 8 groups
  • Aperture range F3.5 - F22.
  • Made for mirrorless cameras
  • Removable lens hood and lens pouch
  • Minimum focusing distance is 10cm
  • Diameter - 77mm
  • 440g
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12mm F2.8 Meike lens http://www.personal-view.com/talks/discussion/15616/12mm-f2.8-meike-lens Tue, 30 Aug 2016 10:23:08 -0600 Vitaliy_Kiselev 15616@/talks/discussions image

  • 12 glass elements in 10 groups, APS-C coverage
  • Aperture range of F2.8 - F22
  • Minimum focusing distance is 10cm
  • Diameter is 78mm
  • Removable lens hood
  • Lens pouch.
  • Sony E, MFT, Fuji X, Nikon 1 and Canon EF-M
  • 360g
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85mm F2.4 Zeiss Loxia lens http://www.personal-view.com/talks/discussion/15735/85mm-f2.4-zeiss-loxia-lens Thu, 15 Sep 2016 03:24:17 -0600 Vitaliy_Kiselev 15735@/talks/discussions image

Specs

The Loxia 2.4/85 is the youngest member of our manual focus lens family for Sony α7 series cameras. So the already available three focal lengths of the lens family – Loxia 2.8/21, Loxia 2/35 and Loxia 2/50 – are supplemented with a lens in the tele range. Specially designed for mirrorless full-frame cameras with E mount, the compact ZEISS Loxia lenses are the ideal choice for travel and street photographers who value light and compact camera equipment. “In terms of its technology and the feel of its surface, the Loxia 2.4/85 fits perfectly with the existing focal lengths, and is particularly well suited for portrait photography,” says Christophe Casenave, product manager with ZEISS Camera Lenses. The Loxia 2.4/85 will be available in stores starting December 2016.

The new Loxia 2.4/85 with its seven lens elements in seven groups has been designed for digital sensors and is based on an optimized ZEISS Sonnar design.

The lens has a minimum object distance of 0.80 meters. The manual focus ring has a rotation angle of 220 degrees and enables the subtlest variations of focusing. The large aperture of f/2.4 combined with the high-quality optical design ensures an appealing bokeh. The electronic interface transfers lens data (EXIF) as well as focus movements. Additionally, if desired by the user, this activates the camera’s loupe function. “Precise manual focusing with hard stop and the mechanical setting of the aperture (working aperture priority mode) provide sophisticated photographers who don’t want to leave everything to the camera abundant possibilities for composition,” Casenave adds.

Videographers also don’t come off badly with the new Loxia. Again the well-known de-click function is on board. This allows for mechanically deactivating the click stops on the aperture ring — a condition for silent and infinite adjustments of the aperture. As a result, the ZEISS Loxia 2.4/85 is also an attractive lens for video cameras that have an E mount, such as the Sony PXW-FS7 and PXW-FS5. The overall package comprises a robust metal barrel, the filter diameter of M52 (which is identical across all focal lengths) and protection against penetration of dust and spray onto the lens mount. In addition, the external diameter, which is uniform across all ZEISS Loxia lenses, simplifies film shoots.

Global delivery of the ZEISS Loxia 2.4/85 will begin at the beginning of December 2016. The lens shade is included with delivery. The recommended retail sales price is 1,399 euros (including 19% VAT in Germany) or 1,399 US$.

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12mm F2.8 Laowa Zero Venus lens http://www.personal-view.com/talks/discussion/15322/12mm-f2.8-laowa-zero-venus-lens Wed, 06 Jul 2016 07:47:34 -0600 Vitaliy_Kiselev 15322@/talks/discussions The Laowa Zero-D 12mm f/2.8 from Venus Optics is a new ultra wide angle lens for 35mm full-frame cameras.

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Specs

  • Image circle - FF, 24x36
  • Field of view - 121.96°
  • 16 elements, 2 aspherical and 3 anomalous dispersion glass, in 10 groups
  • 7 aperture blades
  • F2.8 - F22 aperture
  • Manual focus lens
  • Minimum focusing distance is 0.18m
  • Lens diameter - 74.8mm, length - 82.2mm
  • 570g.
  • Versions for Canon, Nikon, Pentax, Sony E
  • $949 price
  • Available in November 2016

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12-100mm F4 IS PRO Olympus lens http://www.personal-view.com/talks/discussion/15722/12-100mm-f4-is-pro-olympus-lens Tue, 13 Sep 2016 21:22:34 -0600 Vitaliy_Kiselev 15722@/talks/discussions image

Specs:

  • Video oriented lens
  • 17 lenses in 11 groups, one DSA lens, 5 ED lenses, two super HR lenses, one HR lens, three aspherical lenses
  • Nano coating
  • 0.15m-0.45m minimum focusing distance
  • 7 aperture blades
  • 5-axis super efficient stabilization, up to 6.5 stops
  • 72mm filters
  • Dust and waterproof design
  • Function button
  • Manual focus clutch mechanism
  • 77.5 x 116.5mm size
  • 561g
  • $1299.99 USD and $1599.99 CAD
  • Available at https://www.amazon.com/Olympus-V314080BU000-12-100mm-M-Zuiko-Digital/dp/B01LWC5IMC/

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How lenses are made http://www.personal-view.com/talks/discussion/51/how-lenses-are-made- Wed, 04 May 2011 08:41:59 -0600 Vitaliy_Kiselev 51@/talks/discussions


Cosina video

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25mm F1.2 Pro Olympus lens http://www.personal-view.com/talks/discussion/15721/25mm-f1.2-pro-olympus-lens Tue, 13 Sep 2016 21:19:33 -0600 Vitaliy_Kiselev 15721@/talks/discussions image

Specs

  • 19 lenses in 14 groups, one Super ED lens, 2 ED lenses, one E-HR lens, three HR lenses, one aspherical lens
  • Nano coating
  • 0.3m minimum focusing distance
  • 9 circular aperture blades
  • 62mm filter
  • 70 x 87mm size
  • 410g weight
  • Dust and waterproof design
  • Function button on lens
  • Manual focus clutch
  • $1,199.99 USD and $1,499.99 CAD
  • Available at https://www.amazon.com/Olympus-V311080BU000-25-25mm-1-2-16-M-Zuiko/dp/B01LW4IFUI/
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14mm F2.8 AF Samyang Rokinon lens http://www.personal-view.com/talks/discussion/15036/14mm-f2.8-af-samyang-rokinon-lens Tue, 03 May 2016 05:59:09 -0600 Vitaliy_Kiselev 15036@/talks/discussions image


Available for preorder at https://www.amazon.com/Rokinon-Frame-Focus-E-Mount-IO14AF-E/dp/B01L1FZN8G/


PR

The global optics brand, Samyang Optics (http://www.samyanglensglobal.com) today announced the long-awaited launch of two autofocus lenses: 14mm F2.8 and 50mm F1.4 lenses for Sony E mount Mirrorless cameras with full frame sensor size. The new 14mm and 50mm are the widest and brightest lenses in their classand offer superb quality images to photographers. This launching expands the boundaries of Samyang Optics photo lens line-up from manual focus only, to now include autofocus lenses.

Optimised Optical Design as Full Frame Mirrorless Camera Lens

Both 14mm F2.8 ED AS IF UMC and 50mm F1.4 AS IF UMC are specifically designed to work in harmony with full frame mirrorless cameras in Sony E mount. The flow of light is devised based on the uniqueness of the distance from glass to sensor in mirrorless cameras to create optimal performance. Along with portability of mirrorless lenses, the 14mm F2.8 and 50mm F1.4 are compatible with full frame sensors to deliver the wideness and sharpnessof image to photographers.

The 67mm filter diameter brings the maximum amount of light into the lens to create the best work of light in photography. The 14mm F2.8 is the widest angle available in the market and the F1.4 of 50mm and F2.8 of 14mm apertures are by far the brightest of full frame mirrorless lenses, offeringa beautiful bokeh effect and the best quality images under various exposure conditions.

Based on Samyang Optics’ exceptional optical technology, aspherical lenses have been included in both lenses to minimise aberration and unnecessary light dispersion, delivering high resolution from the centre to the corners of the image.

AF Performance and Ergonomic Design Based on Class-Leading Technology

These new products will be the first autofocus lenses in over 40 years of Samyang’s class-leading core optics technologies. Samyang has captured the essence of world leading image technology with their manual focus lenses and reinterpreted it into autofocus lenses. Photographers now can enjoy the prime manual lens image quality and autofocus lens. These new 14mm F2.8 and 50mm F1.4 are compatible with both phase detect and contrast detect sensors to operate fast and accurate focus detection.

The 67mm filter diameter is also the result of years of R&D for best handling, by adding stability to the photo-taking experience. Also the minimal and sleek design and metal-housing solidify the build quality with the internal focus system.

These two new autofocus lenses from Samyang Optics will be exhibited at the Photo & Imaging 2016 Show in Seoul, South Korea. The lenses will be globally available from July 2016. Further details, pricing and availability will follow.

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15mm F2.4 Irix lens http://www.personal-view.com/talks/discussion/14830/15mm-f2.4-irix-lens Sat, 19 Mar 2016 05:27:15 -0600 Vitaliy_Kiselev 14830@/talks/discussions image

PR

The Irix 15mm f/2.4, both the Blackstone and the Firefly versions, is ready for sale”, announces TH Swiss Company. Starting from today, first deliveries of products have been shipped to distributors and retailers. Soon the customers will be able to enjoy the quality of Irix.

Irix 15mm f/2.4 lens is designed to deliver the best optical performance and match the demands of full frame DSLR cameras. Providing a focal length of 15mm, this new lens model is ideal for outdoor and indoor photography whether it is photojournalism, landscapes or architecture. The new special features such as focus lock, infinity click! and focus scale calibration set a new level of manual focus lens functionality. Thanks to sophisticated optical construction and special neutrino coating formula, colour aberration, ghosting and flare effects have been reduced to the absolute minimum. With a minimum focusing distance of 0.28 metre (0.92 ft) and 9 rounded shaped aperture blades, the lens stands for supremely smooth out-of-focus areas. The design of the lens allows the use of 95 mm screw-in filters at the front and gelatin filters at the back of the lens.

Blackstone, the Premium version, has durable body made with aluminium-magnesium alloy, that ensures foolproof protection of the lens, even in extreme situations. Its construction is equipped with four seals, that protect the camera mount and focusing mechanism against the dust and moisture, as well as front or side accidental water splashes. Engraved fluorescent markings enable easy read-out and operation in low light conditions.

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Firefly is the standard version equipped with three seals that protect camera mount and focusing mechanism against dust, moisture and side accidental water splashes. Ergonomic focusing ring with rubber grip offers the freedom to operate with the camera. It is the most lightweight lens in its class.

Recommended retail prices are:

  • 695 EUR for Irix Blackstone
  • 475 EUR for Irix Firefly

Both versions are available for Canon EF and Nikon F cameras. By the end of September there will be also a Pentax K mount available.


The Irix 15mm f/2.4 lens is designed to deliver the best optical performance and match full frame DSLR cameras demands. Providing a focal length of 15mm, this new lens model is ideal for outdoor and indoor photography whether it is photojournalism, landscapes or architecture.

Innovative technology

Combining capabilities specific to analogue photography with ingenious technology and solutions, the Irix 15mm f/2.4 is the perfect tool for both professionals and hobbyists. The new special features such as focus lock, infinity click and hyperfocal scale set a new level of manual lens functionality. Focus lock enables to lock the focus ring at any time ensuring the chosen settings. Hyperfocal distance scale gives information about the accessible range for depth of field for a given aperture simply and intuitively. When the focusing ring is set in the “infinity” position, there is a noticeable “click” (infinity click), making it easier to find the value without looking.

Extraordinary optical performance

The Irix 15mm f/2.4 meets the most demanding requirements of modern cameras. Thanks to sophisticated optical construction and special neutrino coating, colour aberration, ghosting and flare effects have been reduced to the absolute minimum, so the lens is ready to meet the requirements of the 50+ megapixel sensors of the newest cameras.

The complex optical system consist of 15 elements in 11 groups. Three of the lens elements have a high refractive index and two others have been made from extra-low dispersion glass. The construction also contains two glass aspherical lenses that are responsible for extremely high image quality and improving image brightness at edges, while minimizing distortions and aberrations at the same time.

With a minimum focusing distance of 0.28 meters and 9 rounded shaped aperture blades, the lens stands for supremely smooth out-of-focus areas. Working with a narrow depth of field it allows the user to fully enjoy the bokeh effect.

Resistant to extreme conditions

Irix 15mm f/2.4 lenses are made with extreme precision, allowing them to be used in even the harshest weather conditions. Each lens is equipped with a weather sealed construction that protects the interior against dust and moisture. Thanks to inner seals they are also protected from accidental water splashes.

Prepare for more and create

Despite its short focal length and large aperture, the Irix 15mm f/2.4 is equipped with not only a front filter mount, but also has a rear gelatin filter slot. The design of the lens allows the use of 95 mm screw-in filters at the front in the petal-shape lens hood and gelatin filters at the back of the lens. This ensures unlimited possibilities for image creation.

Personalize your view

For the comfort of our customers Irix has created two versions of the Irix 15mm f/2.4 to meet their personality and individual taste.

Irix Blackstone: classic design meets maximum functionality, achieving the perfect match of innovative technology. The durable aluminium and magnesium body ensures foolproof protection of your lens, even in extreme conditions. Engraved fluorescent markings that reflect the light enable easy operation in all lighting conditions.

Irix Firefly: high quality mechanism in a handy design. Ergonomic focusing ring offers the freedom to capture the most ideal moment, whether it is big city architecture or wildlife scenery. The most lightweight lens in its class. Challenge accepted.

Ultimate precision

Each Irix 15mm f/2.4 lens leaving the factory has been properly calibrated. However, the focus calibration function provides the unique opportunity to adjust the focusing scale for a particular model of camera.

http://irixlens.com/

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14mm F2.4 Samyang Premium lens, Zeiss you can afford http://www.personal-view.com/talks/discussion/15703/14mm-f2.4-samyang-premium-lens-zeiss-you-can-afford- Mon, 12 Sep 2016 03:18:44 -0600 Vitaliy_Kiselev 15703@/talks/discussions image

Specs

  • 18 elements in 14 groups, 3 aspherical HR lenses, 1 ED, 2 low dispersion lenses.
  • manual focus
  • designed for 8K video and 50Mpix photo sensors
  • min focusing - 0.28m
  • 9 pieces circular aperture
  • 800g
  • 109.4mm Long, 95mm diameter
  • Canon EF, Nikon F and Sony E mounts
  • Zeiss like design and performance

More info - http://www.samyanglensglobal.com/product/detail.do?SQ=52

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12-60mm F2.8-4 Panasonic Leica lens http://www.personal-view.com/talks/discussion/15773/12-60mm-f2.8-4-panasonic-leica-lens Thu, 22 Sep 2016 03:18:17 -0600 Vitaliy_Kiselev 15773@/talks/discussions .image

For now it is just announcement.

It will be first lens in series.

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105mm F2 Laowa F2, T3.2 STF LENS http://www.personal-view.com/talks/discussion/14696/105mm-f2-laowa-f2-t3.2-stf-lens Thu, 03 Mar 2016 03:21:20 -0700 Vitaliy_Kiselev 14696@/talks/discussions image

  • Manual Focus
  • Filter Size is 67mm
  • F2 (T3.2, due to apodization element) to F22
  • 11 elements in 8 groups
  • Aperture Blades - 8 F‐stop, 14 T‐stop
  • Min. Focus Distance 0.9M
  • 745g
  • 76mm x 98.9mm
  • $699
  • Cheaper on our deals - http://www.personal-view.com/deals/lenses/laowa

UK OPTICS (LAOWA UK) is pleased to present the Laowa 105mm F2 STF Lens. STF stands for Smooth Trans Focus, in reference to its special optical system, which is intended to deliver smooth transitions between crisp in‐focus areas and creamy defocused background or foreground areas. This unique manual focus only lens has an integrated apodisation filter that provides superior bokeh rendering and crystal sharp images.

Full frame compatible lens featuring 11 elements in 8 groups with a 14 blade aperture* and a minimum focus distance of just 0.9M. All metal alloy construction housing multi‐coated glass elements throughout. At a focal length of 105mm and with the inherent softly diffused bokeh, this lens is perfect for portraiture.

The Laowa 105mm F2 STF lens is one of only a few lenses currently offering an apodisation effect. Available later in March with an MSRP of £649.99, in the following mounts: Nikon, Canon, Sony A, Sony E and Pentax.

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12mm F1.4 Panasonic Leica lens http://www.personal-view.com/talks/discussion/15216/12mm-f1.4-panasonic-leica-lens Tue, 14 Jun 2016 08:58:50 -0600 Vitaliy_Kiselev 15216@/talks/discussions image

PR

The new 12mm wide-angle lens enables photographers to capture beautiful group, event, and nature photography. It also allows indoor shooting in low lighting and produces an impressive, natural defocusing effect with its F1.4 aperture. In addition, the LEICA DG SUMMILUX 12mm/F1.4 ASPH. boasts a rugged, splash/dust-proof design (when combined with splash and dustproof LUMIX G Mirrorless camera models) to meet the needs of a wide-range of photographic situations.

Integrating two aspherical lenses, two UED (Ultra Extra-Low Dispersion) lenses and an ED (Extra-Low Dispersion) lens, the lens system is comprised of 15 elements in 12 groups. The adoption of five special lenses makes it possible to meet the stringent LEICA standard for exceptional image quality with high resolution and minimum distortion. In general, flare is commonly seen around the periphery of a point source with many high-speed lenses when a large aperture is employed. However, the new LEICA DG SUMMILUX 12mm/F1.4 ASPH. achieves high resolution from the center of the image to the corners by suppressing this flare. Users can take advantage of this lens to shoot a brilliant night skies or night scenes containing illumination to capture true-to-life images with minimal blurring and distortion at the edges. The multi-coated lens elements also minimize ghosting and flaring.

Incorporating an inner focus drive system and a stepping motor, the new LEICA DG SUMMILUX 12mm/F1.4 ASPH. is capable of smooth, silent operation together with the camera’s high-speed, high-precision contrast AF system for both photo and video recording. It is also compatible with the sensor drive at a maximum of 240 fps to take full advantage of cameras with high-speed AF. This stunning AF performance is excellent for recording 4K videos, where precise focusing is essential.

The LEICA DG SUMMILUX 12mm/F1.4 ASPH. comes with an aperture ring for direct, intuitive aperture control. Nine blades give the aperture a rounded shape that produces an attractively smooth effect in out-of-focus areas when shooting at larger aperture settings. A highly reliable metal mount assures durability for repeated use. The lens mount, the barrel and the hood are all made of metal to provide a sleek, sophisticated design that matches the entire line-up of LUMIX G Digital Single Lens Mirrorless (DSLM) cameras.

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150-600mm F5-6.3 Di VC USD G2 Tamron lens http://www.personal-view.com/talks/discussion/15627/150-600mm-f5-6.3-di-vc-usd-g2-tamron-lens Wed, 31 Aug 2016 06:25:49 -0600 Vitaliy_Kiselev 15627@/talks/discussions image

Specs

  • Focal Length : 150-600mm
  • Maximum Aperture is F3.5-6.3
  • Angle of View (diagonal) : 16°25' - 4°8' (for full-frame format): 10°38' - 2°40' (for APS-C format)
  • Optical Construction: 21 elements in 13 groups
  • Minimum Object Distance : 86.6 in
  • Maximum Magnification Ratio : 1:3.9
  • Filter Size : Ø95mm
  • Maximum Diameter : Ø108.4mm
  • Length : for Canon 10.2 in / for Nikon 10.1 in
  • Weight : for Canon 70.9 oz / for Nikon 70.2 oz
  • Aperture Blades : 9 circular
  • Minimum Aperture : F/32-40
  • Image Stabilization Performance: 4.5 stops
  • Standard Accessories : Lens hood, Lens caps, Lens case
  • Compatible Mounts : Canon, Nikon, Sony A-mount
  • $1399, available to preorder at https://www.bhphotovideo.com/c/buy/Tamron/Ntt/Tamron+SP+150-600mm+F5-6.3+Di/N/0+176

PR

From Tamron: September 1, 2016, Saitama, Japan – Tamron Co., Ltd. (President & CEO: Shiro Ajisaka), announces the launch of the SP 150-600mm F/5-6.3 Di VC USD G2 (Model A022). This second generation “G2” lens builds upon the success of the SP 150-600mm F/5-6.3 Di VC USD, which launched in December 2013 and continues to successfully meet photographers’ needs in the ultra-telephotography category.

The new G2 version was developed to provide superior optical performance with today’s high resolution DSLRs and to add improvements to several features including speed and accuracy of AF and VC (Vibration Compensation). Also, several new features have been added: FLEX ZOOM LOCK mechanism, Fluorine Coating and optional tele converters. The new lens delivers outstanding performance and a luxurious, upscale appearance, including a metal lens barrel.

Tamron SP 150-600mm f/5-6.3 Di VC USD G2 Highlights:

Optical design refreshed to achieve even higher performance

Three LD (Low Dispersion) lens elements completely eliminate axial and transverse chromatic aberrations. The design also features upgraded optical construction (21 elements in 13 groups) and leverages improvements in manufacturing technology. As a result, the lens delivers high resolution, improved sharpness and overall better performance.

Tamron’s sophisticated eBAND Coating for eliminating ghosting and flare

eBAND (Extended Bandwidth & Angular-Dependency) Coating is a nano-structured layer deployed on the lens element surface. In addition to regular anti-reflection coatings, eBAND Coating offers higher light transmission and significant improvement in anti-reflection characteristics, especially against angulated incident rays. Combined with of BBAR (Broad-Band Anti-Reflection) coatings, flare and ghosting are reduced to imperceptible levels.

MOD reduced to provide optimum tele-macro photography

Tamron’s advanced manufacturing technology has made it possible to reduce the MOD (Minimum Object Distance) to 2.2m (86.6 in), compared to 2.7m for Model A011, and has allowed for the wonders of tele-macro photography.

AF speed is faster and much more responsive with moving subjects

The Model A022 is equipped with a USD (Ultrasonic Silent Drive) ring-type motor that delivers excellent responsiveness and control. AF speed is significantly improved from current model, and it enables accurate high-speed focus even when capturing moving subjects.

When shooting with AF, the Full-time Manual Focus override allows you to instantly make fine focusing adjustments manually, without having to switch between modes.

VC performance is now 4.5 stops and offers three modes optimized for different situations

The VC (Vibration Compensation) effectiveness is equivalent to 4.5 stops, based on image stabilization performance levels established by CIPA (Camera & Imaging Products Association) when using in VC MODE 3. Model A022 now has three types of VC modes, and it is possible to choose the optimum VC mode according to the situation for taking a photograph, such as when wishing to pan the camera.

VC MODE 1 is the standard mode that strikes a great balance between the stability of the viewfinder image and the stabilization effects.
VC MODE 2 is exclusively used for panning.
VC MODE 3 prioritises the stabilization of the captured images and forgoes the stabilization of the viewfinder image.

With the optional accessory TAMRON TAP-in ConsoleTM, you can custom the configuration of VC MODE 1. Choose the viewfinder view of either standard or viewfinder image priority.

New FLEX ZOOM LOCK mechanism enables the locking of the zoom ring at any position

FLEX ZOOM LOCK mechanism quickly locks or unlocks the zoom at any position simply by sliding the zoom ring. Photographers can shoot from any angle without the zoom extending unintentionally. Additionally, the conventional Zoom Lock switch prevents unwanted barrel extension during transportation.

Fluorine Coating and the Moisture-Resistant Construction for a more user-friendly lens

The front surface of the lens element is coated with a protective fluorine compound that is water- and oil-repellant. The lens surface is easier to wipe clean and is less vulnerable to the damaging effects of dirt, dust, moisture and fingerprints. For greater protection when shooting outdoors, leak-proof seals throughout the lens barrel help protect your equipment.

Electromagnetic diaphragm system now used also for Nikon-mount lenses

An electromagnetic diaphragm system, which has been a standard feature for Canon-mount lenses, is now employed in Nikon-mount lenses*2. More precise diaphragm and aperture control is possible because the diaphragm blades are driven and controlled by a motor through electronic pulse signals.

The lightweight and easy-to-hold tripod mount that is compatible with an Arca-Swiss style quick release plate

A new textured grip and Arca-Swiss style tripod interface enhances both speed and utility. And because the tripod mount is made of lightweight magnesium, it is much easier to carry.

Compatible with TAMRON TAP-in ConsoleTM, an optional accessory product

The optional TAP-in Console provides a USB connection to your personal computer, enabling you to easily update your lens’s firmware as well as customize features including fine adjustments to the AF and VC.

New tele converters developed exclusively for the Tamron lens

Two exclusive tele converters, which perfectly match the optics of the new SP 150-600mm G2 (Model A022), offer 1.4x and 2.0x magnification, and provide a maximum zoom range up to 1200mm on a full-frame camera, and up to 1860mm on an APS-C camera. These new tele converters extend focal length of the master lens, making it possible to take pictures in farther ultra-telephoto ranges.

Based on the rigorous quality standards worthy of the SP series, this new lens is manufactured with thorough attention to details

For the SP series products in particular, Tamron has established rigorous design and quality standards. These standards apply to the optical design, mechanical design and the cosmetic appearance, as well as to such wide-ranging areas as the product’s robustness and improvements in various individual functions. Tamron thoroughly reviews of all of the design and manufacturing processes in order to offer products to customers with ever-higher precision and quality levels.

For the SP 150-600mm G2 (Model A022), the optical design was refreshed, mechanical parts were improved and a new exterior design was adopted. To maximize the optical performance intrinsic to this product, Tamron improved the accuracy of component parts and increasing the precision of the overall zooming mechanism.

Design Concept

The new design adopted for the four SP series lenses already on the market is essentially the fusion of engineering and style, the pursuit of functional beauty and craftsmanship achieved by giving meticulous attention to minute details. Using metal as the exterior material creates a high-grade design based on the concept that emphasizes “Human Touch” characteristics, and significantly improves user-friendliness. The SP models feature a novel design for the switches, easy-to-read characters, an enlarged window over the distance scale and the adoption of organic forms easy for the photographer’s fingers to hold onto.

This design philosophy—the pursuit of functional beauty with a “Human Touch”—is applied even to the most minute details of the new SP 150-600mm G2 ultra-telephoto zoom. By using metal for the exterior material and adding new functions such as the FLEX ZOOM LOCK mechanism, the Model A022 achieves a size and weight that makes comfortable handheld shooting possible, with a slim and stylish appearance design to top it all off.

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30mm F1.4 Sigma DC lens http://www.personal-view.com/talks/discussion/14640/30mm-f1.4-sigma-dc-lens Tue, 23 Feb 2016 07:07:24 -0700 Vitaliy_Kiselev 14640@/talks/discussions image

Specs

Combining outstanding optical performance and compact design, the new affordable Sigma 30mm F1.4 DC DN Contemporary Lens brings immense value to mirrorless cameras. Boasting superior image quality with F1.4 brightness, the versatile lens covers a wide range of photo and video capture scenarios, delighting users with its beautiful bokeh effects.

Contemporary Line Performance and Value

  • Represents first affordable F1.4 performance lens for the mirrorless market
  • Sigma engineered quality within a sleek compact design
  • Fast, smooth AF stepping motor designed to support video
  • Features one aspherical element and one double-sided aspherical element producing imaging quality comparable to the Art line.
  • Features 9 elements / 7 groups, Minimum Aperture: F16, 52mm filter thread, Minimum Focus Distance: 11.8in, Weight: 9.3oz, Dimensions: 2.6x2.9in.

The new Sigma 30mm F1.4 DC DN Contemporary Lens will be available in Sony E-Mount and Micro Four Thirds mount. For more information, please visit www.sigmaphoto.com/30mm-f1-4-dc-dn-c

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30mm F3.5 Macro Olympus lens http://www.personal-view.com/talks/discussion/15723/30mm-f3.5-macro-olympus-lens Tue, 13 Sep 2016 21:26:11 -0600 Vitaliy_Kiselev 15723@/talks/discussions image

http://www.getolympus.com/lenses/m-zuiko-ed-30mm-f3-5-macro.html

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50mm F2.8 FE Sony lens http://www.personal-view.com/talks/discussion/15614/50mm-f2.8-fe-sony-lens Tue, 30 Aug 2016 09:56:06 -0600 Vitaliy_Kiselev 15614@/talks/discussions image

Specs

Sony Electronics, a worldwide leader in digital imaging and the world’s largest image sensor manufacturer, has today introduced a new full-frame lens for their E-mount camera system, the FE 50mm F2.8 Macro lens (model SEL50M28).

Ideal for everyday photography, this 50mm macro lens features an F2.8 maximum aperture that offers outstanding image quality and bokeh, while its 1:1 macro capability allows the photographer to get sharp close-up shots of their subject. Additionally, its comprehensive range of controls including focus-mode switch, focus-range limiter and focus-hold button ensure an effortless shooting experience for a wide range of users.

The lens offers a 6.3 inch minimum focusing distance and a wider field of view for capturing more background, compared to longer focal-length macro lenses. Weighing in at a mere 8.4 oz., it’s extremely lightweight and portable, making it easy to carry around.

The new FE 50mm F2.8 Macro lens features an ED (Extra-low Dispersion) glass to effectively compensate for axial chromatic aberration at close focus, allowing it to create consistently sharp and high quality images. The optical and mechanical construction of the lens has less glare and ghosting, even without a lens hood. The lens is also dust and moisture resistant.

Pricing and Availability

The new FE 50mm F2.8 Macro lens will be available in September for about $500 US and $650 CA, respectively. It will be sold at a variety of Sony authorized dealers throughout North America.

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12-35mm F2.8 Panasonic lens topic http://www.personal-view.com/talks/discussion/3283/12-35mm-f2.8-panasonic-lens-topic Sun, 20 May 2012 20:41:13 -0600 Vitaliy_Kiselev 3283@/talks/discussions image



Price: $1299, 1100 Euro, 999 pounds

Avilable at:

Press release:

http://www.photographyblog.com/news/panasonic_lumix_g_x_vario_12-35mm/

Previews and reviews:

Samples:

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70-300 F4-5.6 IS II USM Canon lens http://www.personal-view.com/talks/discussion/15709/70-300-f4-5.6-is-ii-usm-canon-lens Mon, 12 Sep 2016 20:17:33 -0600 Vitaliy_Kiselev 15709@/talks/discussions image

Specs

  • 17 lenses in 12 groups, one UD lens
  • 9 circular aperture blades
  • 1.2m minimum focusing distance
  • 0.25x times magnification
  • 4 stops IS
  • 67mm filter
  • 80mm × 145.5mm size
  • 710g
  • Nano USM drive
  • Full-time manual focus
  • $550 price
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18-150 F3.5-6.3 IS STM Canon lens http://www.personal-view.com/talks/discussion/15710/18-150-f3.5-6.3-is-stm-canon-lens Mon, 12 Sep 2016 20:20:06 -0600 Vitaliy_Kiselev 15710@/talks/discussions image

Specs

  • 17 lenses in 13 groups, one UD lens, 2 aspherical lenses
  • 7 circular aperture blades
  • Minimum focusing distance - 0.25m to 0.45m
  • 4 stops IS
  • 55mm filter
  • 60.9 × 86.5mm size
  • 300g
  • Comes with hood
  • Stepping motor made for video
  • Full-time manual focus
  • $499 price
  • Silver available at http://www.adorama.com/ca18150s.html
  • Black available at http://www.adorama.com/ca18150.html
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Focal Lengths and Lenses used by Great Directors http://www.personal-view.com/talks/discussion/15725/focal-lengths-and-lenses-used-by-great-directors Wed, 14 Sep 2016 11:56:49 -0600 Manu4Vendetta 15725@/talks/discussions

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18-110mm F4.0 G PZ Sony APS-C Sony lens http://www.personal-view.com/talks/discussion/15666/18-110mm-f4.0-g-pz-sony-aps-c-sony-lens Tue, 06 Sep 2016 10:44:02 -0600 Vitaliy_Kiselev 15666@/talks/discussions image

Specs

  • 18 elements in 15 groups, 6 aspherical elements, 3 ED (Extra-low Dispersion)
  • 7 blade circular aperture design
  • Not parfocal zoom. but in AF mode it can emulate it (how good is uncertain)
  • High resolution suited to professional 4K movie production
  • Smooth Motion Optics (SMO) design and construction to minimize unwanted focus and image shifts whilst focusing or zooming
  • Three separate focus, iris and zoom rings for professional operation
  • Optical image stabilization
  • Dust and moisture resistance
  • $3,500 US price, and somehow 4000 EUR in EU
  • Available in November

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21-100mm T2.9-3.9 Zeiss Lightweight Zoom lens http://www.personal-view.com/talks/discussion/15652/21-100mm-t2.9-3.9-zeiss-lightweight-zoom-lens Sun, 04 Sep 2016 06:03:57 -0600 Vitaliy_Kiselev 15652@/talks/discussions image


Available for preorder at: https://www.bhphotovideo.com/c/product/1278222-REG/zeiss_2149_289_21_100mm_t2_9_3_9_lightweight_zoom.html


Specs:

  • Focal length - 21-100mm
  • Aperture range - 2.9 – 22, 11 blades
  • Lens - 22 elements in 18 groups
  • Close focus is 0,8m/ 2’8”
  • Focus ring rotation angle (inf-MOD) - 294°
  • Zoom rotation angle - 100°
  • Aperture rotation angle - 48°
  • Front diameter is 114mm/ 4.49”
  • Length is 226mm/ 8.9”
  • Weight - 2.0kg/ 4.4 lbs
  • Sensor coverage - ANSI Super 35mm


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Angenieux EZ zoom lenses http://www.personal-view.com/talks/discussion/15699/angenieux-ez-zoom-lenses Sun, 11 Sep 2016 09:46:39 -0600 Vitaliy_Kiselev 15699@/talks/discussions

PR

Thales Angenieux, in collaboration with Band Pro Film & Digital Inc., and Jebsen Industrial Technology Co. Ltd., announces at IBC 2016 a new range of zoom lenses – the Angénieux Type EZ Series – two fast and light weight zoom lenses integrating an innovative modular design (Interchangeable Rear Optics IRO technology™) to cover S35 mmm and larger image formats for cine and broadcast productions.

Designed for both Super 35mm digital motion picture cameras, and FF/VistaVision cameras, the new Angenieux Type EZ series has been created to fill the wide gap between still photography zooms, and the highly acclaimed OPTIMO / OPTIMO STYLE family of lenses used in the motion picture industry. For the first time, ENG-style productions will get the flexibility necessary for run-and-gun shooting, combined with high optical quality at an affordable price.

The Angenieux Type EZ Series features two new fast and light weight zooms, both lenses allow the rear lens group to be exchanged between S35mm (up to 30mm image diagonal), and FF/ VistaVision formats (up to 46mm image diagonal).

The Angenieux Type EZ-1 is a standard zoom lens with a zoom factor of 3x. When configured for S35mm cameras, the focal range and aperture are set to 30-90mm F1.9 / T2. By exchanging the rear lens group, the lens becomes a 45-135mm F2.8 / T3 covering an image circle up to 46mm diagonal.

image

The Angenieux Type EZ-2 is a wide zoom lens with a zoom factor of 2.7x. When configured for S35mm cameras, the focal range and aperture are set to 15-40mm F1.9 / T2. Byexchanging the rear lens group, the lens becomes a 22-60mm F2.8 / T3 covering an image circle up to 46mm diagonal.

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Both lenses are built in a full metal casing, with internal thermal drift compensation, which allows focus to remain constant when the temperature changes. Focus / Zoom / T-stop can be controlled precisely due to the wide rotation angle of the 3 control rings, which are also equipped with cinema industry standard gear teeth. The lens size remains consistent across the zoom range due to the internal focusing & zooming mechanism. Users can easily configure these lenses to support different imaging formats (S35 or FF/VistaVision), and different lens mounts (PL, EF, or E) on their own, without returning their lenses to service centers.

Full frame EZ zooms will fit RED 8K VV, Red cameras recording at resolutions higher than 5.5K, ARRI Alexa Open Gate, ARRI Alexa 65 with VistaVision crop and also Full Frame DSLR cameras such as SONY a7S Mark II, Canon EOS 5D Mark IV, 5DS, 1DX Mark II…and more to come. Detachable ENG style zoom servo grips and other accessories are being developed by third party manufacturers .

The Type EZ series will address the requirements of independent videographers and cinematographers, who are seeking for cost efficient tools that enable cinematic expressions. The exceptionally fast T2 lens opening provides tremendous control of depth of field, only previously found in prime lenses. Thanks to the Angenieux innovative system, the ability to convert lens mounts, and the image circle size makes the Type EZ lens series a solid investment to all industry professionals.

“Being the worldwide leader in premium quality cinematography zoom lenses, it’s critically important for Angenieux to address the ever-growing, affordable digital motion picture camera market.”, noted Pierre ANDURAND, CEO of Thales Angenieux. “The challenge is to provide a cost efficient, professional quality lens that can be used on both current S35 cameras, and future cameras built around larger imaging sensors”.

“Type EZ lenses are one of the fastest zooms in the industry with an open aperture of F1.9 or T2. When converting the image circle between S35 & VistaVision, the field of view remains fairly identical, so there are no crop factors to worry about. The wide zoom can be used as a wide zoom regardless of the image circle size.” says Christophe REMONTET, Thales Angenieux Product Line Manager.

Deliveries are expected to start from the 1st quarter of 2017 through selected distribution partners.

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50mm F1.4 ZA Planar Sony lens http://www.personal-view.com/talks/discussion/15341/-50mm-f1.4-za-planar-sony-lens Mon, 11 Jul 2016 07:48:54 -0600 Vitaliy_Kiselev 15341@/talks/discussions image

Specs:

  • 12 elements 9 groups, 2 aspherical and 1 ED element
  • 11 diaphragm blades
  • Min focus - 0.45 m
  • Ultrasonic motor
  • 778 g
  • 84x108mm
  • Price - $1500
  • Available - July


Preorder soon at http://www.bhphotovideo.com/c/product/1264965-REG/sony_sel50f14z_planar_t_fe_50mm.html


PR

Sony Electronics, a worldwide leader in digital imaging and the world’s largest image sensor manufacturer, has today introduced a new full-frame lens for their E-mount camera system, the Planar T* FE 50mm F1.4 ZA (model SEL50F14Z).

This 50mm prime lens features a large F1.4 maximum aperture that offers impressive contrast and outstanding resolution that are hallmarks of the ZEISS® brand. It produces these consistently strong qualities throughout the entirety of the frame – from center to corner – and at all aperture settings, even while shooting wide open at F1.4. The cutting edge optical structure includes high-precision AA (Advanced Aspherical) and ED (Extra-low Dispersion) glass elements that reduce spherical and chromatic aberration, as well as a ZEISS® T* Coating that minimizes flare and ghosting creating the classic ZEISS® clarity. Additionally, its Planar design ensures minimal distortion.

The large F1.4 maximum aperture of the FE 50mm F1.4ZA lens provides a level of brightness and speed that are advantageous for dimly lit indoor shots, night scenes, and portraits, while its 11-bladed circular aperture allows for stunning “bokeh”, or background defocus, in images. The lens also features an aperture ring with an adjustable ON/OFF switch, an AF/MF focus mode switch, and a dust and moisture resistant design¹, further increasing its functionality.

The new lens is also equipped with a ring drive SSM (Super Sonic wave Motor) system, which allows it to efficiently lock focus with speed, precision and in near silence, making it particularly useful for shooting movies.

Pricing and Availability – FE 50mm F1.4 ZA Lens

The new FE 50mm F1.4 ZA lens will ship this July for a retail price of $1,500 US and $1,950 CA. The new FE interchangeable lens will be sold at a variety of Sony authorized dealers throughout North America.

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Second Lens adapter on a speedbooster / focal reducer mount? http://www.personal-view.com/talks/discussion/15681/second-lens-adapter-on-a-speedbooster-focal-reducer-mount Wed, 07 Sep 2016 16:02:36 -0600 VortekShow 15681@/talks/discussions Hey, quick question. Focal reducers convert a camera mount to modern mount, however I use only vintage lenses and I had the question wether you could adapt from the focal reducer mount to different lens mounts by adding an additional adapter. I don't think this would work but maybe somebody can explain it to me.

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18-270mm F3.5-6.3 Di II VC PZD TS Tamron lens http://www.personal-view.com/talks/discussion/15643/18-270mm-f3.5-6.3-di-ii-vc-pzd-ts-tamron-lens Fri, 02 Sep 2016 05:50:37 -0600 Vitaliy_Kiselev 15643@/talks/discussions image

Specs:

  • APS-C coverage
  • New front lens coating
  • Min focus distance is 0.49m.
  • Filters size - 62mm
  • Includes lens hood
  • Size - 74.4 × 88mm
  • 450g
  • Nikon and Canon mounts

Will be replacement of existing 18-270mm with small improvements.

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Most recommended zoom lenses for m43, including not native http://www.personal-view.com/talks/discussion/2896/most-recommended-zoom-lenses-for-m43-including-not-native Mon, 16 Apr 2012 17:12:08 -0600 Donnie88 2896@/talks/discussions I'm looking to buy a Zoom lens for my Panasonic GH2 - that covers wide and medium focal lengths.

Which one do you guys recommend the most?

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90mm F2.8 Tamron Di MACRO 1:1 VC lens, 2016 http://www.personal-view.com/talks/discussion/14633/90mm-f2.8-tamron-di-macro-11-vc-lens-2016 Mon, 22 Feb 2016 00:46:25 -0700 Vitaliy_Kiselev 14633@/talks/discussions image

Specs

  • Aperture Range - F2.8 to F32
  • One LD and Two XLD Glass Elements
  • eBAND, BBAR, and Fluorine Coatings
  • USD AF Motor, Full-Time Manual Focus
  • VC Image Stabilization
  • 1:1 Max. Magnification, 11.8" Min. Focus
  • Rounded 9-Blade Diaphragm
  • Moisture-Resistant Construction
  • Nikon, Canon EF and Sony A mounts
  • $649, available at https://www.amazon.com/Tamron-AFF017N700-90mm-2-8-USD/dp/B01C6CTT1K/
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35mm F2 YUNGNUO lens for Canon and Nikon http://www.personal-view.com/talks/discussion/12092/35mm-f2-yungnuo-lens-for-canon-and-nikon Sun, 04 Jan 2015 05:48:43 -0700 Vitaliy_Kiselev 12092@/talks/discussions image

  • Closest focusing distance - 0.25m
  • 7 aperture diaphragm

image

http://www.hkyongnuo.com/e-detaily.php?ID=359

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