Tagged with canon - Personal View Talks http://www.personal-view.com/talks/discussions/tagged/canon/feed.rss Wed, 26 Oct 16 17:03:53 -0600 Tagged with canon - Personal View Talks en-CA A Good Life Official Trailer - Comedy TV Pilot http://www.personal-view.com/talks/discussion/15947/a-good-life-official-trailer-comedy-tv-pilot- Wed, 26 Oct 2016 16:59:23 -0600 stampfli 15947@/talks/discussions If you have a minute, please check out the official trailer to our comedy TV pilot "A Good Life." Launching soon! Thanks!!!

16-35mm F2.8 L III Canon lens http://www.personal-view.com/talks/discussion/15535/16-35mm-f2.8-l-iii-canon-lens Wed, 17 Aug 2016 21:47:50 -0600 Vitaliy_Kiselev 15535@/talks/discussions image


  • 11 group 16 sheets, 2 UD lenses, 3 aspherical lens
  • SWC, ASC, fluorine coating
  • 9 blades aperture
  • Ring type USM focus drive
  • Improved AF speed
  • Full-time manual focus
  • Weather sealing
  • Minimum focusing distance is 0.28m
  • Maximum photographic magnification is 0.25x
  • Filter diameter is 82mm
  • The maximum diameter × length - 88.5 x 127.5 mm
  • Lens Hood: EW-88D
  • 790g
  • $2,199 US price, preorder at https://www.amazon.com/Canon-EF-16-35mm-III-USM/dp/B01KURGS8U/
Nebula Gyro Jib with Nebula 4200 Lite and Nebula REMOTE for new shooting plan http://www.personal-view.com/talks/discussion/15923/nebula-gyro-jib-with-nebula-4200-lite-and-nebula-remote-for-new-shooting-plan Sat, 22 Oct 2016 22:35:52 -0600 Avril_Lovin 15923@/talks/discussions Filmpower has expanded the Nebula series in IBC 2016. This time, we introduced Nebula Gyro Jib, different form other Jib, is exactly a perfect match of Nebula 4200 and Nebula 5300. It just like a brand new “handle”, through the dove-tail slot, gimbal can be mounted on it. Now you may switch Nebula 4200 over the spring arm, the 3 axis handle, the single handle or the jib.

Because the camera is still on the stabilizer, that means Nebula Gyro Jib can carry cameras like the Canon XC15 and Panasonic PX230 which is compatible with Nebula 5300. With the help of Gimbal’s lock mode, making the camera stays locked on to a given target as the jib is moved. Also, if you switch to the semi-lock mode, it allows the camera to follow jib’s movement on the horizontal direction but stay locked as the jib moving up or down.

Further more, the Nebula Remote can be added as the controller unit to remote control gimbal’s Pitch and Yaw axis and mode switching, so that the direction of camera can be easily changed. Users may also remote control camera to start/stop recording by using the Remote. This system breaks the angle limit of traditional jibs.

Of course there are some features similar to other travel jibs such as easy to assemble, easy to monitor and easy for transportation. Nebula Gyro Jib is made of carbon fiber, making it only weights 1.4kg while having a reasonable length of 2.4m when fully extended. There are standard 1/4 and 3/8 screw holes on the jib for monitor and tripod. It can use regular weights or a handy donut shaped counter weight water bag as the standard fitting.

Canon 5D Mark IV official topic http://www.personal-view.com/talks/discussion/13148/canon-5d-mark-iv-official-topic Tue, 09 Jun 2015 12:58:59 -0600 Alexauwa 13148@/talks/discussions image


  • 30.4Mp CMOS FF sensor
  • Dual AF capability
  • 61 AF points
  • 150,000-pixel RGB + IR photometry sensor
  • 4kp30, 4kp24 500mbit MJPEG mode, 4:2:2 recording
  • 1080p60, 720p120 video H.264
  • Image processing engine DIGIC6 +
  • LCD 3.2" 1.62Mdots, touch screen
  • 100% FOV viewfinder, 0.71x magnification
  • 7 fps serial shooting
  • 15 million actuations shutter life
  • Wi-Fi (only old n standard), GPS, NFC
  • Mirror vibration control system
  • SD and CompactFlash slots
  • Special RAW mode preserving all Dual Pixel info
  • USB 3.0
  • HDMI output
  • Dust and water protected
  • 150.7mm x 116.4mm x 75.9mm
  • 890g with battery
  • $3499 US, €3,699 in Europe, $4299 CAD in Canada, shipping at October 1st
  • Preorder at http://www.adorama.com/ica5dm4.html
Canon 5Ds and 5Ds R, Full Frame with 50mp sensor http://www.personal-view.com/talks/discussion/12275/canon-5ds-and-5ds-r-full-frame-with-50mp-sensor Fri, 30 Jan 2015 01:58:24 -0700 paglez 12275@/talks/discussions image

  • 50.6MP full-size CMOS sensor (total - 53Mp)
  • 5fps burst shooting
  • Only 1080p30 video
  • 5DS R has no low-pass filter
  • 3.2″ 1.04mdot LCD
  • Magnesium alloy body, Dust and water sealed
  • 100% field of view optical viewfinder, magnification 0.71x, the eye point 21 mm
  • Dual processor DIGIC6
  • Regular sensitivity ISO100-6400
  • Continuous shooting 5 frames / sec.
  • High precision 61-point AF
  • EOS iTR AF
  • 150,000 pixel RGB + IR photometry sensor
  • Added “fine detail” to the Picture Style
  • 1.3x and 1.6x crop shooting mode
  • Customizable “Quick Control Screen”
  • Time-lapse movie
  • Anti-flicker
  • Interval Timer
  • Bulb timer
  • Mini HDMI output
  • CF (UDMA7) and SD / SDHC / SDXC (UHS-I) slots
  • Stills raw modes - RAW (50MP), M-RAW (28MP), S-RAW (12.4MP)
  • External microphone input (without headphone output)
  • 152 x 116.4 x 76.4mm
  • 930g (with battery). 845g (body only)
  • http://www.amazon.com/gp/product/B00T3ERPT8/

Previews and such

Canon Cinema EOS C100 mk.II http://www.personal-view.com/talks/discussion/11611/canon-cinema-eos-c100-mk.ii- Tue, 21 Oct 2014 22:20:19 -0600 bozfx 11611@/talks/discussions Canon has announced their successor to the C100...





Canon U.S.A. Announces the Second-Generation EOS C100 Mark II Digital Video Camera Features MP4 and AVCHD 1080/60p Recording, Dual Pixel CMOS AF, Face-Detection Autofocus (AF), Redesigned Viewfinder and OLED Panel, Built-In Canon Log Look-Up Table, and Wireless File Transfer

MELVILLE, N.Y., October 21, 2014 - Canon U.S.A. Inc., a leader in digital imaging solutions, announced today the Canon EOS C100 Mark II Digital Video Camera, the latest edition to the Canon Cinema EOS line of professional Super 35mm 8.3 megapixel CMOS cameras and the second-generation version of the popular Canon EOS C100 Digital Video Camera.

Designed for economical film and video productions such as documentary and remote broadcast crews, wedding and event coverage, indie film productions, as well as film schools and business and government users, the new EOS C100 Mark II Digital Video Camera, features advanced image processing, AVCHD and MP4 1920x1080/60p recording, uncompressed YCbCr output from HDMI, and many other new and enhanced capabilities for improved picture quality, operability, and convenient handling. Delivering a cinematic look with shallow depth of field and high sensitivity in low-light environments, the new EOS C100 Mark II camera weighs just 2.5 lbs. and is compatible with over 103 Canon EF Series lenses, including STM models which can deliver smooth and silent autofocus during filmmaking.

"Canon's commitment to the advancement of tools for visual expression takes another major step forward with the introduction of the EOS C100 Mark II Digital Video Camera," said Yuichi Ishizuka, president and COO of Canon U.S.A., Inc. "Drawing on input from Canon's global community of Cinema EOS camera users and from digital filmmakers using Canon EF lenses - 100 million of which have now been produced worldwidei - the Company has added new capabilities to the EOS C100 Mark II from its predecessor that powerfully leverage our considerable expertise in optics, imaging, and digital signal processing. The result is an improved, affordable Super 35mm CMOS digital camera that is designed to provide outstanding HD image quality, operational performance, ergonomics, and workflow convenience." Design Enhancements

Optimized for one-person operation, the new EOS C100 Mark II camera has a mobile core design enabling users to choose their preferred style of shooting. The existing design has been enhanced to include a large-size detachable eyecup for the camera's large 68-degree tilting 0.45-inch 1.23 megapixel color EVF (electronic viewfinder). Clearly marked red trigger buttons on the camera body, top handle, grip, and a built-in mono microphone on the camera body — for times when the top handle is not attached — can be used to capture basic sound for audio notation or as an aid to audio syncing during post.

Another major redesign of the new EOS C100 Mark II over its predecessor is an innovatively hinged 3.5-inch 1.23 megapixel OLED display panel, delivering 100 percent field-of-view coverage, wide color range support, and improved viewing even in bright sunshine. The new hinge design — which folds the panel shut when stowed, protecting the OLED surface — opens 180 degrees to reveal function keys and a joystick. The panel can open even further to 270 degrees to deploy against the side of the camera to provide monitoring for directors and other production personnel. Additional design improvements on the camera body include 17 assignable recessed function buttons, dual SD card slots with a transparent cover, and a simplified battery insertion and removal release. Visual Expression

Previously available only as an optional upgrade for earlier Cinema EOS models, Dual Pixel CMOS AF is a standard feature on the new EOS C100 Mark II, providing enhanced autofocusing capability. The Dual Pixel CMOS AF technology helps provide smooth and consistent autofocus, so that focus transitions are natural looking and subjects can remain in focus even as they move off center. In addition, the compatibility of Dual Pixel CMOS AF with Canon EF autofocus lenses combines outstanding optical tools with a wide range of creative options. It's ideal for shooting sports, weddings and many more productions where focus pulling by a single operator is not feasible, such as when the video camera is attached to steadicams or drones. The EOS C100 Mark II Digital Video Camera also includes Face-Detection AFii, a first in the Cinema EOS camera line, which utilizes contrast detection AF to maintain focus across most of the image plane, an advantage in one-person electronic news gathering (ENG) situations. Imaging and Recording

Central to many of the new features of the new EOS C100 Mark II Digital Video Camera is its advanced Canon DIGIC DV4 image processor. The Canon DIGIC DV4 image processor separates the RGB output from the camera's 8.3 Megapixel CMOS imager into three individual 8 megapixel signals (as opposed to 2MB in the EOS C100) for noticeably improved image quality. The Canon DIGIC DV4 processor also includes a new debayering algorithm to help minimize moir‚ and reduce video noise even at high ISO speeds. (high-sensitivity recording on the camera ranges from ISO 320 to 80,000).

Another important benefit of the Canon DIGIC DV4 processor is Full HD recording in both the high-quality professional format AVCHD or the popular web-friendly MP4 format at a variety of bit rates (up to 28 Mbps and 35 Mbps, respectively), resolutions, and frame rates (up to the smooth look of 59.94p) to suit practically any production need.iii For special-effect requirements, slow and fast motion MP4 recording at up to 1920x1080/60p can also be performed.

Users can choose from multiple formats that support MP4 or AVCHD to suit a wide variety of production, post, and output needs. The EOS C100 Mark II camera's dual SD card slots can record in one or both formats simultaneouslyiv for back-up, or convert AVCHD and MP4 files into smaller MP4 files for web upload.v Extended clip times can be achieved by recording continuously from one card to the other without a break. In addition, a Data Import Utility application is included that can seamlessly join divided files to help reduce work during editing and to import video file data from an SD card inside the camera or a card reader.

As with the other cameras in Canon's Cinema EOS line, the new EOS C100 Mark II Digital Video Camera includes Canon Log as a recording choice, providing maximum dynamic range for post-production color grading. New, however, is the addition of a built-in LUT (look-up table), enabling users to view the camera's live video signal in Wide DR (dynamic range) or the BT.709 (TV standard) color space on the OLED or any external monitor connected to the camera's locking HDMI® output (this feature can be turned off in the menu). Uncompressed video output (with time code data and 2:3 pull-down markers superimposed) can be output via HDMI to an external recorder. Connectivity Innovations

The addition of wireless file-transfer capabilities further expands the versatility of the new EOS C100 Mark II camera for multiple production applications, including transferring time-critical news video or backing-up files. Utilizing dual 5 GHz and 2.4 GHz frequencies, the camera can transfer video files via FTP server for instant relay, or send MP4 video to the web browsers of laptops or tablets for viewing and storage (even on PC's lacking playback software). Remote control of the camera is also enabled via a compatible smartphone, tablet, or laptop. The new EOS C100 Mark II Digital Video Camera also includes compatibility with the optional multi-functional Canon RC-V100 Remote Controller, which can be used to adjust image quality and other important operations from a distance, a handy feature for shooting from a jib arm, drone, or other inaccessible location.

In addition, the optional Canon GP-E2 EOS GPS Receiver can be connected to the EOS C100 Mark II Digital Video Camera using a USB cable to record location and time information during shooting, a helpful feature for editing and archiving. Pricing and Availability

The Canon EOS C100 Mark II Digital Video Camera is scheduled to be available at the end of December 2014 for an estimated retail price of $5,499.00.

Panasonic DVX200 - costly fixed lens 4K camera http://www.personal-view.com/talks/discussion/12574/panasonic-dvx200-costly-fixed-lens-4k-camera Thu, 12 Mar 2015 06:22:22 -0600 IronFilm 12574@/talks/discussions image


  • 4/3” MOS sensor
  • Fixed 13x zoom, 28mm-365.3mm, F2.8-F4.5
  • V-Log
  • 1080p120
  • 4Kp60
  • H.264 encoder

Not too long after the HDSLR revolution started, the companies started bringing out accessibly priced large sensor video cameras with interchangeable lenses. Such as the AF100, then later the FS100, then a bit later the C100.

Since then the C100 has been replaced with the (very disappointingly small update) C100mk2, the FS100's big brother the FS700 has been "replaced" (unofficially) with the FS7 (so surely the FS1 or FS200 is coming along next? Perhaps a topic for another thread...). Thus where is the AF200? One which has been waiting for an update for years and years longer than any of the others (and no, the AF100A hardly counts! Though I guess that is what Canon did with their "C100mk2"....).

Perhaps with the success of the GH4 (surely the most successful of the entire GH line so far), and the mainstreaming of 4K, those two factors will be sufficient to propel Panasonic to update the ageing AF100??

On a somewhat related point, how relevant is the AF100 still in 2015 and beyond? Some would think it still is: http://www.anycamerawilldo.com/old-but-not-out/

Am somewhat considering an AF100 myself, as planning on doing the next upcoming wedding season with one GH4 body and perhaps five or so GH1 bodies (maybe swapping out one GH1 for a GH2 with a monitor instead, for my second shooter to use). Thus I'll have a GH4 for single camera shoots (corporate ads / music videos / etc) and I'll have a heap of GH1 bodies to cheaply (only US$150 each!) cover the multiple angles needed for filming live events such as weddings. And I should be able to easily edit between them (making life an awful lot easier for me than this wedding season when I used: Nikon D5200 / Sony A5100 / Panasonic GH1 / G3 / GF3 / BMPCC).

However, half considering if it is worthwhile getting an AF100 as well if I see one cheap enough (say perhaps getting close to US$1,000-ish). As for appearances sake it could be reassuring for clients/brides to see my show up with an AF100, and not just a bunch of tiny GH1 bodies. Additionally I could have it handle some of the sound needs with its XLR inputs (additional to my usage of a Tascam DR-60D). And it is a camera which should cut in fairly easily enough with the bulk of the GH1 footage I'd hope?

Canon Powershot G7X Mark II topic http://www.personal-view.com/talks/discussion/14574/canon-powershot-g7x-mark-ii-topic Sat, 13 Feb 2016 06:47:50 -0700 Vitaliy_Kiselev 14574@/talks/discussions image


  • 1" 20MP CMOS sensor
  • 24-100mm F1.8-2.8 lens with 9 aperture blades
  • Image Stabilizer
  • Control ring
  • up to 8 frames/sec in raw
  • 3.0" 1.04mdot tilting LCD screen with touch
  • 1080p60 only video
  • Time-lapse movie
  • Wi-Fi/ NFC
  • $699 at http://www.amazon.com/dp/B01BV14OXA/


Canon EOS-1D X Mark II topic http://www.personal-view.com/talks/discussion/14448/canon-eos-1d-x-mark-ii-topic Sun, 17 Jan 2016 16:59:14 -0700 Vitaliy_Kiselev 14448@/talks/discussions image


  • 20.2MP CMOS Dual pixel FF sensor
  • Dual Digic 6+ LSI
  • 14bit AD
  • Improved dynamic range
  • 3.2" 1.6Mdots LCD with touchscreen
  • 61-point AF system all working at F8, with 41-point cross-type sensors.
  • New mirror system allows to do high-speed continuous shooting
  • 4K 60fps video with cedord to ultra fast CFast 2.0 cards.
  • Very good smooth AF in video
  • 16fps shooting
  • GPS
  • USB3.0
  • HDMI
  • Mike In, Headphone Out
  • Dust and water protected
  • 158mm x 167.6mm x 82.6mm
  • 1340g
  • $5999 price
  • Official in February 2016
  • Available at http://www.amazon.com/Canon-EOS-1D-Mark-Digital-Camera/dp/B01B6OTTIM/
  • Shipping start at April 2016
Raw video on Canon 5d Mark 3 and other cameras using liveview framebuffer http://www.personal-view.com/talks/discussion/6823/raw-video-on-canon-5d-mark-3-and-other-cameras-using-liveview-framebuffer- Sat, 27 Apr 2013 02:39:34 -0600 bannedindv 6823@/talks/discussions Some of the Devs at Magic Lantern are discussing the ability to write DNG directly from the LiveView Framebuffer, and it seems its in an alpha stage right now...not up to 24 fps, and not for a long duration...

Could be interesting if nothing else, just the fact that they can make it write DNGs is a pretty crazy start.


Recommended 1000x cards

Other cards

Canon EOS M5 topic http://www.personal-view.com/talks/discussion/15636/canon-eos-m5-topic Thu, 01 Sep 2016 04:14:32 -0600 Vitaliy_Kiselev 15636@/talks/discussions image

  • 24.2mp APS-C CMOS sensor with Dual Pixel CMOS AF
  • DIGIC 7 main LSI
  • 1/4000 to 30 sec shutter speed, 1/200 flash synchro speed
  • 9fps shooting without AF, 7fps with AF
  • Tilting 3.2" 1.62Mdot LCD
  • Electronic viewfinder with 2.36mdot resolution
  • 7fps shooting
  • 5 axis electronic stabilizer (no real sensor movement!)
  • Only 1080p60 video 35Mbit, all other modes restricted by 24Mbit
  • No peaking or zebras
  • Wi-Fi, NFC, Bluetooth
  • SDHC memory slot, UHS-I compatible
  • Will come with new lens - EF-M 18-150mm f/3.5-6.3 IS STM
  • 115.6 x 89.2 x 60.6 mm
  • 427g
  • Body Price - $979 preorder at https://www.amazon.com/Canon-EOS-M5-Camera-Body/dp/B01LWUQDHJ/
  • 18-150mm Kit - $1,479 preorder at https://www.amazon.com/Canon-EOS-M5-Camera-Body/dp/B01LWUQDHJ/

More info at http://mseriescameras.usa.canon.com/10094_live/index.html


70-300 F4-5.6 IS II USM Canon lens http://www.personal-view.com/talks/discussion/15709/70-300-f4-5.6-is-ii-usm-canon-lens Mon, 12 Sep 2016 20:17:33 -0600 Vitaliy_Kiselev 15709@/talks/discussions image


  • 17 lenses in 12 groups, one UD lens
  • 9 circular aperture blades
  • 1.2m minimum focusing distance
  • 0.25x times magnification
  • 4 stops IS
  • 67mm filter
  • 80mm × 145.5mm size
  • 710g
  • Nano USM drive
  • Full-time manual focus
  • $550 price
18-150 F3.5-6.3 IS STM Canon lens http://www.personal-view.com/talks/discussion/15710/18-150-f3.5-6.3-is-stm-canon-lens Mon, 12 Sep 2016 20:20:06 -0600 Vitaliy_Kiselev 15710@/talks/discussions image


  • 17 lenses in 13 groups, one UD lens, 2 aspherical lenses
  • 7 circular aperture blades
  • Minimum focusing distance - 0.25m to 0.45m
  • 4 stops IS
  • 55mm filter
  • 60.9 × 86.5mm size
  • 300g
  • Comes with hood
  • Stepping motor made for video
  • Full-time manual focus
  • $499 price
  • Silver available at http://www.adorama.com/ca18150s.html
  • Black available at http://www.adorama.com/ca18150.html
Canon Cinema EOS C700 http://www.personal-view.com/talks/discussion/15632/canon-cinema-eos-c700 Wed, 31 Aug 2016 11:23:59 -0600 Vitaliy_Kiselev 15632@/talks/discussions

Canon XC15 http://www.personal-view.com/talks/discussion/15609/canon-xc15 Tue, 30 Aug 2016 00:22:13 -0600 Vitaliy_Kiselev 15609@/talks/discussions image

Preorder at https://www.bhphotovideo.com/c/product/1278108-REG/canon_1456c002_xc15_4k_professional_camcorder.html

Canon U.S.A., Inc., a leader in digital imaging solutions, announced today the XC15 4K Video Camcorder, a 4K UHD digital video camcorder for professional use that achieves high-image quality with a lightweight, compact body.

The new Canon XC15, which builds on the XC10 4K UHD digital video camcorder announced in April 2015, enables shooting with an external microphone through an XLR input and features the selection of visual-expression “Look” modes, including modes that allow it to match the look of other Canon professional cameras, making it ideal for use as a “B”-camera as well as for media and video-content productions.

The Canon XC15 ships with the MA-400 microphone adapter that, when attached, enables shooting with XLR-input microphones used in a wide range of media and content-creation applications. As a result, the camcorder supports the production of content that combines both high-image quality and high-sound quality with reduced noise. The MA-400 is also compatible with the EOS C300 Mark II camera.

Thanks to its high-sensitivity one-inch CMOS sensor and DIGIC DV 5 image processing platform with high calculation-processing power, the new XC15 is capable of capturing high-image quality and low-noise 4K UHD video. Additionally, the camcorder features a compact, lightweight body design, measuring approximately 5.0 x 4.1 x 4.8 inches (WxHxD) and weighs approximately 2.1 pounds while also sporting a 10x optical zoom lens1, which facilitates shooting in confined spaces and environments that demand mobility.

The Canon XC15 4K UHD professional video camcorder is scheduled to be available in September 2016 for a list price of $3,000.00.* For more information, please visit usa.canon.com

Canon 7D Mark II topic http://www.personal-view.com/talks/discussion/11253/canon-7d-mark-ii-topic Thu, 11 Sep 2014 02:01:30 -0600 Vitaliy_Kiselev 11253@/talks/discussions image


  • 20.2MP CMOS sensor
  • Magnesium alloy body
  • Dust and water resistant
  • Dual Pixel CMOS AF
  • 65-point all cross AF
  • 10 fps burst
  • 3.0″ 1.04md Clear View II LCD Monitor
  • Dual DIGIC6 processors
  • RGB + IR photometry sensor 150000 pixels
  • Only 1080p60 video
  • GPS
  • $1800

Available at:

Canon 1300D or T6 http://www.personal-view.com/talks/discussion/14763/canon-1300d-or-t6- Thu, 10 Mar 2016 07:33:59 -0700 Vitaliy_Kiselev 14763@/talks/discussions image


  • 18Mp Canon CMOS APS-C image sensor
  • Very old DIGIC 4+ Image Processor
  • ISO 100–6400
  • Built-in Wi-Fi® and NFC
  • old 9‐point AF system (including one center cross‐type AF point)
  • Cheap Optical Viewfinder
  • Old 3.0-inch LCD monitor with 920,000 dots for easy viewing and reviewing.
  • 1080p60 shooting with usual Canon quality
  • 485 g
  • 129 x 101 x 78mm

$499 kit at http://www.amazon.com/Canon-EOS-Rebel-Digital-Camera/dp/B01CO2JPYS

Canon XC20 is coming? http://www.personal-view.com/talks/discussion/15650/canon-xc20-is-coming Sun, 04 Sep 2016 02:00:29 -0600 IronFilm 15650@/talks/discussions Skip ahead to 11 minutes in:

Canon EOS C300 MK II http://www.personal-view.com/talks/discussion/12755/canon-eos-c300-mk-ii Tue, 07 Apr 2015 23:31:04 -0600 Vitaliy_Kiselev 12755@/talks/discussions image



Canon has unveiled the EOS C300 Mark II, a new 4K Digital Cinema Camera allowing filmmakers and broadcast producers to realise their creative vision in stunning cinematic detail.

Building on the unprecedented success of the acclaimed EOS C300, the more rugged EOS C300 Mark II features an advanced imaging engine with Dual DIGIC DV5 processors, new professional codecs and outstanding dynamic range, making it the most capable, flexible and accessible Cinema EOS video camera to date.


With the ability to record 10-bit 4:2:2 files internally at up to 410Mbps in 4K, or 10/12-bit 4:4:4 files in 2K/Full HD, with up to 15 stops of dynamic range, the EOS C300 Mark II provides footage suitable for extensive post-production work, producing crisper images across the full colour spectrum with reduced “colour bleed”. The camera offers professional filmmakers and broadcasters alike the very best image quality, recording 4K in both broadcast (3840 x 2160) and DCI cinematic (4096 x 2160) resolutions.

The EOS C300 Mark II can record high bitrate 4K files internally to dual CFast 2.0™* media, while simultaneously recording 4K RAW files to an external recorder, offering the flexibility and universal appeal for production at the highest quality available today. Additionally, the ability to record 2K/Full HD Proxy files to an internal SD card, at the same time, further streamlines the production workflow process.

The EOS C300 Mark II features an all-new Super35mm CMOS sensor, designed by Canon, with a stunning ISO range of up to ISO 102,400. The new Canon-designed Super 35mm CMOS sensor and an increased ISO range up to ISO 102,400 deliver exceptional low light performance, allowing operators to capture low-noise footage across a variety of challenging environments without compromising on image quality.

To meet the requirements of a diverse range of shooting applications and lighting situations, the EOS C300 Mark II offers both full manual control, ideal for cinematic environments, as well as a variety of automatic modes. These include enhanced Dual Pixel CMOS AF (now covering approximately 80% vertical x 80% horizontal of the image display), Auto White Balance and Face Detection AF, all of which make it easier than ever before for independent news gatherers and documentary filmmakers to shoot on the go without having to worry about settings.


Canon’s new range of XF-AVC H.264 codecs, designed to be compatible with industry standard Non-Linear Edit systems, makes integrating both 4K and 2K/Full HD footage into workflows effortless, while maintaining the highest image quality. The range features XF-AVC intra for 4K, and XF-AVC Long GOP and Proxy options for 2K/Full HD recording, both of which utilise H.264 codec, offering post production flexibility and ease of use. Filmmakers can select the resolution and codec type that best suits their production, with the EOS C300 Mark II capable of shooting at up to 30P in 4K or up to 120P in 2K/Full HD.

The EOS C300 Mark II offers support for a wide range of colour space options, including BT.2020, the Canon Cinema Gamut and DCI-P3. The camera is also the first Cinema EOS model to feature brand new Canon Log2 technology, which enables the 15-stops of dynamic range, significantly wider than previous Cinema EOS cameras. The camera offers new versatility for sound recording too, supporting 4-channel audio recording in 16- or 24-bit and 48 kHz


The EOS C300 Mark II boasts the iconic Cinema EOS design DNA – a modular body that can be adapted to suit the needs of each shooter and filming situation, through the extensive range of compatible accessories. Internally, the EOS C300 Mark II also includes built-in electronically controlled glass ND (neutral density) filters, which reduces the amount of light reaching the sensor by up to 10 stops in expansion mode. Compatibility with the RC-V100 remote control and optional Wi-Fi control also enables ease of use in a wider range of locations.

A new modular body allows users to connect the EOS C300 Mark II to a host of professional accessories.
The camera’s sensor read-out speed is now twice as fast as the original EOS C300, and further reduces rolling shutter distortion, allowing for crisp image capture in a moving environment, making it perfectly suited for capturing action sequences.

Leveraging Canon’s rich heritage in lens design, the EOS C300 Mark II is compatible with more than 90 current EF and EF Cinema lenses allowing operators to use their existing EF mount lenses. In addition, the EOS C300 Mark II comes equipped with Canon Cine servo zoom lens support, delivering one of the most comprehensive selections of lens possibilities for movie and broadcast production available in the market today. For further flexibility, shooters can opt to change the lens mount from the default EF Mount, to EF Mount with Cinema Lock, or to the industry standard PL mount, as a service option.**

Canon EOS C500 topic http://www.personal-view.com/talks/discussion/2839/canon-eos-c500-topic Wed, 11 Apr 2012 18:35:29 -0600 leonbeas 2839@/talks/discussions image



EOS EF Canon to Sony NEX E-Mount electronic adapters http://www.personal-view.com/talks/discussion/4679/eos-ef-canon-to-sony-nex-e-mount-electronic-adapters Sun, 23 Sep 2012 05:18:19 -0600 Vitaliy_Kiselev 4679@/talks/discussions image


Price: $249


Canon EOS M10 http://www.personal-view.com/talks/discussion/13920/canon-eos-m10 Sun, 11 Oct 2015 15:08:52 -0600 Vitaliy_Kiselev 13920@/talks/discussions image


  • 18.0 Megapixel CMOS (APS-C) sensor, ISO 100-12800 (expandable to H:25600)
  • Canon DIGIC 6 Image Processor
  • Hybrid CMOS AF II for accurate autofocus along with maximum continuous shooting speeds up to 4.6 fps
  • 3.0-inch tilt-type (180º up) LCD monitor (approximately 1,040,000 dots)
  • Full HD 1920x1080 movies at 24p and 30p in MP4 format
  • Self Portrait mode to adjust camera effects, including skin smoothness and brightness
  • Compatible with all EF-M lenses as well as full line of EF and EF-S lenses*
  • Compact size at just 4.2 x 2.6 x 1.3 inches, and just over 10.5 ounces (including battery and memory card)
  • Built-in retractable flash
  • Built in Wi-Fi and NFC (Near Field Communication) plus Mobile Device Connect Button
  • Kit - $599 at http://www.adorama.com/ICAM10K.html
  • Double lens kit - http://www.amazon.com/dp/B0167Q0CWQ/


Step up to EOS camera quality in a simple and easy-to-use package! The EOS M10 camera combines a lightweight, compact design with the power and image quality EOS cameras are known for along with the versatility of interchangeable lenses. Inside is an 18.0 Megapixel CMOS (APS-C) sensor that’s paired with the DIGIC 6 Image Processor to help capture colorful, detailed videos and photos, even in low-light situations. To help expand creative opportunities, the EOS M10 is compatible with a wide range of compact EF-M lenses specially designed for EOS M series digital cameras, and the extensive range of EF* and EF-S* lenses used with Canon’s DSLR cameras. It also has easy-to-use and automatic settings like the innovative Creative Assist to simplify photo adjustments and help ensure your images are how you want them. Self Portrait mode extends that assistance to help you grab great selfies by adjusting settings that smooth skin tones and artistically blur backgrounds. If it’s too dark for a normal photo, a built-in pop-up flash lights up dark spaces. All these powerful features combine to make the EOS M10 worthy of your attention, while being conveniently wrapped in a slim, stylish camera.

Legendary Image Quality in the Palm of Your Hand

The EOS M10 camera features a lightweight, comfortably designed body that’s easy to hold and take with you. From overseas vacations to backyard family gatherings, the EOS M10’s compact size means it can easily be on hand, without getting in the way. A built-in thumb grip also lets you grasp the body securely, while the rounded edges make holding the camera easier when recording long video clips. All this while still featuring the image quality for which Canon EOS cameras are so well known.

Superb Detail With Minimal Noise

The 18.0 Megapixel CMOS sensor captures lots of detail with very little image noise. The sensor itself is APS-C type, which is the same size as the sensor found in Canon’s EOS Rebel series of cameras. The high resolution means you can crop the image to focus on one section, or have enough detail to print large photos to display or give to your family and friends. An ISO range of 100–12800 (expandable to 25600) lets you capture images on bright sunny beaches and darkened streets.

Fast Focus

Life happens fast, and there’s little worse than missing out on capturing that perfect moment because the camera was too slow to focus. The EOS M10 camera uses Canon’s Hybrid CMOS AF II autofocus system, which measures up to 49 different points in an image quickly and accurately to help get it in focus. In addition, face detection and object tracking help keep the subject of your photo focused, even if they move. What’s more, the EOS M10 is compatible with all EF-M lenses, which feature an AF+MF mode that lets you easily combine the speed of autofocus with the creative flourish possible with manual focus.

Get the Shot You Want, at Any Angle

It’s vital to see if you’ve composed the photo you want. The EOS M10 camera’s 3.0-inch touch screen has 1.04 million pixels, letting you preview images in high detail. It can pivot a full 180°, meaning you can capture a unique dog’s-eye-view of the world or flip the screen up to get that epic selfie.

Superb Moviemaking Made Easy

The EOS M10 camera can capture 1920×1080 Full HD video at frame rates of both 24p and 30p, and can record in MP4 format for easy sharing online.

Moviemaking Made Easy with Manual Movie Control

The EOS M10 camera is a fine moviemaking tool. With touch-activated AF and a number of manual controls available, it’s easy to make intuitive setting adjustments silently and on the fly using the EOS M10’s dials and touch operations.

24-105mm F4 L IS II Canon lens http://www.personal-view.com/talks/discussion/15533/24-105mm-f4-l-is-ii-canon-lens Wed, 17 Aug 2016 21:41:45 -0600 Vitaliy_Kiselev 15533@/talks/discussions image


  • 17 lenses in 12 groups, 4 aspherical lenses
  • ASC, fluorine coating
  • 10 blades circular aperture
  • 4 stops IS
  • Ring type USM motor
  • Full-time manual focus
  • Minimum focusing distance is 0.45m
  • Maximum magnification is 0.24x
  • Filter diameter used is 77mm
  • The maximum diameter × length - 83.5 x 118 mm
  • Weather sealing
  • $1099, preorder at https://www.amazon.com/Canon-EF-24-105mm-II-USM/dp/B01KURGS9O/
  • 795g
Canon EOS 80D topic http://www.personal-view.com/talks/discussion/14589/canon-eos-80d-topic Tue, 16 Feb 2016 02:08:19 -0700 Vitaliy_Kiselev 14589@/talks/discussions image


  • 24.2mp APS-C sensor
  • Dual Pixel AF
  • very old DIGIC6 LSI
  • 7560 pixel RGB + IR exposure sensor
  • 7fps Shooting in live view (77 JPEG or 20 raw in series)
  • 45 AF all crosstype points, 27 work at F8
  • Anti-Flicker
  • 100% Viewfinder
  • 30-1/8000 sec shutter (100k life). Flash synchro at 1/250 sec.
  • 3″ 1.04Mdot Vari-Angle LCD with touchscreen
  • Electronic Level
  • 1080p60 video only
  • Time-Lapse
  • HDR movie mode
  • Wi-Fi and NFC, allows remote shooting via smartphone
  • USB, HDMI, microphone, headphone, remote control connectors
  • 139.0 x 105.2 x 78.5mm
  • 730g or 650g body only without battery
  • $1199 body - http://www.amazon.com/gp/product/B01BUYK04A/
  • 18-55mm kit - http://www.amazon.com/gp/product/B01BUYJXMA/
  • 18-135mm USM kit - http://www.amazon.com/gp/product/B01BUYJX6G/


Canon EOS M3 http://www.personal-view.com/talks/discussion/12307/canon-eos-m3 Tue, 03 Feb 2015 07:28:59 -0700 Vitaliy_Kiselev 12307@/talks/discussions image


  • 24.2 MP APS-C CMOS sensor
  • Hybrid CMOS AF III focusing system
  • Canon DIGIC 6 processor
  • 1,040,000 dots LCD screen
  • Focusing assist with Manual Focus Peaking and AF+MF
  • 1920x1080 movies at 24p and 30p
  • WiFi with NFC support


100-400mm f/4.5-5.6 L Canon EF IS II USM Lens http://www.personal-view.com/talks/discussion/11746/100-400mm-f4.5-5.6-l-canon-ef-is-ii-usm-lens Tue, 11 Nov 2014 01:55:00 -0700 Vitaliy_Kiselev 11746@/talks/discussions image

Available at:


Canon U.S.A., a leader in digital imaging solutions, today announced the highly anticipated Canon EF 100-400mm f/4.5-5.6L II USM lens, a second generation compact super-telephoto zoom lens featuring significant advancements in optical quality, image stabilization performance up-to-four steps, and rotating-zoom-ring design. This new L-series super- telephoto zoom lens features Canon L-series weather resistance and rugged magnesium housing to meet the needs of wildlife and sports photographers or photojournalists working out in the elements. Fully compatible with all EOS cameras, the EF 100-400mm f/4.5-5.6L II USM features a completely redesigned optical formula containing one Fluorite and one Super UD lens element ─ a combination unique to lenses in this focal range ─ to help deliver sharp images with high resolution and contrast. This combination of elements helps thoroughly suppress chromatic aberration throughout the entire zoom range.

"The Canon EF 100-400mm f/4.5-5.6L II USM is the logical evolution of the very popular EF 100-400mm f/4.5-5.6L IS USM introduced 16 years ago," said Yuichi Ishizuka, President and COO of Canon U.S.A., Inc., "This long awaited, next generation lens was developed to be a highly portable and adaptable telephoto zoom lens for today's modern professional and advanced amateur photographers."

For photographers who want to work as closely as possible to their subjects, the minimum focusing distance of the lens has been reduced to just 3.2 ft. (0.98m), resulting in maximum magnification of 0.31x. The original EF 100-400mm f/4.5-5.6L IS USM was well known for its push-pull zoom adjustment, but the EF 100-400mm f/4.5-5.6L II USM uses a rotation-type zoom ring similar to the one found on the EF 70-300mm f/4-5.6L IS USM lens that allows for more precise adjustments, easier handling, and consistently excellent weight balance during handheld photography. In addition, the lens features an improved zoom torque adjustment ring that allows for the easy setting of zoom tension based on personal shooting preferences. The Canon EF 100-400mm f/4.5-5.6L II USM also features an inner focusing system, a powerful yet quiet Ring USM, a high-speed CPU and optimized auto focus (AF) algorithms for fast and accurate autofocusing in various shooting situations.

The Canon EF 100-400mm f/4.5-5.6L II USM features three Image Stabilization (IS) modes ─ standard, panning, and during exposure only. Each IS mode is individually engineered to help provide outstanding results in a wide variety of shooting situations, and all serve to satisfy the personal preferences of photographers based on the type of IS they desire. The optical IS provides up to four shutter speed steps of correction, increased from 1.5 steps in the previous model*. In addition, the EF 100-400mm f/4.5-5.6L II USM features Canon's newly developed Air Sphere Coating (ASC) which helps to reduce backlit flaring and ghosting significantly, as well as a 9-bladed circular aperture Electro-Magnetic Diaphragm that helps to enhance beautiful, softly blurred backgrounds.

As with all L-series lenses, the Canon EF 100-400mm f/4.5-5.6L II USM is highly resistant to dust and water, with excellent durability in even harsh conditions, ideal for wildlife photographers even in rainforest environments, or sports photographers on the sideline grabbing action shots of the big game. Fluorine coating on the front and rear surfaces of the lens can repel dust particles and water droplets. It also makes smears and fingerprints easy to remove without the use of lens cleaning fluid. Included with the lens is the new ET-83D lens hood, that features a cleverly placed and convenient side window allowing the user to easily adjust specialty filters while the lens hood remains in place. In addition, the EF 100-400mm f/4.5-5.6L II USM is equipped with a newly designed detachable tripod mount which can be removed to reduce weight during handheld operation.

Lenses for Canon FD mount http://www.personal-view.com/talks/discussion/106/lenses-for-canon-fd-mount Wed, 18 May 2011 11:47:09 -0600 Vitaliy_Kiselev 106@/talks/discussions
Why Canon FD? You can find many great lenses for this mount.
And thanks to the fact that this mount is completely abandoned, they can be obtained for cheaper price, normally.

I'll start from the most frequently mentioned lens - Canon FD 40mm F1.4. It had many versions.
I really do not know all the differencies, but they are not very important as far as I am aware.


While it is not very sharp wide open, but it is well build. Focus is smooth and handy.]]>
FilmPower ROXOR – a 4K integrated brushless gimbal camera http://www.personal-view.com/talks/discussion/14043/filmpower-roxor-a-4k-integrated-brushless-gimbal-camera Sat, 07 Nov 2015 19:44:32 -0700 Avril_Lovin 14043@/talks/discussions FilmPower, who made the popularNebula 4000 Lite handheld brushless gimbal, have announced a new integrated 4K camera and brushless gimbal called the ROXOR. The idea of the ROXOR is to produce a combined camera and 3-axis stabiliser with a more streamlined form factor.

Newsshooter report:http://www.newsshooter.com/2015/10/23/filmpower-roxor-a-4k-integrated-brushless-gimbal-camera-for-199/?utm_source=twitterfeed&utm_medium=twitter


Canon Cinema 1D, rocking 4K camera http://www.personal-view.com/talks/discussion/2843/canon-cinema-1d-rocking-4k-camera Thu, 12 Apr 2012 09:26:20 -0600 PixCanFly 2843@/talks/discussions image

  • Internal 4K recording, 4:2:2
  • MJPEG compression (8 bit, of course)
  • ISO up to 25,600
  • HDMI connector (Full HD, 4:2:2)
  • Canon Log Gamma
  • 4K only for 24p
  • 24p, 25p, 30p, 50p and 60p in 1080p
  • Fullframe and two crop options - APS-H, Super 35mm

The battle of 4k and RAW begins.

Info from - http://www.cinemaeos.usa.canon.com/products.php?type=Cameras

Available at:

55mm Canon F1.2 S.S.C, your experience ? http://www.personal-view.com/talks/discussion/1621/55mm-canon-f1.2-s.s.c-your-experience- Fri, 02 Dec 2011 11:18:08 -0700 feha 1621@/talks/discussions Wonder if any one had experience using it on GH2 ?]]>