Tagged with lens - Personal View Talks http://www.personal-view.com/talks/discussions/tagged/lens/feed.rss Thu, 11 Feb 16 12:04:09 -0700 Tagged with lens - Personal View Talks en-CA How lenses are made http://www.personal-view.com/talks/discussion/51/how-lenses-are-made- Wed, 04 May 2011 08:41:59 -0600 Vitaliy_Kiselev 51@/talks/discussions

Cosina video

11-20mm F2.8 PRO Tokina http://www.personal-view.com/talks/discussion/12035/11-20mm-f2.8-pro-tokina- Fri, 26 Dec 2014 09:14:16 -0700 konjow 12035@/talks/discussions image


  • 14 lenses in 12 groups
  • F2.8-F22 aperture
  • 28cm minimum focus distance
  • 82mm filter size
  • Nine blades diaphragm
  • 89 x 92 mm
  • 560g

I can't find it Tokina website yet.


Cooke anamorphic http://www.personal-view.com/talks/discussion/12567/cooke-anamorphic Wed, 11 Mar 2015 16:46:06 -0600 RRRR 12567@/talks/discussions Hey! Long time no see, been swamped in work - I thought I'd check in with some information that might be of interest as we shot a short last week on some wonderful new Cooke anamorphics. They took a huge chunk of the tech budget, however in the light of things I felt it was really worth it. Now, some purists say these and the Arri / Zeiss anamorphics are too clinical for their preference. In my opinion they are just right for keeping a safe production workflow when you can't always adapt the way you shoot to "the ideal" or when you have to adapt the way you shoot to what you shoot.

Let me recap. We shot the short on an fs700 coupled to an Odyssey 7q+. Wonderful, powerful couple, even if I'm not the biggest fan of Sony colors. I decided to stick between 2000 iso and 6400 iso for night shots, as we didn't have the budget for a lot of lighting equipment. 6400 iso noise is a bit bad, but workable. At most I could augment and mold natural light. We decided pretty early on that Anamorphic lenses would add a cinematic twist but also contribute to a sense of realism / immersion we were after in the production. Now, these new and very expensive anamorphics are sharp enough / corrected enough to be shot wide open and the mechanics are obviously top notch, making them as functional as any high quality spherical lens. Another things is; the short was shot almost entirely hand-held and when it comes to anamorphics, that can really skew things up badly if an adapter is only slightly off axis f.i.. I was a bit worried during the first day of shooting, as we didn't have a working live-grade setup for correcting the footage, however, I did not need to. These are perfectly corrected to not skew things up in a bad way, no matter how you shoot.

We ended up with the Cookes as the Arri/Zeiss ones had been booked by someone else, but they did not dissapoint one bit. After checking some tests online I chose the 40 and 75 as the former looked to have less CA / have better correction than the wider 32, while the 75 had some CA but allowed for different framing (The Arri Zeiss ones seem to be pretty identical, but the Cookes have some differences in-between them) and differences in distance emphasis, depending on location space. The lenses are massive, over 2 kg's, and I had to put together pieces from 2 different rigs to make it work, all in all we ended up with setup weighing in at around 10 kg's. After that, however, we hardly had to think any differently, though at the end of the shoot my eyes seemed to want to squeeze reality into 2x.

The bottom line, having lenses of this quality in the production allowed us to use anamorphics in the first place, to get a clear anamorphic look without the potential caveats of working with them, never taking time from the shoot. For a more extreme look, well, you may have that option with a bigger budget but then again, it's always possible to push things in the grade. (in doing both I retain control)

The lenses can be used at 2.3T (with sufficient sharpness), though I prefered to stay at 2.8 for most night exteriors. I'll add some sample frames here shortly, and update when I get into pregrade. If there are any surprises, I'll let you know.

FS: C100 Mk II bundle http://www.personal-view.com/talks/discussion/14557/fs-c100-mk-ii-bundle Wed, 10 Feb 2016 04:20:51 -0700 aaronchicago 14557@/talks/discussions Excellent condition C100 Mk II (67 hrs) with 2 official Canon C100 batteries. 128GB SD card. Canon 17-55 f2.8 lens. Ready to shoot out of the box! $4200

C100 Bundle Photo

Hours Used Photo

25mm f1.4 Leica DG Summilux http://www.personal-view.com/talks/discussion/712/25mm-f1.4-leica-dg-summilux- Fri, 19 Aug 2011 16:04:25 -0600 Mimirsan 712@/talks/discussions

Available at:



I sold my 20mm and gots me one of these babies a few days back (first batch in UK) for a really good price (under £400 early display copy no box or pouch but got the hood!).
Also owning a Voigtlander 25mm 0.95 & Voigt 35mm f1.4 Id thought I would share my personal thoughts in comparison.
Well to start...The lens is good....damn good.
Sharp even at F1.4 Detail and rendition of colour is beautiful.
AF is very fast and accurate on my GH2 not so fast on my GF1...but still faster than the 20mm f1.7
Very controlled image...by this I mean it has very little CA and no flares

But heres the Cons
Price...I was lucky to get this cheap but general UK retail is near £560!...that im sorry is ludicrous...It has astounding optics and yeah okay f1.4 with fast accurate AF is probably why but no!
Why? Build...Plastic! (albeit harder plastic than other Panny lenses)
The voigts FEELS expensive (heck even my Super Tak 50mm f1.4 feels more expensive) you know its crafted...but the Leica? Just off the mass produced factory line...for that price we deserve SOLID BUILD!

Lacks the ability for creativity because of its very controlled image...by this I mean its lacking character...much like the 20mm f1.7.
You can have more creative image with the Voigt.
Focus ring for MF...I just dont like it...theres no give...its just silly smooth so hard to be pinpoint accurate. The Voigt has very nice dampened focus ring and can be accurate even at f0.95

I would say if it was cheaper then get one as it is really superb...but as the price is very close to the voigt 25mm f0.95 I would say get that if you can live without the AF as it gives more stops of light and feels like you bought something that justifies the cost.
Is it better than the 20mm?....absolutely without question BUT if you have the 20mm and cant afford the Leica...dont lose sleep over it.

Anyway I leave this with a quick snapshot of my little girl taken with the Leica & GF1 (both at f1.4 in jpg right out of camera no post)...I was amazed by the detail even on a ye olde GF1 so can give you a idea of the quality.

FS Sigma 10-20 f4-5.6 Canon fit in mint condition http://www.personal-view.com/talks/discussion/14542/fs-sigma-10-20-f4-5.6-canon-fit-in-mint-condition Fri, 05 Feb 2016 08:59:15 -0700 a_fulda 14542@/talks/discussions I am selling my Sigma 10-20 f4-5.6 Canon fit with UV filter and original lens bag. Since it was always protected by a Hoya 77 mm UV filter the lens is in mint condition. I am selling it since I am planning to purchase a Nikon D750 as a B-Cam for my C100. Price is £80. I am happy to cover shipping costs within the UK.

FS: GH2 w/Driftwood's Drewnet 10 and more! http://www.personal-view.com/talks/discussion/14534/fs-gh2-wdriftwoods-drewnet-10-and-more Wed, 03 Feb 2016 22:38:31 -0700 T1000 14534@/talks/discussions Its time to part with some gear and upgrade! Up for sale are the following:

  • Panasonic GH2 Body only: $350.00 + 3 batteries, two chargers. Two battery are genuine Panasonic. Other is off brand. $70 for 2nd Panasonic and $40 for off brand. (Original Box is available if you'd like
  • Nikon Nikkor 50mm F1.8 AIS: $70.00
  • Nikon Nikkor 24mm F2.8 AIS: $150.00 - protrusion filed down to fit RJ Lens Turbo. Operates perfect! Original buying price. $250
  • RJ Lens Turbo - Nikon F/G reducer speed booster turbo adapter to m4/3 mft GF5 GF6 GX1 EM5 EM1 BM - $100 (Comes in original box)
  • Lowell Pro SlingShot 102 : $60.00 TOTAL: $860

Original price for all totals over $1000.

You can opt to BUY ALL for $700. I'll put it all in the Lowell Pro Sling Shot 102.

PM me if interested. US only. Paypal only. Buyer pays shipping. All equipment is well taken care of and maintained. Here are some videos I've made with this little powerhouse!

RJ Lens Turbo m43 adapters http://www.personal-view.com/talks/discussion/9086/rj-lens-turbo-m43-adapters Fri, 13 Dec 2013 14:13:02 -0700 Vitaliy_Kiselev 9086@/talks/discussions image


Above is Nikon F/G - m43 0.71x.


  • m42 to m43
  • Nikon F /G to m43 (new, with tripod mount ring, check photo above)
  • Canon EOS (passive) to m43 (new, with tripod mount ring, check photo above)
  • Canon FD to m43
  • Monolta MD to m43
  • Pentax K to m43
  • Pentax PKA to m43 (for lenses without aperture rings)

Improved optics making is sharper than Mitakon offerings.

Price: adapters without tripod mount - $122, with tripod mount - $129
Shipping: Price already includes shipping for all countries.

I want to buy this adapter.

24mm F1.4 Samyang official topic http://www.personal-view.com/talks/discussion/658/24mm-f1.4-samyang-official-topic Fri, 12 Aug 2011 18:08:48 -0600 Vitaliy_Kiselev 658@/talks/discussions
Optics of the lens has been constructed based on the system of 13 lenses arranged in 12 groups. It should be noted that 4 lenses has been made of the low-dispersion glass (ED), while two another are aspheric lenses. We have also employed multi-layered and anti-reflexive coatings of UMC type adding to the perfect light transmission. Samyang 24 mm F1.4 ED AS UMC has been designed to work with most popular reflex cameras produced by renown manufacturers and equipped with small-image sensors or smaller. The lens will be available with a mount for the following systems: Canon, Four Thirds, Nikon AE, Pentax, Samsung NX and Sony Alpha.


24mm focus is tailor-made for most of the sensors available on the market today. In the case of full-frame cameras, it constitutes a high-quality wide-angle lens perfect for street, landscape and architecture shooting. Whereas photographers using DX sensors will get just perfect lens for the purposes of calmer journalist and landscape photography. The lens attached to Four Thirds cameras will create a universal and bright construction corresponding to the 50mm focus.


The lens should be available for sale by the end of the year or at the beginning of 2012. The exact price will be announced at a later date. Soon, we will be able to present sample photos taken with this sophisticated device.




From: http://www.samyang.pl/article,8,news

Need a macro lens focusing to less than 1µm distance? http://www.personal-view.com/talks/discussion/14521/need-a-macro-lens-focusing-to-less-than-1%C2%B5m-distance Mon, 01 Feb 2016 14:32:34 -0700 karl 14521@/talks/discussions Then this development is for you:

The result is a very strong and flexible flat optical lens that is 300 times thinner than a sheet of paper and weighs a microgram — next to nothing. At the same time, it has a precise and adjustable three-dimensional focus that allows a detailed view of objects as small as 200 nanometres long at wavelengths ranging from visible to near infrared.

Link: News Article

Link: Scientific paper


Which CCTV lens for wide angle fisheye use ? http://www.personal-view.com/talks/discussion/7609/which-cctv-lens-for-wide-angle-fisheye-use- Fri, 26 Jul 2013 05:31:26 -0600 TruHype 7609@/talks/discussions Hello everyone,

I've recently started to get interested in C mount (CCTV) lens, for they are fast, wide, and cheap. So I wondered, is there any CCTV lens that I could use as a Fisheye (and get the same effect as the Panasonic 8mm f3.5, but faster) ? Here's a few lens I've found looking on the internet :

  • Rainbow 3.5mm 1.6

  • Tamron 4-12mm 1.2

  • Pentax 6mm 1.2 (+ wide conversion lens x0.45)

Wanted effect :

The GH2 exact m4/3 sensor crop is x1.86.

So I would like to get the same widness as the Panasonic 8mm or any 8mm Fisheye (Samyang, Peleng, Rokinon...) :

Panasonic 8mm : 8 x 1.86 = 14.88mm equivalent (no need for ETC mode)

Rainbow 3.5mm : 3.5 x 1.86 = 6.51 -> 6.51 x 2 = 13mm equivalent

Pentax 6mm : 6 x 1.86 = 11.16 -> 11.6 x 2 = 23.2mm equivalent -> 23.2 x 0.45 = 10.44mm equivalent

x 1.86 : GH2 Sensor Crop

x 2 : ETC tele conversion mode crop (to cover vignetting)

x 0.45 : Wide convversion lens

Does that mean we could use any CCTV c mount lens instead of the Panasonic lens to get the wide fisheye effect ?

A few videos :

Lenses :

C mount lens (1/2") work well on the GH2, but I heard that the CS mount lens (1/3") would still have really heavy vignetting because even with the ETC mode it would not cover entirely the GH2 sensor. Is that true ?

Interesting CS mount lens, but 1/3 inch : http://www.ebay.fr/itm/TAMRON-Manual-Iris-CCTV-Lens-3-0-8mm-1-1-0-ASPHERICAL-C-Mount-3-Mega-Pixel-/261248954560?pt=UK_CCTV&hash=item3cd3a6b0c0

I would use the fisheye to film Skateboarding.

Thank you.

Cheap anamorphic lenses for m43 http://www.personal-view.com/talks/discussion/2455/cheap-anamorphic-lenses-for-m43 Thu, 01 Mar 2012 12:01:34 -0700 ipcmlr 2455@/talks/discussions Was looking for a cheap anamorphic lens to be used on personal videos... Anyone have any suggestions?

150-600mm Tamron SP zoom lens http://www.personal-view.com/talks/discussion/8690/150-600mm-tamron-sp-zoom-lens Thu, 07 Nov 2013 00:20:53 -0700 Vitaliy_Kiselev 8690@/talks/discussions image

Note: Price and availability are unknown at the moment.

Lens Features:

  1. 4x ultra-telephoto zoom lens with a focal length range of 150mm to 600mm The focal length range of this lens was extended by 50mm on the wide-angle side and 100mm on the telephoto side compared to the existing model (Model A08), making it possible to take even more striking photographs of birds, wildlife, sports, and other distant subjects. Mounted on APS-C DSLR cameras, it has a stunning equivalent focal length range of 233mm to 930mm, almost to 1000mm.

  2. World class image quality
    Employing 20 elements in 13 groups and boasting an advanced optical design, it delivers a superior balance of resolution and contrast for sharp, clear images. The front group contains three LD (Low Dispersion) glass elements (two in the first group, one in the third) for enhanced optical correction effectiveness, enabling the lens to thoroughly compensate for on-axis aberrations at the telephoto end.
    The lens also adopts eBAND Coating, developed from state-of-the-art coating technologies, and conventional BBAR(Broad-Band Anti-Reflection) Coating to greatly suppress ghosting and flare even when shooting under adverse lighting conditions.

  3. Achieves a 600mm focal length in a compact easy-to-handle package
    Ingenious optical design features minimize the movement of lens groups within the lens when zooming. This reduces the amount of barrel extension needed to cover the complete focusing range, making the entire lens more compact.

  4. Beautiful background blur effects
    Adopting a 9 blade circular diaphragm enables users to create beautiful background blur effects (bokeh), which provide even greater potential for creative expression. This circular diaphragm retains a nearly circular shape even at two stops down from its maximum aperture.

  5. Vibration Compensation
    Tamron’s proprietary VC (Vibration Compensation) image stabilization system uses a three-coil system, delivering significantly sharper images and creating greater opportunities for handheld ultra-telephoto photography.

  6. Comfortable autofocus
    Tamron’s new SP 150-600mm F/5-6.3 Di VC USD features a USD (Ultrasonic Silent Drive) ultrasonic motor drive*³ for swift and accurate AF response, it delivers high torque, very fast response times, and very low noise. The full-time manual focus mechanism allows users to make fine manual focus adjustments at any time even when AF is engaged.

  7. New elegant, high-class external finish
    Tamron has upgraded the cosmetic design and finish of this lens to create a more sophisticated, high-end look in keeping with the demands of discerning full-frame DSLR users.
    Employing a sophisticated linear pattern rubber grip on the zoom and focus rings and an attractive and stylish tungsten silver name-brand ring, this newly designed model accentuates its visceral presence with understated elegance and class.

  8. Easy-to-use tripod mount
    The tripod mount has been completely redesigned to provide superior stability, durability, ease of use, and portability.

  9. Comes with "SILKYPIX Developer Studio for Tamron", RAW image development processing software for Tamron’s SP lenses

Kowa m43 cine lenses lineup http://www.personal-view.com/talks/discussion/8767/kowa-m43-cine-lenses-lineup- Wed, 13 Nov 2013 10:22:52 -0700 astraban 8767@/talks/discussions image

Some good news for the format (including an 8,5 mm f/2.8)

Choosing gears for follow focus http://www.personal-view.com/talks/discussion/1568/choosing-gears-for-follow-focus Sun, 27 Nov 2011 20:30:20 -0700 johnnyblank 1568@/talks/discussions
http://www.ebay.com/itm/170648910462?ssPageName=STRK:MESINDXX:IT&_trksid=p3984.m1436.l2649 - they look like a good price.

Also I'd be interested in 360 gears, but haven't seen many on the market.]]>
MFT lenses: Panasonic Sharpness versus Cine-Lens Softness http://www.personal-view.com/talks/discussion/14419/mft-lenses-panasonic-sharpness-versus-cine-lens-softness Tue, 12 Jan 2016 07:48:43 -0700 Brian_Siano 14419@/talks/discussions I just did a shoot where we used three Panasonic cameras of different capabilities: a GX7 and my GH2 shooting in 1080p, and my GH4 using Vlog in 4K. Most of the time, the GX7 used Panasonic lenses, while I used combinations of SLR Magic and Rokinon cine lenses to pull focus properly.

Well, now we're in post, and there are a few problems. The GX7's footage is, well, pretty vibrant: it's smooth, with vivid color, and very sharp focus. And not only is it difficult to grade Vlog to match it (Balazar's LUTs are a big help), I'm finding that my cine-lens footage is just a lot softer than the stuff shot with auto-focus lenses.

Is this kind of the rule with lenses-- that the auto-focus lenses made by Panasonic are just sharper than Rokinon or SLR primes?

(Also, a side question: if I use sharpening on my 4K footage, which is better: sharpen the 4K and then reduce to 1080p, or reduce to 1080p and then sharpen?)

FS: GH2 Package (24mm f/2 FD Lens, 50mm f/1.4 FD Lens, RJ Lens Turbo, etc.) http://www.personal-view.com/talks/discussion/14423/fs-gh2-package-24mm-f2-fd-lens-50mm-f1.4-fd-lens-rj-lens-turbo-etc. Wed, 13 Jan 2016 03:31:53 -0700 rpcstudio 14423@/talks/discussions I'm currently selling my good condition GH2 (plus 2 batteries, charger) along with the following: • Panasonic Lumix G Vario 14-140mm f/4 - 5.8 • 24mm f/2 FD Lens • 50mm f/1.4 FD Lens • FD to Micro Four Thirds Adapter (ciecio7) • FD to Micro Four RJ Lens Turbo Focal Reducer • Nikon F to FD adapter

Selling all together for $1000

PM me if interested. Payment via PayPal

75mm F1.8 Olympus lens topic http://www.personal-view.com/talks/discussion/3323/75mm-f1.8-olympus-lens-topic Thu, 24 May 2012 05:06:41 -0600 Vitaliy_Kiselev 3323@/talks/discussions image

  • 75mm focal length
  • F1.8 aperture with circular blades
  • 3 ED and 2 HR lens elements
  • Premium multi-coating using Olympus ZERO lens coating technology
  • High speed, silent focusing with MSC lens drive technology
  • All metal barrel
  • Precision manual focus ring

Available at:

Price: 799 EUR / $899

MTF, Construction:




Previews and reviews:

15-30mm F2.8 Tamron http://www.personal-view.com/talks/discussion/11347/15-30mm-f2.8-tamron Sun, 21 Sep 2014 03:58:23 -0600 Vitaliy_Kiselev 11347@/talks/discussions


25mm F0.95 Kodak / Sakar m43 lens http://www.personal-view.com/talks/discussion/8554/25mm-f0.95-kodak-sakar-m43-lens Fri, 25 Oct 2013 15:03:04 -0600 Vitaliy_Kiselev 8554@/talks/discussions image


Upon a quick test of this Kodak-branded Sakar lens, we were surprised by how well it seems to perform at f0.95.
The build quality seems to be on par with the optical performance. Being an all-manual lens, we found both the focusing and aperture rings to run quite smoothly. The barrel of the lens seems to be made of metal, at least thats what the finish felt like.

Via http://www.thephoblographer.com/2013/10/25/surprise-surprise-sakar-bringing-fast-kodak-branded-glass-micro-four-thirds/

40mm f0.85 Handevision IBELUX coming to m43 http://www.personal-view.com/talks/discussion/9079/40mm-f0.85-handevision-ibelux-coming-to-m43 Thu, 12 Dec 2013 23:41:08 -0700 Vitaliy_Kiselev 9079@/talks/discussions image


A mutual passion for photography and the art of image capture between two companies’ owner has led two special firms, Shanghai Transvision and German IB/E Optics, to collaborate on an industry-shaking new innovation. By merging Geman high-quality engineering standards with Chinese cost-effective production infrastructure, the new camera lens brand Handevision (“Han” means China in Mandarin and “De” is the word for Germany).

After many months of collaboration between engineering and production teams, final quality control assessments have concluded and the IBELUX 40mm f0.85 high-speed lens, the fastest lens in the world, is nearly ready for release. Available for sale by February, 2014, this lens will be available for Sony NEX, Fuji X, Canon EOS M and Micro 4/3 digital mirrorless camera mounts (MSRP is $2,080 USD).




Sigma 18-35 vs Tokina 11-16 http://www.personal-view.com/talks/discussion/14184/sigma-18-35-vs-tokina-11-16 Fri, 11 Dec 2015 09:26:03 -0700 Manu4Vendetta 14184@/talks/discussions Both optics are excellent. I would like to know the experience of many users if it were to acquire one Panasonic video with which to stay? For me personally it has always surprised me that the Tokina with GH's achieved a very particular look.

12-35mm F2.8 Panasonic lens topic http://www.personal-view.com/talks/discussion/3283/12-35mm-f2.8-panasonic-lens-topic Sun, 20 May 2012 20:41:13 -0600 Vitaliy_Kiselev 3283@/talks/discussions image

Price: $1299, 1100 Euro, 999 pounds

Avilable at:

Press release:


Previews and reviews:


14-140mm F3.5-5.6 Panasonic zoom lens, 2013 version http://www.personal-view.com/talks/discussion/6780/14-140mm-f3.5-5.6-panasonic-zoom-lens-2013-version Tue, 23 Apr 2013 04:21:32 -0600 Vitaliy_Kiselev 6780@/talks/discussions image


  • 14-140mm lens
  • Power O.I.S. stabilization
  • F3.5 on wide - F5.6 on tele
  • Minimum aperture - F22
  • Diaphragm blades - 7
  • 14 elements in 12 groups, 2 aspherical + 2 ED lenses
  • Minumum focus distance - 0.30 m
  • Weight - 265 g
  • Diamater - 67 mm
  • Length - 75 mm
  • Comes with hood
  • 58 mm filter threads
  • $699 price

Available at:



Check near the end

GH4 with V-Log - Christies Promo http://www.personal-view.com/talks/discussion/14072/gh4-with-v-log-christies-promo Tue, 17 Nov 2015 02:08:04 -0700 thougts2uk 14072@/talks/discussions Hi Everyone,

Just sharing with you a video we just made for Christies in Hong Kong. It was shot on the GH4 using V-Log.

We only had 6 hours to shoot 60+ watches so it was quite a challenge.

Be good to get the communities feedback.


15mm F1.7 Leica m43 lens topic http://www.personal-view.com/talks/discussion/8456/15mm-f1.7-leica-m43-lens-topic Wed, 16 Oct 2013 23:47:19 -0600 Vitaliy_Kiselev 8456@/talks/discussions

Panasonic is announcing a commercialization of new digital interchangeable lens LEICA DG SUMMILUX 15mm / F1.7 ASPH. complying Micro Four Thirds System standard.


The LEICA DG SUMMILUX 15mm / F1.7 ASPH. is an excellent 15mm single focal length lens of F1.7 clearing LEICA’s stringent standard. It also features sophisticated exterior that matches the stylish design of the world’s smallest LUMIX GM digital single lens mirrorless (DSLM) camera.

In addition to “LEICA DG SUMMILUX 25mm / F1.4 ASPH.” and “LEICA DG MACRO-ELMARIT 45mm / F2.8 ASPH. / MEGA O.I.S.” which are already released to the market, Panasonic has also announced product commercialization of LEICA DG NOCTICRON 42.5mm / F1.2 to enhance the lineup of LEICA digital interchangeable lens, attracting professional photographers worldwide.

In the meanwhile, Panasonic is further expanding the range of LUMIX G digital interchangeable lens with the development of new LUMIX G VARIO telephoto zoom lens of 35-100mm in stylish, compact design that also matches the LUMIX GM camera.


Available at:

35mm F2 YUNGNUO lens for Canon http://www.personal-view.com/talks/discussion/12092/35mm-f2-yungnuo-lens-for-canon Sun, 04 Jan 2015 05:48:43 -0700 Vitaliy_Kiselev 12092@/talks/discussions image

  • Closest focusing distance - 0.25m
  • 7 aperture diaphragm



Looking for a single focus anamorphic for sale http://www.personal-view.com/talks/discussion/14082/looking-for-a-single-focus-anamorphic-for-sale Wed, 18 Nov 2015 16:38:39 -0700 AnamatisRmG 14082@/talks/discussions I have a kowa and isco set up now. Using a BMPCC and FS100. My lenses are double focus right now though and I'm looking to move to faster set ups.

FOR SALE - Anamorphic Lens http://www.personal-view.com/talks/discussion/9393/for-sale-anamorphic-lens Sun, 19 Jan 2014 18:35:27 -0700 Brokenbarrelpro 9393@/talks/discussions Hi I'm selling a Gottingen ISCO Kiptar 2x anamorphic lens + closeup filter, with additional mounts to use on a rig / tripod.

Great for M4/3 cameras.

Nikon 35mm, Nikon 50mm Ai S http://www.personal-view.com/talks/discussion/14030/nikon-35mm-nikon-50mm-ai-s Wed, 04 Nov 2015 21:10:28 -0700 Albi 14030@/talks/discussions $175 +shipping and paypal costs