Specs

• 24.2MP APS-C CMOS sensor, same as on 800D
• Dual Pixel AF
• 9 points AF system
• Digic 7 LSI
• VF - 95% coverage, 0.87x magnification
• 3″ 1.04mdot vari-angle touchscreen LCD display
• 1080p/60 fps video, specs same as 800D
• 5 axis electronic stabilizer
• Build in WiFi, Bluetooth and NFC
• HDR movie mode, Time-lapse movie mode
• Black, White and Silver colors
• Up to 840 images per one charge
• 5fps shooting
• Uses SD / SDHC / SDXC card (UHS-I compatible)
• 122.4 x 92.6 x 69.8 mm
• 453 g
• $549 Body Price, Kit w/18-55mm f/4-5.6 IS STM - $699
• US Preorder - https://www.amazon.com/Canon-Cameras-24-2-Rebel-Body/dp/B071K61XFC/
• UK - 579 GBP body price, 18-55mm III kit - 649 GBP
• UK Preorder - http://www.wexphotographic.com/canon-eos-200d-digital-slr-body-1630562/

Thank you all in advance.

Preorder at https://www.bhphotovideo.com/c/product/1278108-REG/canon_1456c002_xc15_4k_professional_camcorder.html

Canon U.S.A., Inc., a leader in digital imaging solutions, announced today the XC15 4K Video Camcorder, a 4K UHD digital video camcorder for professional use that achieves high-image quality with a lightweight, compact body.

The new Canon XC15, which builds on the XC10 4K UHD digital video camcorder announced in April 2015, enables shooting with an external microphone through an XLR input and features the selection of visual-expression “Look” modes, including modes that allow it to match the look of other Canon professional cameras, making it ideal for use as a “B”-camera as well as for media and video-content productions.

The Canon XC15 ships with the MA-400 microphone adapter that, when attached, enables shooting with XLR-input microphones used in a wide range of media and content-creation applications. As a result, the camcorder supports the production of content that combines both high-image quality and high-sound quality with reduced noise. The MA-400 is also compatible with the EOS C300 Mark II camera.

Thanks to its high-sensitivity one-inch CMOS sensor and DIGIC DV 5 image processing platform with high calculation-processing power, the new XC15 is capable of capturing high-image quality and low-noise 4K UHD video. Additionally, the camcorder features a compact, lightweight body design, measuring approximately 5.0 x 4.1 x 4.8 inches (WxHxD) and weighs approximately 2.1 pounds while also sporting a 10x optical zoom lens1, which facilitates shooting in confined spaces and environments that demand mobility.

The Canon XC15 4K UHD professional video camcorder is scheduled to be available in September 2016 for a list price of $3,000.00.* For more information, please visit usa.canon.com

Specifications

• 20.2MP CMOS Dual pixel FF sensor
• Dual Digic 6+ LSI
• 14bit AD
• Improved dynamic range
• 3.2" 1.6Mdots LCD with touchscreen
• 61-point AF system all working at F8, with 41-point cross-type sensors.
• New mirror system allows to do high-speed continuous shooting
• 4K 60fps video with cedord to ultra fast CFast 2.0 cards.
• Very good smooth AF in video
• 16fps shooting
• GPS
• USB3.0
• HDMI
• Mike In, Headphone Out
• Dust and water protected
• 158mm x 167.6mm x 82.6mm
• 1340g
• $5999 price
• Official in February 2016
• Available at http://www.amazon.com/Canon-EOS-1D-Mark-Digital-Camera/dp/B01B6OTTIM/
• Shipping start at April 2016

Specs

• 20 million pixel 1.0 type back illuminated CMOS
• DIGIC 8 LSI
• RAW serial shooting at 30fps
• 4K video
• Full HD 120 fps movie
  • 3840 x 2160 @ 30p / 120 Mbps, MOV, H.264, AAC
  • 1920 x 1080 @ 120p / 120 Mbps, MOV, H.264, AAC
  • 1920 x 1080 @ 60p / 60 Mbps, MOV, H.264, AAC
  • 1920 x 1080 @ 30p / 30 Mbps, MOV, H.264, AAC
• All videos limited to 10 minutes (rumors are that it is new law in Anuatu island state)
• 3.5mm microphone input
• Equipped with Wi-Fi and Bluetooth
• Size: 105.5 x 60.9 x 41.4 mm
• Weight: 304g
• $749 at
  • US https://www.bhphotovideo.com/c/product/1490985-REG/canon_3637c001_powershot_g7_x_mark.html
  • US https://www.adorama.com/icag7xm3b.html
  • UK https://www.wexphotovideo.com/canon-powershot-g7-x-mark-iii-digital-camera-black-1708616/
  • DE https://www.amazon.de/Canon-PowerShot-klappbares-Touchscreen-LCD-optischer/dp/B07V3NBJC3/

Specs

• 32.5mp APS-C Sensor
• DIGIC 8 LSI
• Improved Dual Pixel
• Improved AF sensor and algorithms
• 100% viewfinder coverage
• 10fps full resolution photo mode
• 4K 30fps and 25fps video modes (sic!)
• 1080p120/1080p110 modes
• 1080p30/1080p25 HDR modes
• PCM/AAC audio in videos
• Optical viewfinder (100% coverage, 0.95x magnification), with face detection
• 220K dot RGB+IR metering
• 3", vari-angle touch-screen, 1040K dots
• 30min limit
• Face detection
• Eye-detection AF (Servo AF, live-view)
• 14 stops DR
• Touchscreen Vari-Angle LCD
• Dust & water-resistant
• Wi-Fi and Bluetooth
• Rear joystick
• Battery grip BG-E14
• 141x105x77mm
• 701g
• Will be available in late September
• Body-only price - $1199. 18-55mm F3.5-5.6 IS STM kit- $1349, 18-135mm F3.5-5.6 IS USM kit for $1599.

Specs

• 1" CMOS Sensor (12 stops DR)
• 10X optical zoom 27.3-273mm F2.8-5.6
• 3 stop build in ND filter
• 5 axis stabilizer
• Wi-Fi
• no EVF (just LCD loupe looking like one)
• 4:2:2 4K at 305Mbit
• Canon Log
• No XLRs or such, just simple jack for mike input
• $2499
• http://www.bhphotovideo.com/c/product/1134581-REG/canon_0565c013_xc10.html

Specs

• 20.1mp FF sensor
• 4K 60p with 10-bit 4:2:2 Canon Log (No AF in 4K 50p/60p recording)
• 5.4K RAW internal video recording (No AF in RAW)
• No crop in 4K or RAW video recording
• Movie Digital Image Stabilisation (IS), image area reduced by 10%
• Dual CFexpress card slots
• 16fps serial shooting with shutter
• 20fps serial shooting in liveview mode
• 191/155 point AF, -4 EV
• ISO 100-102,400 (extends up to 819,200)
• RAW Buffer: 1000+
• RAW + JPEG Large buffer: 1000+
• RAW + HEIF Large buffer: approx. 350
• Wi-Fi and Bluetooth
• GPS / GLONASS / QZSM built-in
• Built-in stereo microphones
• Up to 2850 shots battery life (OVF, 23C)
• $6499 USD
• Available at
  • https://www.adorama.com/ica1dxm3.html

http://www.usa.canon.com/cusa/professional/products/professional_cameras/cinema_eos_cameras/eos_c100_mark_ii

PR

Canon U.S.A. Announces the Second-Generation EOS C100 Mark II Digital Video Camera Features MP4 and AVCHD 1080/60p Recording, Dual Pixel CMOS AF, Face-Detection Autofocus (AF), Redesigned Viewfinder and OLED Panel, Built-In Canon Log Look-Up Table, and Wireless File Transfer

MELVILLE, N.Y., October 21, 2014 - Canon U.S.A. Inc., a leader in digital imaging solutions, announced today the Canon EOS C100 Mark II Digital Video Camera, the latest edition to the Canon Cinema EOS line of professional Super 35mm 8.3 megapixel CMOS cameras and the second-generation version of the popular Canon EOS C100 Digital Video Camera.

Designed for economical film and video productions such as documentary and remote broadcast crews, wedding and event coverage, indie film productions, as well as film schools and business and government users, the new EOS C100 Mark II Digital Video Camera, features advanced image processing, AVCHD and MP4 1920x1080/60p recording, uncompressed YCbCr output from HDMI, and many other new and enhanced capabilities for improved picture quality, operability, and convenient handling. Delivering a cinematic look with shallow depth of field and high sensitivity in low-light environments, the new EOS C100 Mark II camera weighs just 2.5 lbs. and is compatible with over 103 Canon EF Series lenses, including STM models which can deliver smooth and silent autofocus during filmmaking.

"Canon's commitment to the advancement of tools for visual expression takes another major step forward with the introduction of the EOS C100 Mark II Digital Video Camera," said Yuichi Ishizuka, president and COO of Canon U.S.A., Inc. "Drawing on input from Canon's global community of Cinema EOS camera users and from digital filmmakers using Canon EF lenses - 100 million of which have now been produced worldwidei - the Company has added new capabilities to the EOS C100 Mark II from its predecessor that powerfully leverage our considerable expertise in optics, imaging, and digital signal processing. The result is an improved, affordable Super 35mm CMOS digital camera that is designed to provide outstanding HD image quality, operational performance, ergonomics, and workflow convenience." Design Enhancements

Optimized for one-person operation, the new EOS C100 Mark II camera has a mobile core design enabling users to choose their preferred style of shooting. The existing design has been enhanced to include a large-size detachable eyecup for the camera's large 68-degree tilting 0.45-inch 1.23 megapixel color EVF (electronic viewfinder). Clearly marked red trigger buttons on the camera body, top handle, grip, and a built-in mono microphone on the camera body — for times when the top handle is not attached — can be used to capture basic sound for audio notation or as an aid to audio syncing during post.

Another major redesign of the new EOS C100 Mark II over its predecessor is an innovatively hinged 3.5-inch 1.23 megapixel OLED display panel, delivering 100 percent field-of-view coverage, wide color range support, and improved viewing even in bright sunshine. The new hinge design — which folds the panel shut when stowed, protecting the OLED surface — opens 180 degrees to reveal function keys and a joystick. The panel can open even further to 270 degrees to deploy against the side of the camera to provide monitoring for directors and other production personnel. Additional design improvements on the camera body include 17 assignable recessed function buttons, dual SD card slots with a transparent cover, and a simplified battery insertion and removal release. Visual Expression

Previously available only as an optional upgrade for earlier Cinema EOS models, Dual Pixel CMOS AF is a standard feature on the new EOS C100 Mark II, providing enhanced autofocusing capability. The Dual Pixel CMOS AF technology helps provide smooth and consistent autofocus, so that focus transitions are natural looking and subjects can remain in focus even as they move off center. In addition, the compatibility of Dual Pixel CMOS AF with Canon EF autofocus lenses combines outstanding optical tools with a wide range of creative options. It's ideal for shooting sports, weddings and many more productions where focus pulling by a single operator is not feasible, such as when the video camera is attached to steadicams or drones. The EOS C100 Mark II Digital Video Camera also includes Face-Detection AFii, a first in the Cinema EOS camera line, which utilizes contrast detection AF to maintain focus across most of the image plane, an advantage in one-person electronic news gathering (ENG) situations. Imaging and Recording

Central to many of the new features of the new EOS C100 Mark II Digital Video Camera is its advanced Canon DIGIC DV4 image processor. The Canon DIGIC DV4 image processor separates the RGB output from the camera's 8.3 Megapixel CMOS imager into three individual 8 megapixel signals (as opposed to 2MB in the EOS C100) for noticeably improved image quality. The Canon DIGIC DV4 processor also includes a new debayering algorithm to help minimize moir‚ and reduce video noise even at high ISO speeds. (high-sensitivity recording on the camera ranges from ISO 320 to 80,000).

Another important benefit of the Canon DIGIC DV4 processor is Full HD recording in both the high-quality professional format AVCHD or the popular web-friendly MP4 format at a variety of bit rates (up to 28 Mbps and 35 Mbps, respectively), resolutions, and frame rates (up to the smooth look of 59.94p) to suit practically any production need.iii For special-effect requirements, slow and fast motion MP4 recording at up to 1920x1080/60p can also be performed.

Users can choose from multiple formats that support MP4 or AVCHD to suit a wide variety of production, post, and output needs. The EOS C100 Mark II camera's dual SD card slots can record in one or both formats simultaneouslyiv for back-up, or convert AVCHD and MP4 files into smaller MP4 files for web upload.v Extended clip times can be achieved by recording continuously from one card to the other without a break. In addition, a Data Import Utility application is included that can seamlessly join divided files to help reduce work during editing and to import video file data from an SD card inside the camera or a card reader.

As with the other cameras in Canon's Cinema EOS line, the new EOS C100 Mark II Digital Video Camera includes Canon Log as a recording choice, providing maximum dynamic range for post-production color grading. New, however, is the addition of a built-in LUT (look-up table), enabling users to view the camera's live video signal in Wide DR (dynamic range) or the BT.709 (TV standard) color space on the OLED or any external monitor connected to the camera's locking HDMI® output (this feature can be turned off in the menu). Uncompressed video output (with time code data and 2:3 pull-down markers superimposed) can be output via HDMI to an external recorder. Connectivity Innovations

The addition of wireless file-transfer capabilities further expands the versatility of the new EOS C100 Mark II camera for multiple production applications, including transferring time-critical news video or backing-up files. Utilizing dual 5 GHz and 2.4 GHz frequencies, the camera can transfer video files via FTP server for instant relay, or send MP4 video to the web browsers of laptops or tablets for viewing and storage (even on PC's lacking playback software). Remote control of the camera is also enabled via a compatible smartphone, tablet, or laptop. The new EOS C100 Mark II Digital Video Camera also includes compatibility with the optional multi-functional Canon RC-V100 Remote Controller, which can be used to adjust image quality and other important operations from a distance, a handy feature for shooting from a jib arm, drone, or other inaccessible location.

In addition, the optional Canon GP-E2 EOS GPS Receiver can be connected to the EOS C100 Mark II Digital Video Camera using a USB cable to record location and time information during shooting, a helpful feature for editing and archiving. Pricing and Availability

The Canon EOS C100 Mark II Digital Video Camera is scheduled to be available at the end of December 2014 for an estimated retail price of $5,499.00.

• 9.84Mp APS-C sensor with Dual Pixel CMOS AF (up to 8.85Mp actually used)
• 15 stops DR
• 2 x Digic DV5
• 4K at 4:2:2, 10bit, , but only up to 30fps
• FullHD at 4:4:4 up to 225Mbps, 120fps
• Canon Log2
• Can shoot in ITU-R BT.2020 colour gamut
• Price around $11300
• Available in 3rd or 4th quarter of 2015
• 1880g
• $16000
• EF - http://www.bhphotovideo.com/c/product/1134579-REG/canon_0635c002_eos_c300_mark_ii.html
• PL - http://www.bhphotovideo.com/c/product/1134580-REG/canon_0635c009_c300_markii_cinema_eos.html

PR

Canon has unveiled the EOS C300 Mark II, a new 4K Digital Cinema Camera allowing filmmakers and broadcast producers to realise their creative vision in stunning cinematic detail.

Building on the unprecedented success of the acclaimed EOS C300, the more rugged EOS C300 Mark II features an advanced imaging engine with Dual DIGIC DV5 processors, new professional codecs and outstanding dynamic range, making it the most capable, flexible and accessible Cinema EOS video camera to date.

SUPREME 4K IMAGE QUALITY AND VERSATILITY

With the ability to record 10-bit 4:2:2 files internally at up to 410Mbps in 4K, or 10/12-bit 4:4:4 files in 2K/Full HD, with up to 15 stops of dynamic range, the EOS C300 Mark II provides footage suitable for extensive post-production work, producing crisper images across the full colour spectrum with reduced “colour bleed”. The camera offers professional filmmakers and broadcasters alike the very best image quality, recording 4K in both broadcast (3840 x 2160) and DCI cinematic (4096 x 2160) resolutions.

The EOS C300 Mark II can record high bitrate 4K files internally to dual CFast 2.0™* media, while simultaneously recording 4K RAW files to an external recorder, offering the flexibility and universal appeal for production at the highest quality available today. Additionally, the ability to record 2K/Full HD Proxy files to an internal SD card, at the same time, further streamlines the production workflow process.

The EOS C300 Mark II features an all-new Super35mm CMOS sensor, designed by Canon, with a stunning ISO range of up to ISO 102,400. The new Canon-designed Super 35mm CMOS sensor and an increased ISO range up to ISO 102,400 deliver exceptional low light performance, allowing operators to capture low-noise footage across a variety of challenging environments without compromising on image quality.

To meet the requirements of a diverse range of shooting applications and lighting situations, the EOS C300 Mark II offers both full manual control, ideal for cinematic environments, as well as a variety of automatic modes. These include enhanced Dual Pixel CMOS AF (now covering approximately 80% vertical x 80% horizontal of the image display), Auto White Balance and Face Detection AF, all of which make it easier than ever before for independent news gatherers and documentary filmmakers to shoot on the go without having to worry about settings.

INSTANT INTEGRATION INTO PROFESSIONAL WORKFLOWS

Canon’s new range of XF-AVC H.264 codecs, designed to be compatible with industry standard Non-Linear Edit systems, makes integrating both 4K and 2K/Full HD footage into workflows effortless, while maintaining the highest image quality. The range features XF-AVC intra for 4K, and XF-AVC Long GOP and Proxy options for 2K/Full HD recording, both of which utilise H.264 codec, offering post production flexibility and ease of use. Filmmakers can select the resolution and codec type that best suits their production, with the EOS C300 Mark II capable of shooting at up to 30P in 4K or up to 120P in 2K/Full HD.

The EOS C300 Mark II offers support for a wide range of colour space options, including BT.2020, the Canon Cinema Gamut and DCI-P3. The camera is also the first Cinema EOS model to feature brand new Canon Log2 technology, which enables the 15-stops of dynamic range, significantly wider than previous Cinema EOS cameras. The camera offers new versatility for sound recording too, supporting 4-channel audio recording in 16- or 24-bit and 48 kHz

DESIGNED FOR VERSATILITY

The EOS C300 Mark II boasts the iconic Cinema EOS design DNA – a modular body that can be adapted to suit the needs of each shooter and filming situation, through the extensive range of compatible accessories. Internally, the EOS C300 Mark II also includes built-in electronically controlled glass ND (neutral density) filters, which reduces the amount of light reaching the sensor by up to 10 stops in expansion mode. Compatibility with the RC-V100 remote control and optional Wi-Fi control also enables ease of use in a wider range of locations.

A new modular body allows users to connect the EOS C300 Mark II to a host of professional accessories.
The camera’s sensor read-out speed is now twice as fast as the original EOS C300, and further reduces rolling shutter distortion, allowing for crisp image capture in a moving environment, making it perfectly suited for capturing action sequences.

Leveraging Canon’s rich heritage in lens design, the EOS C300 Mark II is compatible with more than 90 current EF and EF Cinema lenses allowing operators to use their existing EF mount lenses. In addition, the EOS C300 Mark II comes equipped with Canon Cine servo zoom lens support, delivering one of the most comprehensive selections of lens possibilities for movie and broadcast production available in the market today. For further flexibility, shooters can opt to change the lens mount from the default EF Mount, to EF Mount with Cinema Lock, or to the industry standard PL mount, as a service option.**

I have shot dozens of 8K videos and 120p 4K videos using the "overheating failure" Canon R5 with no overheating stopping my shoots, over many hours (short takes only, of course - there are limits due to heat). In Summer heat. And I can make 8K videos from 12bit 8K RAW clips from the R5 using an 8GB MacBook AIR M1 (the "slow and low core") computer and DaVinci Resolve Studio, with no problems. 8K 12bit RAW clips or 8K 10bit HEVC 422 clips.

Now, I am not claiming that an 8GB MacBook AIR is the best for multi-cam, noise-reduction and stabilized in post video-making, but it works better than my gaming computers for specifically the R5 clips - which have among the most challenging (for higher quality) specs.

There seems to be a preference for flowers here, so this is an 8K example from 8K RAW edited on the 8GB M1 AIR:

And a 120 4K video:

And an HDR video (shot in 8K and rendered in 5K):

Yes, no 30-minute interview videos in 8K, and yes, probably an 8GB M1 portable computer is not for cinema producers.

Specs

• 32.5mp APS-C CMOS sensor improved noise performance
• Dual Pixel AF, Expanded Area, Focus Guide
• DIGIC 8+ LSI
• Strange 4K at 30fps/25fps
• 1080p at 60fps/50fps/30fps/25fps
• 1080p HDR at 30fps/25fps
• 30min limit
• Movie Picture Style, but LOG can be paid option
• New Selfie mode and Vlog mode
• Enhanced Movie IS (same electronic mess)
• High-speed continuous shooting at a maximum of 16 FPS (with AE/AF)
• RAW Burst mode at 30 FPS (with AE/AF)
• 14fsp serial
• Eye AF (tracking possible)
• AF capable down to -5 EV
• Electronic shutter up to 1/16000s
• Focus Bracketing
• Supports external OLED electronic viewfinder
• USB-C charge power supply
• Wi-Fi and Bluetooth
• 119x70x49mm
• 408g
• $849
  • https://www.bhphotovideo.com/c/product/1502491-REG/canon_3611c001_eos_m6_mark_ii.html
  • https://www.adorama.com/icam62s.html

Specifications

• 30.4Mp CMOS FF sensor
• Dual AF capability
• 61 AF points
• 150,000-pixel RGB + IR photometry sensor
• 4kp30, 4kp24 500mbit MJPEG mode, 4:2:2 recording
• 1080p60, 720p120 video H.264
• Image processing engine DIGIC6 +
• LCD 3.2" 1.62Mdots, touch screen
• 100% FOV viewfinder, 0.71x magnification
• 7 fps serial shooting
• 15 million actuations shutter life
• Wi-Fi (only old n standard), GPS, NFC
• Mirror vibration control system
• SD and CompactFlash slots
• Special RAW mode preserving all Dual Pixel info
• USB 3.0
• HDMI output
• Dust and water protected
• 150.7mm x 116.4mm x 75.9mm
• 890g with battery
• $3499 US, €3,699 in Europe, $4299 CAD in Canada, shipping at October 1st
• Preorder at http://www.adorama.com/ica5dm4.html

Specs

• 24.2mp APS-C sensor
• Dual Pixel AF
• very old DIGIC6 LSI
• 7560 pixel RGB + IR exposure sensor
• 7fps Shooting in live view (77 JPEG or 20 raw in series)
• 45 AF all crosstype points, 27 work at F8
• Anti-Flicker
• 100% Viewfinder
• 30-1/8000 sec shutter (100k life). Flash synchro at 1/250 sec.
• 3″ 1.04Mdot Vari-Angle LCD with touchscreen
• Electronic Level
• 1080p60 video only
• Time-Lapse
• HDR movie mode
• Wi-Fi and NFC, allows remote shooting via smartphone
• USB, HDMI, microphone, headphone, remote control connectors
• 139.0 x 105.2 x 78.5mm
• 730g or 650g body only without battery
• $1199 body - http://www.amazon.com/gp/product/B01BUYK04A/
• 18-55mm kit - http://www.amazon.com/gp/product/B01BUYJXMA/
• 18-135mm USM kit - http://www.amazon.com/gp/product/B01BUYJX6G/

Hands-ons

• http://www.dpreview.com/articles/9270033078/hands-on-with-the-canon-eos-80d
• http://www.photographyblog.com/news/canon_eos_80d_hands_on_photos/
• https://www.ephotozine.com/article/canon-eos-80d-hands-on-preview--28876

• Lens Construction: 4 group 6 pieces
• Closest focusing distance: 0.3m
• The maximum magnification ratio: 0.18-fold
• Filter diameter: 52mm
• The maximum diameter: 68.2mm
• Length: 22.8mm
• Weight: About 130g
• Price: $199

MTF:

Available at:

• http://www.adorama.com/CA4028.html
• http://www.amazon.com/Canon-40mm-2-8-STM-Lens/dp/B00894YP00

Previews and reviews:

• http://www.photoreview.com.au/news/canon-unveils-two-new-lenses
• http://www.dpreview.com/news/2012/06/08/Canon-creates-EF-S-18-135mm-F3-5-5-6-IS-STM-EF-40mm-F2-8-STM
• http://dc.watch.impress.co.jp/docs/news/20120608_538769.html
• http://fstoppers.com/canon40mmpancake

The RF 24-240mm F4-6.3 IS USM is the ideal lens for amateurs and advanced amateurs who love to travel, no matter the destination. The versatile, all-purpose lens offers a range of focal lengths for capturing extraordinary shots in a form factor that is both compact and lightweight.

Specs

• 24-240mm Zoom Range
• 21 elements in 15 groups, 1 aspherical + 2 UD elements
• 5 Stop IS with Dynamic IS
• Aspheric and Ultra-Dispersal Lens Elements and Super Spectra Coating
• Circular 7-Bladed f/4-6.3 Aperture
• Nano USM Autofocus
• Switchable Focus/Control Ring
• Built in DLO Profile and Electronic Distortion Correction
• 0.50m min focus distance
• 72 mm filters
• comes with hood
• 80mm x 123mm
• 750 g

Specs

• 6 lens elements in 5 groups
• Compatible with FF cameras
• Coating optimized for digital cameras
• Stepper motor (STM)
• Full-time manual focus
• Height - 39.3mm
• Weight - 160g
• $125 - http://www.amazon.com/gp/product/B00X8MRBCW

MTF compared to old (left):

• 50.6MP full-size CMOS sensor (total - 53Mp)
• 5fps burst shooting
• Only 1080p30 video
• 5DS R has no low-pass filter
• 3.2″ 1.04mdot LCD
• Magnesium alloy body, Dust and water sealed
• 100% field of view optical viewfinder, magnification 0.71x, the eye point 21 mm
• Dual processor DIGIC6
• Regular sensitivity ISO100-6400
• Continuous shooting 5 frames / sec.
• High precision 61-point AF
• EOS iTR AF
• 150,000 pixel RGB + IR photometry sensor
• Added “fine detail” to the Picture Style
• 1.3x and 1.6x crop shooting mode
• Customizable “Quick Control Screen”
• Time-lapse movie
• Anti-flicker
• Interval Timer
• Bulb timer
• Mini HDMI output
• CF (UDMA7) and SD / SDHC / SDXC (UHS-I) slots
• Stills raw modes - RAW (50MP), M-RAW (28MP), S-RAW (12.4MP)
• External microphone input (without headphone output)
• 152 x 116.4 x 76.4mm
• 930g (with battery). 845g (body only)
• http://www.amazon.com/gp/product/B00T3ERPT8/

Previews and such

• http://www.focus-numerique.com/cp-2015-canon-eos-5ds-5ds-50-millions-pixels-news-6328.html
• http://www.steves-digicams.com/camera-reviews/canon/eos-5ds-1/canon-eos-5ds-review.html
• http://www.steves-digicams.com/camera-reviews/canon/eos-5ds-r-1/canon-eos-5ds-r-review.html
• http://www.dpreview.com/previews/canon-eos-5ds-sr
• http://www.photographyblog.com/news/canon_eos_5ds_5ds_r_preview/

• EF mount
• S35mm sensor
• magnesium body
• 2 XLR audio inputs
• 24/25/30p and 50/60i (yep, no 50/60p)
• ND filters
• ISO 320 – 20.000
• Canon Cinema Log Gamma
• AVCHD only small bitrate codec
• 2 slots for SD-/SDHC-/SDXC- cards
• AF function is completely absent, could be added via FW in 2013
• Price $7,999

Available at:

• http://www.bhphotovideo.com/c/product/889545-REG/Canon_EOS_C100_EF_Cinema.html

PR

Canon U.S.A., Inc., a leader in digital imaging solutions, continues its commitment to the advancement of tools for visual expression and expand its contribution to cinematic culture with the introduction of the new EOS C500 4K Digital Cinema Camera* and the EOS C100 Digital Video Camera*. The C500 will take its place as the flagship camera model in Canon's Cinema EOS System while the C100 provides another option for beginning filmmakers working on a budget. The C500 is Canon's high-end professional 4K (4096 x 2160-pixel) cinema camera capable of originating uncompressed RAW output for external recording to meet the demands of premium cinematic productions and other top-quality production markets. The C100 digital video camera is a compact, affordable entry-level model delivering full 1920x1080 HD video and integrating the popular AVCHD codec for universal compatibility with laptop and desktop editing systems. The C500 will be available in both EF- and PL-mount versions; while the C100 will be offered in EF mount only and will be compatible with the more than 70 zoom and prime lenses in Canon's EF, EF-S and EF Cinema lens lineups. All products in the Canon Cinema EOS line are engineered to provide exceptional image creation capabilities for professionals in the motion picture, television, and other diverse high-resolution digital production industries.

"We developed the Cinema EOS C500 digital cinema camera to deliver the benefits of full 4K motion capture to Hollywood's premier filmmakers, while the C100 is designed for economical productions that need sophisticated HD capabilities and optical lens diversity. As we said in November of 2011, the C300 was just the beginning to our Cinema EOS system and we now offer a more complete system of imaging solutions with a range of cameras for every level of production," stated Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies and Communications Group, Canon U.S.A., Inc.

The EOS C500 4K digital cinema camera and EOS C100 digital video camera join Canon's Cinema EOS System which includes two other camera models, the EOS C300 digital cinema camera for mainstream HD production and the EOS-1D C 4K Digital SLR cinema camera for 4K and HD filmmakers favoring the SLR form factor. The Cinema EOS System also offers filmmakers optical diversity with seven EF Cinema lens models: the compact and lightweight CN-E15.5-47mm T2.8 L wide-angle cinema zoom and the CN-E30-105mm T2.8 L telephoto cinema zoom (available in EF and PL versions); the CN-E14.5-60mm T2.6 L wide-angle zoom and CN-E30-300mm T2.95-3.7 L telephoto zoom (also available in EF and PL versions); and the CN-E24mm T1.5 L, CN-E50mm T1.3 L, and CN-E85mm T1.3 L prime lenses for EF-mount cameras, in addition to the more than 60 lenses in Canon's EF and EF-S lens lines (which include macro, fisheye, telephoto, and tilt-shift models).

4K, 2K, and Full HD Image Quality

The Canon EOS C500 and C500 PL digital cinema cameras are designed to provide a versatile high-quality 4K imaging solution to high-end productions. High-quality 4K resolution imaging has become the new standard for advanced effects and is particularly important for big-budget motion pictures that include scenes compositing live-action cinematography with high-resolution computer-generated imagery. The C500 and C500 PL cameras output 4K resolution to external recorders as a 10-bit uncompressed RAW data stream, as well as offering the additional versatility of being able to output quad full-HD (3840 x 2160), 2K (2048 x 1080), full HD (1920 x 1080), and other imaging options. All of these digital image source formats fully conform to established SMPTE production standards. All 4K formats can be selected to operate from one to 60 frames per second. When shooting in 2K, the C500 and C500 PL cameras employ a 12-bit RGB 4:4:4 signal format from one to 60 frames-per-second (fps) as well. For high-speed shooting and slow motion capture the cameras can be set to a 10-bit YCrCb 4:2:2 mode, and can output 4K or 2K video up to 120 fps.

While outputting 4K or 2K video to an external recorder, the Canon EOS C500 and C500 PL digital cinema cameras simultaneously record a 50 Mbps Full HD video file in-camera to the user's choice of one or two CF cards. The 8-bit 4:2:2 in-camera recordings can be used as a proxy for offline editing of 4K projects, and they are also suitable for various projects that do not require 4K resolution. Equipped with Canon's exceptional Super 35mm 8.85-megapixel CMOS sensor, both C500 camera models are compatible with a wide range of interchangeable Canon lenses – the C500 is compatible with EF, EF-S and EF Cinema lenses for Canon SLR cameras, while the C500 PL is compatible with PL-mount EF Cinema lenses and other PL-mount lenses. Highly mobile and compact, the C500 digital cinema camera provides the same ergonomic features as the C300 model, with the exception of a fixed hand grip that incorporates a pair of 3G-SDI ports for 4K video output and another pair of video ports for monitoring purposes. Canon is working with several independent manufacturers of external video recorders to support smooth workflow options, and these recorders are expected to be available by the time the EOS C500 and C500 PL 4K digital cinema cameras ship to authorized dealers later this year.

One-Person Full HD With Automatic Functions

A cost-effective camera solution for a wide range of everyday users, the EOS C100 digital video camera is ideal for many full HD applications such as:

Low-budget television production and independent moviemaking Museums, galleries, and film schools that utilize Full HD video Wedding, corporate and event videography

The EOS C100 digital video camera is approximately 85% of the size of the EOS C300 model, for maximum mobility. Designed for professional operability, the C100 includes a push auto iris function, one-shot auto focus (or full manual focus and exposure control), a multi-angle 3.5-inch LCD control panel, a high-resolution electronic viewfinder (EVF), built-in ND filters, dual XLR inputs, and a locking HDMI output. These features combine with such advanced technologies as reduced rolling shutter artifacts in 60i mode, enhanced gamma modes (including Wide Dynamic Range (DR) Gamma and Canon Log Gamma), cinematic depth of field characteristics, and excellent low-light performance. The C100 records to dual SD cards contributing to the camera's reduced size and convenience.

Like its C300 sibling, the EOS C100 employs Canon's uniquely designed Super 35mm 16:9 CMOS sensor that captures individual R, G, and B channels for each full HD 1920 x 1080 frame. This high-sensitivity CMOS sensor provides creative depth of field capabilities for an excellent "bokeh" effect, and provides an ISO range of from 320 to 20,000, enabling the capture of images in low light with minimal picture noise. The Canon DIGIC DV III image processor in the C100 helps ensure high color fidelity and smooth color gradations. The camera's AVCHD codec utilizes MPEG-4 AVC/H.264 compression similar to the codec used in Canon's XA10 professional HD camcorder. AVCHD features a maximum recording bit rate of 24Mbps in full HD 1920 x 1080 and 4:2:0 color space for sharp, vivid images. Multiple recording modes, resolutions, and frame rates (including 24p) make the C100 creatively flexible for many production environments. The C100 also offers enhanced gamma modes (including Wide DR Gamma and Canon Log Gamma) for a peak dynamic range of 800% and the wide exposure latitude needed for creative post-production image processing, color correction, and contrast manipulation.

Designed for extensive operational versatility, the Canon EOS C100 digital video camera features a mobile core configuration that allows users to flexibly add accessory parts to the main camera body according to their production needs. A removable side-mounted rotating grip with start/stop button and miniature "joystick" menu control provides traditional SLR camera-style operation. A detachable handle unit connects to the top of the C100 and includes dual XLR connectors, a built-in stereo microphone, a bracket for an external microphone, audio-input level adjustments, and a tally light. The C100 records linear PCM two-channel audio or Dolby digital two-channel audio.

In addition to its ability to record to both SD cards simultaneously, or relay-record from one card to the other, the Canon C100 Cinema EOS camera can also output uncompressed digital HD to an external recording device via its locking HDMI connector. This HDMI output includes superimposed time code and 2:3 pull-down marker information. Additional outputs include a USB connector and stereo headphone jack.

Pricing and Availability

The Canon EOS C500 and C500 PL 4K Digital Cinema Cameras are scheduled to be available in October for an estimated list price of $30,000.

The Canon EOS C100 Digital Video Camera is scheduled to be available in November 2012 for an estimated list price of $7,999

Specifications:

• Focal length - 11-22mm
• Maximum aperture F4-5.6
• Minimum aperture F22-35
• 12 elements in 9 groups
• 7 diaphragm blades
• Minimum focus 0.15m
• Maximum magnification - 0.30x
• Image stabilization
• Filter thread - 55mm
• Weight - 220g
• Price - around 399 EUR

More info:

• http://www.dpreview.com/previews/canon-efm-11-22-4-5p6-is-stm

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Specifications:

• 20.2mp full frame sensor
• 4.5fps serial shooting
• ISO Range 100-25600 (plus 50, 51200, 102400)
• DIGIC5+ LSI
• Weathersealed (Splash and dust resistant)
• Build in Wi-fi
• Build in GPS
• 11 AF Points, only one cross.
• 3.2″ LCD 1,02M dots
• VF - pentaprism with 97 % coverage
• Shutter spped - up to 1/8000 sec
• Full HD video, 30p maximum
• 1920 x 1080 (29.97, 25, 23.976 fps fps), 1280 x 720 (59.94, 50 fps)
• Intraframe or interframe (ala 5D MkII)
• USB 2.0
• Lithium-Ion LP-E6 rechargeable battery
• 770 g
• 145 x 111 x 71 mm
• Will be in stores at december 2012
• $2100 body price

Reviews and previews:

• PR - http://www.dpreview.com/news/2012/09/17/Canon-announces-eos-6d-enthusiast-level-wi-fi-capable-full-frame-dslr#press
• http://www.dpreview.com/previews/canon-eos-6d/
• http://www.imaging-resource.com/PRODS/canon-6d/canon-6dA.HTM
• http://www.engadget.com/2012/09/17/canon-eos-6d-dslr/
• http://www.photoreview.com.au/reviews/dslr-cameras/advanced/first-look-canon-eos-6d

Available for preorder at:

• Body - http://www.amazon.com/Canon-20-1-Digital-Camera-3-0-Inch/dp/B009B0MZ8U/
• Kit - http://www.amazon.com/Canon-Digital-Camera-3-0-Inch-EF24-105mm/dp/B009B0MZG2

Specs

• 18Mp Canon CMOS APS-C image sensor
• Very old DIGIC 4+ Image Processor
• ISO 100–6400
• Built-in Wi-Fi® and NFC
• old 9‐point AF system (including one center cross‐type AF point)
• Cheap Optical Viewfinder
• Old 3.0-inch LCD monitor with 920,000 dots for easy viewing and reviewing.
• 1080p60 shooting with usual Canon quality
• 485 g
• 129 x 101 x 78mm

$499 kit at http://www.amazon.com/Canon-EOS-Rebel-Digital-Camera/dp/B01CO2JPYS

Specs

• 10 lenses in 6 groups (one aspheric lens)
• 7 diaphragm blades with circular aperture
• Minimum shooting distance: 0.13m
• Maximum shooting magnification: 1x
• Image stabilization up to 4 stops
• 49 mm filters
• 55.8 x 69.2 mm
• Approximately 190 g
• Built-in macro light
• Hybrid IS
• STM motor
• Available at https://www.amazon.com/Canon-EF-S-35mm-2-8-Macro/dp/B06Y1HQDQQ/

Specs

• 24.2Mp Dual pixel CMOS AF sensor, same as M6
• DIGIC 7 LSI
• 49 AF points
• 6,1 fps serial shooting
• 1080p60 video
  • 1920 x 1080 @ 60p / 35 Mbps, MP4, H.264, AAC
  • 1920 x 1080 @ 30p / 24 Mbps, MP4, H.264, AAC
  • 1920 x 1080 @ 24p / 24 Mbps, MP4, H.264, AAC
  • 1280 x 720 @ 60p / 16 Mbps, MP4, H.264, AAC
• 3" tiltable screen, but prototype with fixed screen exist also
• Built-in Wi-Fi, Bluetooth
• SD / SDHC / SDXC card slot
• LP-E 12 battery
• Free colors- black and silver
• 108.2 × 67.1 × 35.1 mm
• Body and EF–M 15–45mm kits, also 2 zooms kit
• August release
• 302 g
• Kit w/15-45mm lens available at $599 soon
• Preorders
  • https://www.amazon.com/Canon-2210C011-EOS-M100-White/dp/B074VV8PL1/
  • https://www.adorama.com/icam100k.html
  • https://www.adorama.com/icam100wk.html
• Kit w/15-45mm & 55-200mm lenses available for $989 soon

Specs

• 24.2Mp Dual pixel CMOS AF sensor
• DIGIC 7 LSI
• 49 AF points
• 7 frames/sec shooting, with fixed Af it goes up to 9 frames/sec
• Usual 1/4000 – 30 sec shutter, strobe synch up to 1/200 sec
• 1080p60 video
• 3.0" tiltable touch LCD, 1.04Mdot
• Uses SD / SDHC / SDXC card (UHS-I compatible)
• Built-in Wi-Fi, Bluetooth
• LP-E 17 battery
• 112.0 × 68.0 × 44.5mm size
• 343g for body only, 390g if include battery and memory card
• Two colors- black and silver
• Kit options : Body , EF–M 15–45mm kit, EF–M 18–150mm kit
• $779 body price at https://www.amazon.com/Canon-Black-EF-M-15-45mm-3-5-6-3/dp/B06WP2GZY7/