Tagged with canon - Personal View Talks http://www.personal-view.com/talks/discussions/tagged/canon/feed.rss Mon, 31 Aug 15 04:46:17 -0600 Tagged with canon - Personal View Talks en-CA Panasonic DVX200 - costly fixed lens 4K camera http://www.personal-view.com/talks/discussion/12574/panasonic-dvx200-costly-fixed-lens-4k-camera Thu, 12 Mar 2015 06:22:22 -0600 IronFilm 12574@/talks/discussions image

Specs

  • 4/3” MOS sensor
  • Fixed 13x zoom, 28mm-365.3mm, F2.8-F4.5
  • V-Log
  • 1080p120
  • 4Kp60
  • H.264 encoder

Not too long after the HDSLR revolution started, the companies started bringing out accessibly priced large sensor video cameras with interchangeable lenses. Such as the AF100, then later the FS100, then a bit later the C100.

Since then the C100 has been replaced with the (very disappointingly small update) C100mk2, the FS100's big brother the FS700 has been "replaced" (unofficially) with the FS7 (so surely the FS1 or FS200 is coming along next? Perhaps a topic for another thread...). Thus where is the AF200? One which has been waiting for an update for years and years longer than any of the others (and no, the AF100A hardly counts! Though I guess that is what Canon did with their "C100mk2"....).

Perhaps with the success of the GH4 (surely the most successful of the entire GH line so far), and the mainstreaming of 4K, those two factors will be sufficient to propel Panasonic to update the ageing AF100??

On a somewhat related point, how relevant is the AF100 still in 2015 and beyond? Some would think it still is: http://www.anycamerawilldo.com/old-but-not-out/

Am somewhat considering an AF100 myself, as planning on doing the next upcoming wedding season with one GH4 body and perhaps five or so GH1 bodies (maybe swapping out one GH1 for a GH2 with a monitor instead, for my second shooter to use). Thus I'll have a GH4 for single camera shoots (corporate ads / music videos / etc) and I'll have a heap of GH1 bodies to cheaply (only US$150 each!) cover the multiple angles needed for filming live events such as weddings. And I should be able to easily edit between them (making life an awful lot easier for me than this wedding season when I used: Nikon D5200 / Sony A5100 / Panasonic GH1 / G3 / GF3 / BMPCC).

However, half considering if it is worthwhile getting an AF100 as well if I see one cheap enough (say perhaps getting close to US$1,000-ish). As for appearances sake it could be reassuring for clients/brides to see my show up with an AF100, and not just a bunch of tiny GH1 bodies. Additionally I could have it handle some of the sound needs with its XLR inputs (additional to my usage of a Tascam DR-60D). And it is a camera which should cut in fairly easily enough with the bulk of the GH1 footage I'd hope?

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Canon EOS M3 http://www.personal-view.com/talks/discussion/12307/canon-eos-m3 Tue, 03 Feb 2015 07:28:59 -0700 Vitaliy_Kiselev 12307@/talks/discussions image

Specs

  • 24.2 MP APS-C CMOS sensor
  • Hybrid CMOS AF III focusing system
  • Canon DIGIC 6 processor
  • 1,040,000 dots LCD screen
  • Focusing assist with Manual Focus Peaking and AF+MF
  • 1920x1080 movies at 24p and 30p
  • WiFi with NFC support

http://cpn.canon-europe.com/content/product/cameras/eos_m3.do

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Canon 5Ds and 5Ds R, Full Frame with 50mp sensor http://www.personal-view.com/talks/discussion/12275/canon-5ds-and-5ds-r-full-frame-with-50mp-sensor Fri, 30 Jan 2015 01:58:24 -0700 paglez 12275@/talks/discussions image

  • 50.6MP full-size CMOS sensor (total - 53Mp)
  • 5fps burst shooting
  • Only 1080p30 video
  • 5DS R has no low-pass filter
  • 3.2″ 1.04mdot LCD
  • Magnesium alloy body, Dust and water sealed
  • 100% field of view optical viewfinder, magnification 0.71x, the eye point 21 mm
  • Dual processor DIGIC6
  • Regular sensitivity ISO100-6400
  • Continuous shooting 5 frames / sec.
  • High precision 61-point AF
  • EOS iTR AF
  • 150,000 pixel RGB + IR photometry sensor
  • Added “fine detail” to the Picture Style
  • 1.3x and 1.6x crop shooting mode
  • Customizable “Quick Control Screen”
  • Time-lapse movie
  • Anti-flicker
  • Interval Timer
  • Bulb timer
  • Mini HDMI output
  • CF (UDMA7) and SD / SDHC / SDXC (UHS-I) slots
  • Stills raw modes - RAW (50MP), M-RAW (28MP), S-RAW (12.4MP)
  • External microphone input (without headphone output)
  • 152 x 116.4 x 76.4mm
  • 930g (with battery). 845g (body only)
  • http://www.amazon.com/gp/product/B00T3ERPT8/

Previews and such

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Canon EOS C300 MK II http://www.personal-view.com/talks/discussion/12755/canon-eos-c300-mk-ii Tue, 07 Apr 2015 23:31:04 -0600 Vitaliy_Kiselev 12755@/talks/discussions image

image


PR

Canon has unveiled the EOS C300 Mark II, a new 4K Digital Cinema Camera allowing filmmakers and broadcast producers to realise their creative vision in stunning cinematic detail.

Building on the unprecedented success of the acclaimed EOS C300, the more rugged EOS C300 Mark II features an advanced imaging engine with Dual DIGIC DV5 processors, new professional codecs and outstanding dynamic range, making it the most capable, flexible and accessible Cinema EOS video camera to date.

SUPREME 4K IMAGE QUALITY AND VERSATILITY

With the ability to record 10-bit 4:2:2 files internally at up to 410Mbps in 4K, or 10/12-bit 4:4:4 files in 2K/Full HD, with up to 15 stops of dynamic range, the EOS C300 Mark II provides footage suitable for extensive post-production work, producing crisper images across the full colour spectrum with reduced “colour bleed”. The camera offers professional filmmakers and broadcasters alike the very best image quality, recording 4K in both broadcast (3840 x 2160) and DCI cinematic (4096 x 2160) resolutions.

The EOS C300 Mark II can record high bitrate 4K files internally to dual CFast 2.0™* media, while simultaneously recording 4K RAW files to an external recorder, offering the flexibility and universal appeal for production at the highest quality available today. Additionally, the ability to record 2K/Full HD Proxy files to an internal SD card, at the same time, further streamlines the production workflow process.

The EOS C300 Mark II features an all-new Super35mm CMOS sensor, designed by Canon, with a stunning ISO range of up to ISO 102,400. The new Canon-designed Super 35mm CMOS sensor and an increased ISO range up to ISO 102,400 deliver exceptional low light performance, allowing operators to capture low-noise footage across a variety of challenging environments without compromising on image quality.

To meet the requirements of a diverse range of shooting applications and lighting situations, the EOS C300 Mark II offers both full manual control, ideal for cinematic environments, as well as a variety of automatic modes. These include enhanced Dual Pixel CMOS AF (now covering approximately 80% vertical x 80% horizontal of the image display), Auto White Balance and Face Detection AF, all of which make it easier than ever before for independent news gatherers and documentary filmmakers to shoot on the go without having to worry about settings.

INSTANT INTEGRATION INTO PROFESSIONAL WORKFLOWS

Canon’s new range of XF-AVC H.264 codecs, designed to be compatible with industry standard Non-Linear Edit systems, makes integrating both 4K and 2K/Full HD footage into workflows effortless, while maintaining the highest image quality. The range features XF-AVC intra for 4K, and XF-AVC Long GOP and Proxy options for 2K/Full HD recording, both of which utilise H.264 codec, offering post production flexibility and ease of use. Filmmakers can select the resolution and codec type that best suits their production, with the EOS C300 Mark II capable of shooting at up to 30P in 4K or up to 120P in 2K/Full HD.

The EOS C300 Mark II offers support for a wide range of colour space options, including BT.2020, the Canon Cinema Gamut and DCI-P3. The camera is also the first Cinema EOS model to feature brand new Canon Log2 technology, which enables the 15-stops of dynamic range, significantly wider than previous Cinema EOS cameras. The camera offers new versatility for sound recording too, supporting 4-channel audio recording in 16- or 24-bit and 48 kHz

DESIGNED FOR VERSATILITY

The EOS C300 Mark II boasts the iconic Cinema EOS design DNA – a modular body that can be adapted to suit the needs of each shooter and filming situation, through the extensive range of compatible accessories. Internally, the EOS C300 Mark II also includes built-in electronically controlled glass ND (neutral density) filters, which reduces the amount of light reaching the sensor by up to 10 stops in expansion mode. Compatibility with the RC-V100 remote control and optional Wi-Fi control also enables ease of use in a wider range of locations.

A new modular body allows users to connect the EOS C300 Mark II to a host of professional accessories.
The camera’s sensor read-out speed is now twice as fast as the original EOS C300, and further reduces rolling shutter distortion, allowing for crisp image capture in a moving environment, making it perfectly suited for capturing action sequences.

Leveraging Canon’s rich heritage in lens design, the EOS C300 Mark II is compatible with more than 90 current EF and EF Cinema lenses allowing operators to use their existing EF mount lenses. In addition, the EOS C300 Mark II comes equipped with Canon Cine servo zoom lens support, delivering one of the most comprehensive selections of lens possibilities for movie and broadcast production available in the market today. For further flexibility, shooters can opt to change the lens mount from the default EF Mount, to EF Mount with Cinema Lock, or to the industry standard PL mount, as a service option.**

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100-400mm f/4.5-5.6 L Canon EF IS II USM Lens http://www.personal-view.com/talks/discussion/11746/100-400mm-f4.5-5.6-l-canon-ef-is-ii-usm-lens Tue, 11 Nov 2014 01:55:00 -0700 Vitaliy_Kiselev 11746@/talks/discussions image

Available at:

PR

Canon U.S.A., a leader in digital imaging solutions, today announced the highly anticipated Canon EF 100-400mm f/4.5-5.6L II USM lens, a second generation compact super-telephoto zoom lens featuring significant advancements in optical quality, image stabilization performance up-to-four steps, and rotating-zoom-ring design. This new L-series super- telephoto zoom lens features Canon L-series weather resistance and rugged magnesium housing to meet the needs of wildlife and sports photographers or photojournalists working out in the elements. Fully compatible with all EOS cameras, the EF 100-400mm f/4.5-5.6L II USM features a completely redesigned optical formula containing one Fluorite and one Super UD lens element ─ a combination unique to lenses in this focal range ─ to help deliver sharp images with high resolution and contrast. This combination of elements helps thoroughly suppress chromatic aberration throughout the entire zoom range.

"The Canon EF 100-400mm f/4.5-5.6L II USM is the logical evolution of the very popular EF 100-400mm f/4.5-5.6L IS USM introduced 16 years ago," said Yuichi Ishizuka, President and COO of Canon U.S.A., Inc., "This long awaited, next generation lens was developed to be a highly portable and adaptable telephoto zoom lens for today's modern professional and advanced amateur photographers."

For photographers who want to work as closely as possible to their subjects, the minimum focusing distance of the lens has been reduced to just 3.2 ft. (0.98m), resulting in maximum magnification of 0.31x. The original EF 100-400mm f/4.5-5.6L IS USM was well known for its push-pull zoom adjustment, but the EF 100-400mm f/4.5-5.6L II USM uses a rotation-type zoom ring similar to the one found on the EF 70-300mm f/4-5.6L IS USM lens that allows for more precise adjustments, easier handling, and consistently excellent weight balance during handheld photography. In addition, the lens features an improved zoom torque adjustment ring that allows for the easy setting of zoom tension based on personal shooting preferences. The Canon EF 100-400mm f/4.5-5.6L II USM also features an inner focusing system, a powerful yet quiet Ring USM, a high-speed CPU and optimized auto focus (AF) algorithms for fast and accurate autofocusing in various shooting situations.

The Canon EF 100-400mm f/4.5-5.6L II USM features three Image Stabilization (IS) modes ─ standard, panning, and during exposure only. Each IS mode is individually engineered to help provide outstanding results in a wide variety of shooting situations, and all serve to satisfy the personal preferences of photographers based on the type of IS they desire. The optical IS provides up to four shutter speed steps of correction, increased from 1.5 steps in the previous model*. In addition, the EF 100-400mm f/4.5-5.6L II USM features Canon's newly developed Air Sphere Coating (ASC) which helps to reduce backlit flaring and ghosting significantly, as well as a 9-bladed circular aperture Electro-Magnetic Diaphragm that helps to enhance beautiful, softly blurred backgrounds.

As with all L-series lenses, the Canon EF 100-400mm f/4.5-5.6L II USM is highly resistant to dust and water, with excellent durability in even harsh conditions, ideal for wildlife photographers even in rainforest environments, or sports photographers on the sideline grabbing action shots of the big game. Fluorine coating on the front and rear surfaces of the lens can repel dust particles and water droplets. It also makes smears and fingerprints easy to remove without the use of lens cleaning fluid. Included with the lens is the new ET-83D lens hood, that features a cleverly placed and convenient side window allowing the user to easily adjust specialty filters while the lens hood remains in place. In addition, the EF 100-400mm f/4.5-5.6L II USM is equipped with a newly designed detachable tripod mount which can be removed to reduce weight during handheld operation.

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Canon XC10, 1" 4K Hybrid camera http://www.personal-view.com/talks/discussion/12668/canon-xc10-1-4k-hybrid-camera Wed, 25 Mar 2015 22:30:26 -0600 Vitaliy_Kiselev 12668@/talks/discussions image

image

Specs

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GH2 with Metabones SB http://www.personal-view.com/talks/discussion/13038/gh2-with-metabones-sb Sat, 23 May 2015 13:34:59 -0600 club_irate 13038@/talks/discussions I got the Metabone Canon EF Lens to Micro Four Thirds Speed Booster which i wish to pair with my next purchase, Sigma 18-35 1.8 lens onto a Panny GH2 body.

Does the Speedbooster feature activate on the GH2 only with a external third-party 5 Volt MicroUSB power supply?

If yes, could anyone who has experience in it share a tried and tested third party 5 volt MicroUSB brand i would need to buy for the same?

Please feel free to share any other views on MB SB+ GH2 setup.

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50mm F1.8 Canon STM lens http://www.personal-view.com/talks/discussion/12942/50mm-f1.8-canon-stm-lens Wed, 06 May 2015 09:35:08 -0600 Vitaliy_Kiselev 12942@/talks/discussions image

Specs

  • 6 lens elements in 5 groups
  • Compatible with FF cameras
  • Coating optimized for digital cameras
  • Stepper motor (STM)
  • Full-time manual focus
  • Height - 39.3mm
  • Weight - 160g
  • $125 - http://www.amazon.com/gp/product/B00X8MRBCW

MTF compared to old (left):

image

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Raw video on Canon 5d Mark 3 and other cameras using liveview framebuffer http://www.personal-view.com/talks/discussion/6823/raw-video-on-canon-5d-mark-3-and-other-cameras-using-liveview-framebuffer- Sat, 27 Apr 2013 02:39:34 -0600 bannedindv 6823@/talks/discussions Some of the Devs at Magic Lantern are discussing the ability to write DNG directly from the LiveView Framebuffer, and it seems its in an alpha stage right now...not up to 24 fps, and not for a long duration...

Could be interesting if nothing else, just the fact that they can make it write DNGs is a pretty crazy start.

http://www.magiclantern.fm/forum/index.php?topic=5240.0


Recommended 1000x cards

Other cards

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Canon Cinema EOS C100 mk.II http://www.personal-view.com/talks/discussion/11611/canon-cinema-eos-c100-mk.ii- Tue, 21 Oct 2014 22:20:19 -0600 bozfx 11611@/talks/discussions Canon has announced their successor to the C100...

image

http://www.usa.canon.com/cusa/professional/products/professional_cameras/cinema_eos_cameras/eos_c100_mark_ii

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PR

Canon U.S.A. Announces the Second-Generation EOS C100 Mark II Digital Video Camera Features MP4 and AVCHD 1080/60p Recording, Dual Pixel CMOS AF, Face-Detection Autofocus (AF), Redesigned Viewfinder and OLED Panel, Built-In Canon Log Look-Up Table, and Wireless File Transfer

MELVILLE, N.Y., October 21, 2014 - Canon U.S.A. Inc., a leader in digital imaging solutions, announced today the Canon EOS C100 Mark II Digital Video Camera, the latest edition to the Canon Cinema EOS line of professional Super 35mm 8.3 megapixel CMOS cameras and the second-generation version of the popular Canon EOS C100 Digital Video Camera.

Designed for economical film and video productions such as documentary and remote broadcast crews, wedding and event coverage, indie film productions, as well as film schools and business and government users, the new EOS C100 Mark II Digital Video Camera, features advanced image processing, AVCHD and MP4 1920x1080/60p recording, uncompressed YCbCr output from HDMI, and many other new and enhanced capabilities for improved picture quality, operability, and convenient handling. Delivering a cinematic look with shallow depth of field and high sensitivity in low-light environments, the new EOS C100 Mark II camera weighs just 2.5 lbs. and is compatible with over 103 Canon EF Series lenses, including STM models which can deliver smooth and silent autofocus during filmmaking.

"Canon's commitment to the advancement of tools for visual expression takes another major step forward with the introduction of the EOS C100 Mark II Digital Video Camera," said Yuichi Ishizuka, president and COO of Canon U.S.A., Inc. "Drawing on input from Canon's global community of Cinema EOS camera users and from digital filmmakers using Canon EF lenses - 100 million of which have now been produced worldwidei - the Company has added new capabilities to the EOS C100 Mark II from its predecessor that powerfully leverage our considerable expertise in optics, imaging, and digital signal processing. The result is an improved, affordable Super 35mm CMOS digital camera that is designed to provide outstanding HD image quality, operational performance, ergonomics, and workflow convenience." Design Enhancements

Optimized for one-person operation, the new EOS C100 Mark II camera has a mobile core design enabling users to choose their preferred style of shooting. The existing design has been enhanced to include a large-size detachable eyecup for the camera's large 68-degree tilting 0.45-inch 1.23 megapixel color EVF (electronic viewfinder). Clearly marked red trigger buttons on the camera body, top handle, grip, and a built-in mono microphone on the camera body — for times when the top handle is not attached — can be used to capture basic sound for audio notation or as an aid to audio syncing during post.

Another major redesign of the new EOS C100 Mark II over its predecessor is an innovatively hinged 3.5-inch 1.23 megapixel OLED display panel, delivering 100 percent field-of-view coverage, wide color range support, and improved viewing even in bright sunshine. The new hinge design — which folds the panel shut when stowed, protecting the OLED surface — opens 180 degrees to reveal function keys and a joystick. The panel can open even further to 270 degrees to deploy against the side of the camera to provide monitoring for directors and other production personnel. Additional design improvements on the camera body include 17 assignable recessed function buttons, dual SD card slots with a transparent cover, and a simplified battery insertion and removal release. Visual Expression

Previously available only as an optional upgrade for earlier Cinema EOS models, Dual Pixel CMOS AF is a standard feature on the new EOS C100 Mark II, providing enhanced autofocusing capability. The Dual Pixel CMOS AF technology helps provide smooth and consistent autofocus, so that focus transitions are natural looking and subjects can remain in focus even as they move off center. In addition, the compatibility of Dual Pixel CMOS AF with Canon EF autofocus lenses combines outstanding optical tools with a wide range of creative options. It's ideal for shooting sports, weddings and many more productions where focus pulling by a single operator is not feasible, such as when the video camera is attached to steadicams or drones. The EOS C100 Mark II Digital Video Camera also includes Face-Detection AFii, a first in the Cinema EOS camera line, which utilizes contrast detection AF to maintain focus across most of the image plane, an advantage in one-person electronic news gathering (ENG) situations. Imaging and Recording

Central to many of the new features of the new EOS C100 Mark II Digital Video Camera is its advanced Canon DIGIC DV4 image processor. The Canon DIGIC DV4 image processor separates the RGB output from the camera's 8.3 Megapixel CMOS imager into three individual 8 megapixel signals (as opposed to 2MB in the EOS C100) for noticeably improved image quality. The Canon DIGIC DV4 processor also includes a new debayering algorithm to help minimize moir‚ and reduce video noise even at high ISO speeds. (high-sensitivity recording on the camera ranges from ISO 320 to 80,000).

Another important benefit of the Canon DIGIC DV4 processor is Full HD recording in both the high-quality professional format AVCHD or the popular web-friendly MP4 format at a variety of bit rates (up to 28 Mbps and 35 Mbps, respectively), resolutions, and frame rates (up to the smooth look of 59.94p) to suit practically any production need.iii For special-effect requirements, slow and fast motion MP4 recording at up to 1920x1080/60p can also be performed.

Users can choose from multiple formats that support MP4 or AVCHD to suit a wide variety of production, post, and output needs. The EOS C100 Mark II camera's dual SD card slots can record in one or both formats simultaneouslyiv for back-up, or convert AVCHD and MP4 files into smaller MP4 files for web upload.v Extended clip times can be achieved by recording continuously from one card to the other without a break. In addition, a Data Import Utility application is included that can seamlessly join divided files to help reduce work during editing and to import video file data from an SD card inside the camera or a card reader.

As with the other cameras in Canon's Cinema EOS line, the new EOS C100 Mark II Digital Video Camera includes Canon Log as a recording choice, providing maximum dynamic range for post-production color grading. New, however, is the addition of a built-in LUT (look-up table), enabling users to view the camera's live video signal in Wide DR (dynamic range) or the BT.709 (TV standard) color space on the OLED or any external monitor connected to the camera's locking HDMI® output (this feature can be turned off in the menu). Uncompressed video output (with time code data and 2:3 pull-down markers superimposed) can be output via HDMI to an external recorder. Connectivity Innovations

The addition of wireless file-transfer capabilities further expands the versatility of the new EOS C100 Mark II camera for multiple production applications, including transferring time-critical news video or backing-up files. Utilizing dual 5 GHz and 2.4 GHz frequencies, the camera can transfer video files via FTP server for instant relay, or send MP4 video to the web browsers of laptops or tablets for viewing and storage (even on PC's lacking playback software). Remote control of the camera is also enabled via a compatible smartphone, tablet, or laptop. The new EOS C100 Mark II Digital Video Camera also includes compatibility with the optional multi-functional Canon RC-V100 Remote Controller, which can be used to adjust image quality and other important operations from a distance, a handy feature for shooting from a jib arm, drone, or other inaccessible location.

In addition, the optional Canon GP-E2 EOS GPS Receiver can be connected to the EOS C100 Mark II Digital Video Camera using a USB cable to record location and time information during shooting, a helpful feature for editing and archiving. Pricing and Availability

The Canon EOS C100 Mark II Digital Video Camera is scheduled to be available at the end of December 2014 for an estimated retail price of $5,499.00.

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Canon EOS 700D, T5i topic http://www.personal-view.com/talks/discussion/6455/canon-eos-700d-t5i-topic Thu, 21 Mar 2013 01:29:36 -0600 Vitaliy_Kiselev 6455@/talks/discussions image

image

Specifications:

  • 18.00 Megapixels CMOS sensor
  • Phase-detection AF for Live View and Video
  • Continuous autofocus in movie mode with subject tracking
  • 3" LCD touch capacitive screen
  • new 18-55mm f/3.5-5.6 IS STM kit lens
  • 1920 x 1080 (30, 25, 24 fps), 1280 x 720 (60, 50 fps), 640 x 480 (30, 25 fps) video, nothing new
  • 132 x 99 x 79 mm
  • 580g
  • $750 for body

Previews:


Available at:

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11-24mm F4 L USM Canon Lens http://www.personal-view.com/talks/discussion/12327/11-24mm-f4-l-usm-canon-lens- Fri, 06 Feb 2015 07:18:25 -0700 Vitaliy_Kiselev 12327@/talks/discussions image

Specs:

PR

Canon U.S.A., a leader in digital imaging solutions, is proud to introduce the superb new Canon EF 11-24mm f/4L USM ultra wide-angle zoom lens designed to deliver high quality, minimally distorted images throughout the entire zoom range. Featuring the widest angle of view (126º05’ diagonal) ever achieved for a rectilinear full-frame Digital SLR lens*, and a minimum focusing distance of 11 inches (at 24mm), this new lens is ideal for professionals who want the ultimate in creative image expression with sharp, crisp detail whether shooting entire buildings from a close position, entire stadium shots from a high-vantage point, large group photos at a scenic wedding or even astrophotography. Cinematographers will be equally as impressed with the lens’ ability to retain straight lines.

Fully compatible with all EOS cameras, but particularly effective with full-frame cameras such as the new Canon EOS 5DS and EOS 5DS R Digital SLR cameras also announced today, this new L-series lens features newly developed optics comprised of 16 elements in 11 groups with a three group zoom system and rear focus. The new optical design utilizes four aspherical lens elements to help minimize distortion from the center of the image to the periphery, across the entire zoom range. This new optical array provides straight lines with minimal curve throughout the zoom range, ideal for architectural, event, and forensic photography. The lens also features one Super UD element and one UD lens element to help significantly reduce chromatic aberration and deliver sharp images with high resolution. Canon’s advanced lens coating technologies are also liberally employed to help minimize ghosting and flare, while simultaneously enhancing accurate color balance and maximum light transmission efficiency.

“Canon is very proud of its optical heritage. The creation of this new lens continues our tradition of providing photographers with unique image-making solutions that are not only thoughtfully designed but precisely engineered and manufactured,” said Yuichi Ishizuka, president and COO of Canon U.S.A., Inc. “The new Canon EF 11-24mm f/4L USM ultra wide-angle zoom lens features newly developed optics and an unprecedented combination of Canon optical technologies. We are very eager to see the beautiful images that photographers will create using this new lens with Canon EOS DSLR and Cinema EOS cameras.”

The new Canon EF 11-24mm f/4L USM lens’ impressive 11mm starting focal length and 9-blade circular aperture help deliver beautiful, high-quality, detailed images. The new lens accurately reproduces straight lines in the subject with minimal distortion, ideal for architectural and landscape photographers looking to create images with tremendous depth and strong perspective.

Wide-angle lenses are especially prone to flare and ghosting. To help reduce these effects, the new Canon EF 11-24mm f/4L USM lens features Canon’s proprietary Sub-Wavelength Structure Coating (SWC) and Air Sphere Coating (ASC). SWC is applied to the rear surface of the first and second aspheric lens elements, while ASC is used on the front of the fourth element. The SWC coatings are particularly effective for combatting flare and ghosting caused by light rays entering the lens at a large angle of incidence, while the ASC coating helps mitigate the same problems for light rays entering the center of the lens. The new lens also employs Canon’s Super Spectra Coating (SSC) to enhance light transmission while at the same time optimizing color reproduction accuracy.

The Canon EF 11-24mm f/4L USM lens features a meticulously designed inner focusing system and zoom ring, as well as a built-in petal type lens hood with light-shielding grooves. Along with a high-speed CPU and optimized AF algorithms, this lens enables fast and accurate autofocusing, while its full-time manual focus feature allows manual focus adjustment even in AF mode. As with all L-series lenses, this durable new lens is highly resistant to dust and water -- ideal for outdoor photography even when conditions are harsh. In addition, a fluorine coating on the front and rear surfaces of the lens helps reduce smears and fingerprints and makes the lens easier to clean.

Pricing and Availability
The Canon EF 11-24mm f/4L USM ultra wide-angle zoom lens joins the robust line up of Canon f/4L USM zoom lenses including 16-35mm, 17-40mm, 24-70mm, 24-105mm, 70-200mm, and 200-400mm + 1.4X Extender models. It is scheduled to be available in late February 2015 for an estimated retail price of $2,999.00.

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Canon 750D and 760D topic http://www.personal-view.com/talks/discussion/12315/canon-750d-and-760d-topic Wed, 04 Feb 2015 13:17:33 -0700 Vitaliy_Kiselev 12315@/talks/discussions 750D - simpler variant

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760d - advanced one

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Specs:

Previews:

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200-400mm F4 Canon lens http://www.personal-view.com/talks/discussion/6959/200-400mm-f4-canon-lens Tue, 14 May 2013 01:02:54 -0600 Vitaliy_Kiselev 6959@/talks/discussions image

Specifications

  • 200–400 mm
  • 4 stops IS
  • F4-F32
  • 9 blades
  • 25 elements in 20 groups
  • Minimum focus at 2m
  • Magnification - 0.15x
  • Ultrasonic ring AF
  • Magnesium alloy barrel
  • Sealed
  • Filter thread - 52mm for drop in filter
  • 3 position distance limiter
  • Built-in 1.4x extender (8 elements in 4 groups)m making lens 280-560mm F5.6 lens with 0.21x max magnification
  • 3620 g (7.98 lb)
  • Diameter - 128 mm (5.04″)
  • Length - 366 mm (14.41″)

Previews and samples:

Available at:

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Lens Modifying http://www.personal-view.com/talks/discussion/6498/lens-modifying Mon, 25 Mar 2013 14:58:37 -0600 producer 6498@/talks/discussions I've read and watched all the available info about modifying the lens Pentax/Cosmicar/Rainbow 8-48mm f1.0.

I just received Canon TV C-Mount Lens 8-48mm f1.0 which looks like Rainbow model:

http://www.pentaxforums.com/forums/pentax-q/210138-adapting-rainbow-h6x8-ii-8-48mm-f1-0-cctv.html

But the guides of modifying show difference between Rainbow and Canon at the thread construction inside.

Please anyone who has CANON 8-48mm f1.0 for help about the right modifying!!!

Big thanks in advance!

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Canon 5D Mark iv http://www.personal-view.com/talks/discussion/13148/canon-5d-mark-iv Tue, 09 Jun 2015 12:58:59 -0600 Alexauwa 13148@/talks/discussions Any news about the canon 5d mark iv coming on the market in terms of release date, features, 4k etc?

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Canon 5D Mark III topic http://www.personal-view.com/talks/discussion/2266/canon-5d-mark-iii-topic Mon, 13 Feb 2012 13:18:20 -0700 Vitaliy_Kiselev 2266@/talks/discussions Camera was announced March 2, 2012.

Images of this modern prehistoric beast

image

image

image

Main video specs

  • [1920 x 1080]: 30 fps / 25 fps / 24 fps; ALL-I - 685 MB/min (91Mbit/s), IPB 235MB /min (32Mbit/s)
  • [1280 x 720]: 60 fps / 50 fps; ALL-I - 610 MB/min (81Mbit/s), IPB 205MB /min (27Mbit/s)
  • [640 x 480]: 30 fps / 25 fps; IPB - 78MB/min (10Mbit/s)

If the recording time reaches 29 min. 59 sec., the movie shooting stops automatically.
Movie shooting does not stop when the file size reaches 4GB. SMPTE timecode recording (Rec-Run and Free-Run) and a touch-sensitive rear dial
No clean HDMI output

There's a built-in headphone socket for audio monitoring, and the ability to adjust the recording volume by pressing the left or right side of the rear control dial.

Price - Body: $3499, €3299, £2999; Kit with 24-105mm: $4299

In stock

Body:

http://www.amazon.com/Canon-Mark-Frame-Digital-Camera/dp/B007FGYZFI/

http://www.adorama.com/ICA5DM3.html?sub=Canon5DMk3SSM

http://www.bhphotovideo.com/c/product/847545-REG/Canon_5260A002_EOS_5D_Mark_III.html

Links to specs, etc

http://www.dpreview.com/news/2012/03/02/Canon-5D-Mark-III
http://www.usa.canon.com/cusa/professional/products/professional_cameras/digital_slr_cameras/eos_5d_mark_iii#Specifications
http://www.canon-europe.com/Images/EOS_5D_Mark_III_Specification_Sheet-v2_0_tcm13-910228.pdf
http://www.canon-europe.com/Images/EOS_5D_Mark_III_Technologies_Explained-v1_0_tcm13-907890.pdf

Previews and reviews:

http://www.dpreview.com/previews/canoneos5dmarkiii/
http://www.imaging-resource.com/PRODS/canon-5d-mkiii/canon-5d-mkiiiA.HTM
http://www.cameralabs.com/reviews/Canon_EOS_5D_Mark_III/
http://www.bobatkins.com/photography/digital/canon_eos_5D_MkIII_preview.html
http://blog.jeffascough.com/photographers/2012/03/canon-eos-5d-mark-iii-review.html
http://blog.planet5d.com/2012/03/canon-eos-5d-mark-iii-hands-on-what-isnt-in-the-canon-press-release/
http://www.thephoblographer.com/2012/03/02/should-i-upgrade-to-the-5d-mk-iii-from-the-5d-mk-ii/
http://www.engadget.com/2012/03/02/canon-announces-eos-5d-mark-iii-22-3mp-full-frame-sensor-6-fps/
http://blog.vincentlaforet.com/2012/03/01/canon-5d-mkiii-my-thoughts/
http://www.dxomark.com/index.php/Publications/DxOMark-Reviews/Canon-5D-Mark-III-Review/Hands-on-Review
http://ninofilm.net/blog/2012/03/02/canon-eos-5d-mark-iii-revealed-first-videos-my-thoughts/
http://bertstephani.com/2012/03/02/canon-eos-5d-mark-3-first-review/
http://www.ephotozine.com/article/canon-eos-5d-mk-ii-vs-mk-iii-18643

Video reviews, video samples, stills samples:

Samples:

http://www.dpreview.com/news/2012/03/02/canoneos5dmarkiii-isoseries http://web.canon.jp/imaging/eosd/samples/eos5dmk3/ http://www.flickr.com/photos/98609590@N00/sets/72157629133702510/with/6947467655/

Small trailer:

Manual:

http://gdlp01.c-wss.com/gds/8/0300007348/01/eos5dmkiii-im-c-en.pdf

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FS: Canon EF 16-35mm 2.8 L Mark I http://www.personal-view.com/talks/discussion/13106/fs-canon-ef-16-35mm-2.8-l-mark-i Wed, 03 Jun 2015 03:48:20 -0600 crammond 13106@/talks/discussions I'm selling my used but perfect Canon EF 16-35mm 2.8 L Mark I lens. It's been in my possession for the last 4 years and it has worked perfectly. Very satisfied with it while using it with 7D, 5D2, 5D3 and 6D bodies. Since than I've switched to C100 and I'd like something with Image Stabilizer.

There are no scratches on the glass elements (front & rear). Wear marks on the lens hood thread on the body (see it on the pictures). A couple of dust particles under the front glass element - they don't affect the picture quality.

It comes with front and back lens cap, UV filter 77mm, 2 lens hoods (one original that shows some wear marks and one knock off which is like new) and a canon lens soft bag.

Possible trade for a 17-55 2.8 IS + cash.

The lens is located in Europe, can ship (almost) worldwide.

700€ + shipping.

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FS METABONES EF - MFT SPEEDBOOSTER (AS NEW USED ONCE) http://www.personal-view.com/talks/discussion/13122/fs-metabones-ef-mft-speedbooster-as-new-used-once Thu, 04 Jun 2015 22:49:11 -0600 thougts2uk 13122@/talks/discussions Hi there,

I am selling my Metabones EF - MFT adapter. It is as new with the original hard case and accessories.

Used it for one day on the GH4 with the Canon Cine-Lenses - Amazing! Am only selling due to upgrade in Camera equipment.

$500 including shipping

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FS: Blackmagic Pocket Cinema Camera kit, Metabones speedbooster Nikon to bmpcc, plus lenses http://www.personal-view.com/talks/discussion/13110/fs-blackmagic-pocket-cinema-camera-kit-metabones-speedbooster-nikon-to-bmpcc-plus-lenses Wed, 03 Jun 2015 17:29:13 -0600 rockfall 13110@/talks/discussions Hi,

I'm moving overseas so I'm selling off a load of my gear.

BMPCC including dual charger and 4 batteries - £450

Viewfactor cage with DIY cable grip - £35

External battery solution with 2x batteries and charger - £30

Hoodman loupe with magnifier and DIY bracket - £40

Metabones speedbooster Nikon to bmpcc - £260

Tamron adaptall 24mm f2.5 Nikon mount - £40

Tamron 35-70mm f3.5 Nikon mount - £30

Tokina 17mm f3.5 Nikon mount - £100

Vivitar 17mm f3.5 (Tokina made) Pentax mount but comes with m43 adapter - £30

Nikon 50mm f1.8 AFD - £40

Canon 50D + grip, 6 batteries, charger, 64gb Komputerbay card - £250

Tamron 17-50mm f2.8 Canon EFS - £85

Moller Anamorphot 32/2x - £100

UK buyers only please, all prices include UK mainland P&P

Many thanks

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Used Sigma 18-35 lens purchase Help needed http://www.personal-view.com/talks/discussion/13070/used-sigma-18-35-lens-purchase-help-needed Fri, 29 May 2015 04:20:47 -0600 club_irate 13070@/talks/discussions Hi, there is this person selling his Sigma 18-35 ART 1.8 lens which is 1 year old which i am planning to purchase. I asked him to shine the lens through with a flashlight and it has this dust inside the lens which you can see in the pic. Can anyone here who has a good understanding of this check it out and suggest if the level of dust seen in the pic is fine for me to go ahead and wont hamper the image quality.

Direct Link: http://www.4shared.com/download/TSeWp89Vce/Shining_light_thru_lens.jpg?lgfp=3000 (Its a larger size picture so that you guys can zoom in for a better look).

Other pictures: http://www.4shared.com/download/CrrLTrBhce/DSC00044.JPG?lgfp=3000

http://www.4shared.com/download/bDS8rfrace/DSC00029.JPG?lgfp=3000

Not sharing the exterior pics of the lens as that looked good.

Thanks in advance.

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Canon 7D Mark II topic http://www.personal-view.com/talks/discussion/11253/canon-7d-mark-ii-topic Thu, 11 Sep 2014 02:01:30 -0600 Vitaliy_Kiselev 11253@/talks/discussions image

Specs:

  • 20.2MP CMOS sensor
  • Magnesium alloy body
  • Dust and water resistant
  • Dual Pixel CMOS AF
  • 65-point all cross AF
  • 10 fps burst
  • 3.0″ 1.04md Clear View II LCD Monitor
  • Dual DIGIC6 processors
  • RGB + IR photometry sensor 150000 pixels
  • Only 1080p60 video
  • GPS
  • $1800

Available at:

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FS: Canon FD Lens Collection, RJ Speedbooster, Lanparte Gear Rings http://www.personal-view.com/talks/discussion/12923/fs-canon-fd-lens-collection-rj-speedbooster-lanparte-gear-rings Sun, 03 May 2015 16:41:10 -0600 x_worpig_x 12923@/talks/discussions I'm selling off my FD collection because they have been sitting on my shelf for 6 months now. Everything is in great condition. I want to stress that i'm selling this as a bundle, and will not be parting anything out. I need money fast, and I just don't have the time to deal with multiple sellers.

The package includes:

3 Lanparte Focus Rings RJ Speedbooster (FD to m43) Regular Adapter (FD to m43) Canon 20mm 2.8 Canon 24mm 2.0 Canon 50mm 1.4 Canon 50mm 1.8 Canon 100mm 2.8 Cloth

Here are better pictures of the lenses: https://drive.google.com/folderview?id=0B9uvcCfg0MekfnNuMUFtTlR3U3lZWEEzbmZ2cGxYSWQ1bUl5eFBLUTRHbkdxZjRDSmlfVlk&usp=sharing

Price $450 U.S shipped for everything.

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Canon Powershot N, camera your girls need http://www.personal-view.com/talks/discussion/5711/canon-powershot-n-camera-your-girls-need Tue, 08 Jan 2013 05:31:07 -0700 Vitaliy_Kiselev 5711@/talks/discussions image

image

Specifications:

  • Good enough for your girl
  • Also designed like fingers trainer for your girl (no pressing - just gently turn, like in life).

Available at:

Links:


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EOS EF Canon to Sony NEX E-Mount electronic adapters http://www.personal-view.com/talks/discussion/4679/eos-ef-canon-to-sony-nex-e-mount-electronic-adapters Sun, 23 Sep 2012 05:18:19 -0600 Vitaliy_Kiselev 4679@/talks/discussions image

image

Price: $249

http://www.ebay.com/itm/Electronic-auto-Aperture-Canon-EF-EOS-lens-to-SONY-E-NEX5-NEX-7-FS700-VG-adapter-/200822676987?pt=US_Lens_Adapters_Mounts_Tubes&hash=item2ec1f6ddfb

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Canon 70D topic, camera with unusual LV AF and sensor http://www.personal-view.com/talks/discussion/7412/canon-70d-topic-camera-with-unusual-lv-af-and-sensor Tue, 02 Jul 2013 02:25:13 -0600 Vitaliy_Kiselev 7412@/talks/discussions image

Specs

  • 20.2Mp APS-C sensor
  • DIGIC 5+ LSI
  • ISO 100-12800
  • 7fps
  • Silent shutter mode
  • Video - 1080p ALL-I or IPB 30p/25p/24p
  • and 720p ALL-Ior IPB 60p/50p,
  • External mic socket
  • 19-point AF system, all points cross-type, sensitive to -0.5 EV
  • 63-zone iFCL metering system
  • 98% viewfinder coverage, 0.95x magnification, switchable gridlines and electronic level display
  • Articulated 1040k 3" LCD
  • SDHC card slot
  • Wi-Fi
  • Single-axis electronic level (sic!)
  • AF microadjustment (ouch :-) )
  • In-camera HDR
  • Sealed body
  • Weight - 755g
  • Dimensions - 139x104 x79mm
  • Price - $1200 for body, $1350 for kit.

Hand ons and previews

Available at

Videos

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Canon Cinema EOS C100 camera topic http://www.personal-view.com/talks/discussion/4402/canon-cinema-eos-c100-camera-topic Wed, 29 Aug 2012 07:10:50 -0600 Vitaliy_Kiselev 4402@/talks/discussions image

  • EF mount
  • S35mm sensor
  • magnesium body
  • 2 XLR audio inputs
  • 24/25/30p and 50/60i (yep, no 50/60p)
  • ND filters
  • ISO 320 – 20.000
  • Canon Cinema Log Gamma
  • AVCHD only small bitrate codec
  • 2 slots for SD-/SDHC-/SDXC- cards
  • AF function is completely absent, could be added via FW in 2013
  • Price $7,999

Available at:


PR

Canon U.S.A., Inc., a leader in digital imaging solutions, continues its commitment to the advancement of tools for visual expression and expand its contribution to cinematic culture with the introduction of the new EOS C500 4K Digital Cinema Camera* and the EOS C100 Digital Video Camera*. The C500 will take its place as the flagship camera model in Canon's Cinema EOS System while the C100 provides another option for beginning filmmakers working on a budget. The C500 is Canon's high-end professional 4K (4096 x 2160-pixel) cinema camera capable of originating uncompressed RAW output for external recording to meet the demands of premium cinematic productions and other top-quality production markets. The C100 digital video camera is a compact, affordable entry-level model delivering full 1920x1080 HD video and integrating the popular AVCHD codec for universal compatibility with laptop and desktop editing systems. The C500 will be available in both EF- and PL-mount versions; while the C100 will be offered in EF mount only and will be compatible with the more than 70 zoom and prime lenses in Canon's EF, EF-S and EF Cinema lens lineups. All products in the Canon Cinema EOS line are engineered to provide exceptional image creation capabilities for professionals in the motion picture, television, and other diverse high-resolution digital production industries.

"We developed the Cinema EOS C500 digital cinema camera to deliver the benefits of full 4K motion capture to Hollywood's premier filmmakers, while the C100 is designed for economical productions that need sophisticated HD capabilities and optical lens diversity. As we said in November of 2011, the C300 was just the beginning to our Cinema EOS system and we now offer a more complete system of imaging solutions with a range of cameras for every level of production," stated Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies and Communications Group, Canon U.S.A., Inc.

The EOS C500 4K digital cinema camera and EOS C100 digital video camera join Canon's Cinema EOS System which includes two other camera models, the EOS C300 digital cinema camera for mainstream HD production and the EOS-1D C 4K Digital SLR cinema camera for 4K and HD filmmakers favoring the SLR form factor. The Cinema EOS System also offers filmmakers optical diversity with seven EF Cinema lens models: the compact and lightweight CN-E15.5-47mm T2.8 L wide-angle cinema zoom and the CN-E30-105mm T2.8 L telephoto cinema zoom (available in EF and PL versions); the CN-E14.5-60mm T2.6 L wide-angle zoom and CN-E30-300mm T2.95-3.7 L telephoto zoom (also available in EF and PL versions); and the CN-E24mm T1.5 L, CN-E50mm T1.3 L, and CN-E85mm T1.3 L prime lenses for EF-mount cameras, in addition to the more than 60 lenses in Canon's EF and EF-S lens lines (which include macro, fisheye, telephoto, and tilt-shift models).

4K, 2K, and Full HD Image Quality

The Canon EOS C500 and C500 PL digital cinema cameras are designed to provide a versatile high-quality 4K imaging solution to high-end productions. High-quality 4K resolution imaging has become the new standard for advanced effects and is particularly important for big-budget motion pictures that include scenes compositing live-action cinematography with high-resolution computer-generated imagery. The C500 and C500 PL cameras output 4K resolution to external recorders as a 10-bit uncompressed RAW data stream, as well as offering the additional versatility of being able to output quad full-HD (3840 x 2160), 2K (2048 x 1080), full HD (1920 x 1080), and other imaging options. All of these digital image source formats fully conform to established SMPTE production standards. All 4K formats can be selected to operate from one to 60 frames per second. When shooting in 2K, the C500 and C500 PL cameras employ a 12-bit RGB 4:4:4 signal format from one to 60 frames-per-second (fps) as well. For high-speed shooting and slow motion capture the cameras can be set to a 10-bit YCrCb 4:2:2 mode, and can output 4K or 2K video up to 120 fps.

While outputting 4K or 2K video to an external recorder, the Canon EOS C500 and C500 PL digital cinema cameras simultaneously record a 50 Mbps Full HD video file in-camera to the user's choice of one or two CF cards. The 8-bit 4:2:2 in-camera recordings can be used as a proxy for offline editing of 4K projects, and they are also suitable for various projects that do not require 4K resolution. Equipped with Canon's exceptional Super 35mm 8.85-megapixel CMOS sensor, both C500 camera models are compatible with a wide range of interchangeable Canon lenses – the C500 is compatible with EF, EF-S and EF Cinema lenses for Canon SLR cameras, while the C500 PL is compatible with PL-mount EF Cinema lenses and other PL-mount lenses. Highly mobile and compact, the C500 digital cinema camera provides the same ergonomic features as the C300 model, with the exception of a fixed hand grip that incorporates a pair of 3G-SDI ports for 4K video output and another pair of video ports for monitoring purposes. Canon is working with several independent manufacturers of external video recorders to support smooth workflow options, and these recorders are expected to be available by the time the EOS C500 and C500 PL 4K digital cinema cameras ship to authorized dealers later this year.

One-Person Full HD With Automatic Functions

A cost-effective camera solution for a wide range of everyday users, the EOS C100 digital video camera is ideal for many full HD applications such as:

Low-budget television production and independent moviemaking Museums, galleries, and film schools that utilize Full HD video Wedding, corporate and event videography

The EOS C100 digital video camera is approximately 85% of the size of the EOS C300 model, for maximum mobility. Designed for professional operability, the C100 includes a push auto iris function, one-shot auto focus (or full manual focus and exposure control), a multi-angle 3.5-inch LCD control panel, a high-resolution electronic viewfinder (EVF), built-in ND filters, dual XLR inputs, and a locking HDMI output. These features combine with such advanced technologies as reduced rolling shutter artifacts in 60i mode, enhanced gamma modes (including Wide Dynamic Range (DR) Gamma and Canon Log Gamma), cinematic depth of field characteristics, and excellent low-light performance. The C100 records to dual SD cards contributing to the camera's reduced size and convenience.

Like its C300 sibling, the EOS C100 employs Canon's uniquely designed Super 35mm 16:9 CMOS sensor that captures individual R, G, and B channels for each full HD 1920 x 1080 frame. This high-sensitivity CMOS sensor provides creative depth of field capabilities for an excellent "bokeh" effect, and provides an ISO range of from 320 to 20,000, enabling the capture of images in low light with minimal picture noise. The Canon DIGIC DV III image processor in the C100 helps ensure high color fidelity and smooth color gradations. The camera's AVCHD codec utilizes MPEG-4 AVC/H.264 compression similar to the codec used in Canon's XA10 professional HD camcorder. AVCHD features a maximum recording bit rate of 24Mbps in full HD 1920 x 1080 and 4:2:0 color space for sharp, vivid images. Multiple recording modes, resolutions, and frame rates (including 24p) make the C100 creatively flexible for many production environments. The C100 also offers enhanced gamma modes (including Wide DR Gamma and Canon Log Gamma) for a peak dynamic range of 800% and the wide exposure latitude needed for creative post-production image processing, color correction, and contrast manipulation.

Designed for extensive operational versatility, the Canon EOS C100 digital video camera features a mobile core configuration that allows users to flexibly add accessory parts to the main camera body according to their production needs. A removable side-mounted rotating grip with start/stop button and miniature "joystick" menu control provides traditional SLR camera-style operation. A detachable handle unit connects to the top of the C100 and includes dual XLR connectors, a built-in stereo microphone, a bracket for an external microphone, audio-input level adjustments, and a tally light. The C100 records linear PCM two-channel audio or Dolby digital two-channel audio.

In addition to its ability to record to both SD cards simultaneously, or relay-record from one card to the other, the Canon C100 Cinema EOS camera can also output uncompressed digital HD to an external recording device via its locking HDMI connector. This HDMI output includes superimposed time code and 2:3 pull-down marker information. Additional outputs include a USB connector and stereo headphone jack.

Pricing and Availability

The Canon EOS C500 and C500 PL 4K Digital Cinema Cameras are scheduled to be available in October for an estimated list price of $30,000.

The Canon EOS C100 Digital Video Camera is scheduled to be available in November 2012 for an estimated list price of $7,999

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Canon G1X Mark II, a 1.5" sensor RX10 competitor http://www.personal-view.com/talks/discussion/9594/canon-g1x-mark-ii-a-1.5-sensor-rx10-competitor Tue, 11 Feb 2014 21:49:23 -0700 imdjay 9594@/talks/discussions image

Specs:

  • Large 1.5-type Canon CMOS sensor
  • 12.8 Megapixel images (3:2) and multi-aspect shooting
  • Fast f/2 aperture and a max ISO 12,800
  • Ultra-wide 24mm, 5x zoom lens
  • DIGIC 6 processing and Intelligent IS
  • 31-point AiAF and MF Peaking
  • Dual Control Rings and touch-screen operation
  • Wi-Fi with remote shooting and Image Sync
  • Optional electronic viewfinder
  • 14-bit RAW
  • $799 price

The Canon PowerShot G1 X Mark II raises performance and quality to new heights in a compact, brilliant design. Featuring a huge, 1.5-inch 12.8 Megapixel High-Sensitivity CMOS sensor, a powerful DIGIC 6 Image Processor and an all-new 5x wide-angle optical zoom lens with Optical Image Stabilizer and a circular, 9-blade aperture for stunning blurred backgrounds, the PowerShot G1 X Mark II delivers the outstanding image quality you would expect with a digital SLR camera but in a portable, Wi-Fi and NFC enabled package.

Canon 1.5-inch, 12.8 Megapixel High-Sensitivity CMOS Sensor
Almost as large as the APS-C CMOS sensor found in many EOS digital SLRs, and bigger than those found in 4/3 system cameras, the PowerShot G1 X Mark II's sensor sets the standard for sensitivity and resolving power in compact cameras. Each cell area is 4.5x the size of those found in 1/1.7 type sensors and is thus able to capture more light at the pixel level. This means better detail, even at higher ISOs, with minimal noise and distortion and, thanks to the sensor's wide cell pitch, breathtaking dynamic range. The PowerShot G1 X Mark II camera natively captures images in the 3:2 aspect ratio, which is the same as Canon EOS SLR cameras. The PowerShot G1 X Mark II also features a new Aspect Ratio function, enabling RAW image capturein both 3:2 and 4:3 aspect ratios while maintaining the same angle of view.

Previews:


Available at:

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Canon Cinema EOS C300 topic http://www.personal-view.com/talks/discussion/1350/canon-cinema-eos-c300-topic Thu, 03 Nov 2011 17:56:40 -0600 Vitaliy_Kiselev 1350@/talks/discussions
image

•Single 8.3 megapixel 2160×3840 Super-35 CMOS sensor (4K resolution) with Digic DV III processor
•Canon XF codec (50Mbps 4:2:2 1080p30 MPEG2 MXF) records to two Compact Flash card slots
•Canon Log gamma, SDI, compact body, Custom Presets and menus similar to Canon XF series
•Exposure and focus control are completely manual — there is no AE or AF on either camera
•Sold as a system, incl. LCD monitor / XLR audio unit, side grip, top handle, batt. & charger
•Availability: Jan. 2012; Price: appx. $16,000 USD (for C300)

Canon claims the camera resolves 1,000 TV lines

Links:

http://learn.usa.canon.com/resources/articles/2011/c300_for_cinematographers.shtml?categoryId=22
http://learn.usa.canon.com/resources/articles/2011/understand_log_gamma.shtml?categoryId=22
http://www.thec47.com/gearbox/c300-day.html

Available at:

* http://www.bhphotovideo.com/c/product/839220-REG/Canon_5779B002_C300_Cinema_EOS_Camcorder.html
* http://www.bhphotovideo.com/c/product/839221-REG/Canon_5819B002_EOS_C300_PL_Cinema.html


image

image

image

image

image

Wi-Fi remote control from tablet:

image

Lenses:

image

image





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FS: Complete set of primes w. case and a GH-2 included http://www.personal-view.com/talks/discussion/12478/fs-complete-set-of-primes-w.-case-and-a-gh-2-included Thu, 26 Feb 2015 12:02:26 -0700 allenswrench 12478@/talks/discussions Hi everyone, I am selling my set of primes: * Noktor 12mm, T1,6 * Canon 24mm F2,8 * Canon 28mm F2 * Canon 35mm F1,8 * Canon 50mm F1,4 * Canon 85mm F1,8 The following is also included: * Panasonic GH2 camera included with a 64GB SanDisk (85Mb write) media, charger and 2 batteries * Pelicase 1500 case with a lifetime warranty * Step up rings and caps on all lenses * 4/3 adapter on every lens for quick swap (except the 12mm which is 4/3 native). * Variable ND filter All the lenses are in great condition, please see attached photos. This is the E-bay listing: http://www.ebay.nl/itm/171693907663?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1558.l2649 I will ship it for free in the EU, Including the GH-2 camera box if you wish. I am willing to offer a better price for the members of this forum, please contact me if interested, or if you have any questions. Please see my other two listings as well, if you are looking for a GF-2 or a 20mm pancake.

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