Specifications:

• Less moire
• Phase AF on the sensor
• Better EVF - OLED XGA
• HD PS:Approx.28Mbps/FX:Approx.24Mbps/FH:Approx.17Mbps/HQ:Approx.9Mbps/LP:Approx.5Mbps; STD HQ:9Mbps
• Otherwise similar specs with AVCHD recording up to 1080p60 (see other NEX cameras)
• Better screen
• Dimensions (Approx.) : Approx. 3 5/8in x 5 1/8in x 8 3/4in (WxHxD with including supplied NP-FV70 battery)
• Weight (Approx.) : Approx. 1 lb 6 oz (650g) (with supplied NP-FV70 battery)
• Price: $1800

Available at:

• US : http://www.amazon.com/Sony-NEX-VG30-Handycam-Interchangable-Camera/dp/B0097G4TZU/
• US kit : http://www.amazon.com/Sony-NEX-VG30H-Handycam/dp/B0097CXFJU/
• US : http://store.sony.com/webapp/wcs/stores/servlet/ProductDisplay?storeId=10151&catalogId=10551&langId=-1&productId=8198552921666489331#features
• US : http://www.adorama.com/SONEXVG30H.html
• UK : http://www.wexphotographic.com/buy-sony-nex-vg30-interchangeable-lens-high-definition-camcorder-with-18-200mm-lens/p1532758
• DE : http://www.sony.de/product/cam-high-definition-on-memory-stick/nex-vg30eh

Reviews and previews:

• PR: http://www.dpreview.com/news/2012/09/12/Sony-NEX-VG900-full-frame-camcorder-and-VG-30-APS-C-model-and-18-200-power-zoom-lens
• http://www.engadget.com/2012/09/12/sony-nex-vg30-vg900-hands-on/

Specifications:

• 35mm Full-Frame Exmor HD CMOS sensor(35.8 x 23.9mm)
• Approx. 24.7 megapixels
• Stills side identical to A99 (raw, etc)
• Shutter Speeds : Auto Control Range: 1/48-1/10000 (movie_24p) ,1/60-1/10000(movie_other)/ 30s-1/8000 (Still); Manual: 1/4-1/10000 (movie) , 30s-1/8000 (Still)
• HD PS:Approx.28Mbps/FX:Approx.24Mbps/FH:Approx.17Mbps/HQ:Approx.9Mbps/LP:Approx.5Mbps; STD HQ:9Mbps
• Gain Control : Auto/manual(0dB-30dB)
• 1080 24fps, 24Mbps
• 1080 60fps, 28Mbps
• Zebra, Peaking, etc
• Mic Level Control : Yes(31steps)
• XGA OLED viewfinder (with eye sensor!)
• LCD Type : 3.0 Xtra Fine LCD™ 270 degree swivel display (touchscreen!)
• No XLR (but is compatible with special Sony’s XLR mic kit )
• HDMI optput - clear, suitable for recording (including 60p)
• Battery Type : InfoLITHIUM® with AccuPower™ Meter System (V Series) NP-FV70/FV100 (about 3h on one good battery)
• Dimensions (Approx.) : Approx. 4 1/4in x 5 1/8in x 8 7/8in (WxHxD with including supplied NP-FV70 battery)
• It also comes with an A-mount lens adapter included (LA-EA3)
• Price: MSRP of $3299

Manual: http://pdf.crse.com/manuals/4436718111.pdf

Available at:

• http://store.sony.com/webapp/wcs/stores/servlet/ProductDisplay?storeId=10151&catalogId=10551&langId=-1&productId=8198552921666489355#overview
• UK: http://www.wexphotographic.com/buy-sony-nex-vg900-interchangeable-lens-high-definition-camcorder-body/p1532760

Reviews, previews:

• http://www.camcorderinfo.com/content/Sony-Handycam-NEX-VG900-First-Impressions-Review.htm
• http://www.engadget.com/2012/09/12/sony-nex-vg30-vg900-hands-on/
• http://www.focus-numerique.com/sony-annonce-2-camescopes-nex-capteur-news-3594.html

Videos and samples:

**Some AC90 specs **

• 1080/60p, 60i, 30p, 24p, 480/60i. [50 Hz model]: 1080/50p, 50i, 25p, 576/50i.
• High sensitive BSI 3MOS sensor
• F1.5
• 29.8 mm wide angle / high powered zoom lens (12x)
• built in 5 axis hybrid OIS
• 3.5 inch lcd (touch) 1.150.000 dot resolution
• Dual SD Card Slots (support SDXC/SDHC/SD Memory Cards).
• 2 channel XLR audio inputs (MIC/LINE/+48V selectable).

• Audio CH1/CH2 with individual level controls and input selection.
• HDMI output, AV Multi output (D-connector, composite video and audio 2 channel), USB connector.
• Remote terminals enable remote operation of iris, focus, zoom, Rec Start/ Stop functions.

Available at:

• http://www.amazon.com/Panasonic-AG-AC90-Full-HD-Handheld-Camcorder/dp/B00AA2P9UE

In all the excitement with the GH3 (some 1200 replies in 5 days here only ) I wanted to start a new discussion, because I feel we (or at least some of us) have to face the reality. Should we buy the GH3 or start filming again with a camera that is made for it ?!

I have the GH2 for 2 years, have 3 different lenses and tried several hacks, I bought the Tascam DR-40 for sound (and other stuff). I needed a rig to hold everything, and now it looks stupid. If you are not doing fiction, (always) filming on a tripod, or in a studio and you also want to be fast and flexible (which is often necessary) it just doesn't work! (for me ;-)

Therefore I am considering a 'normal' video camera again. But which one? Next month the AG-AC90 will be available for only € 1800,= . I got it yesterday to try it out for 1 day. As there is no information (or footage) about the camera, I wanted to do some video comparison.

I compare footage of the AC90 with the GH2 (As we do not have the GH3 yet, but I don't expect it to be a miracle anyway ;-). It was not my intention to make good shots, but to put both cameras in 'hard' circumstances, such as high contrast, back light, movement, moire, rolling shutter effects etc. I did different tests and tried to keep equal settings, same shooting moments and movements, tripod / handheld, slow motion, rack focus / auto focus, daylight / low-light / dark, menu / settings. I only had the camera for a day (without a manual), so I don't know it well. Most images in standard settings were a bit too bright (but this can be adjusted in the camera).

The AC90 has a smaller sensor so less DOF (but in daylight can be achieved with a ND filter.) I didn't have one during testing (but I did use a ND in some shots with the GH2, so that is not a fair comparison). I expected the AC90 to do worse in lowlight but I am actually quite surprised!

The video is definitely not a 'scientific' pixel tweaking test. I know little about how to test GOP, I / P/ B structure, 4:4:2, peaking, dynamic range, AVCHD profiles, etc. But you guys do! @Vitaly_Kiselev @Driftwood @Ralph_B @cbrandin and others ?! I can put some original files online for some deeper analyses. What can you tell about the footage? GOP, I/P/B, etc? Is it hackable (or worth hacking ;-) to give it a bit more Mbs? etc?

I hope to open up the discussion (from the large sensor cameras such as the GH3) and look forward to hear everybody's opinion!

Ps1 Some shots in the end are only with the AC90 because it was too dark for the GH2 (with the 14-140 mm lens)

Ps2 I know YouTube is not good, but I also think it is only showing HD 25P as I rendered it 50P (and the orginal looks better and more smooth)

Ps3 Sorry for the stupid music (without sound was even more boring)

Info:

PRICE IS INDEED SUB 10k in fact is SUB 8,6K with lenses

http://www.bhphotovideo.com/c/product/853273-REG/Sony_NEX_FS700_4K_Ready_High_Speed.html
http://www.bhphotovideo.com/c/product/853660-REG/Sony_NEX_FS700UK_NEX_FS700UK_Super35_Camcorder_with.html

• http://www.pro.sony.eu/biz/lang/en/eu/product/nxcamcorders/nex-fs700e/features
• http://www.dpreview.com/news/2012/04/02/Sony-4k-ready-NEX-FS700-FS700E-camcorder#press
• http://www.denlennie.com/2012/04/sony-nex-fs700-on-location.html
• http://blog.domisljije.si/2012/04/02/stress-testing-the-fs700/
• http://www.bhphotovideo.com/indepth/sony/announcements/two-new-sony-nex-camcorders-announced

Specs:

4K-ready

The first 4K-ready Super35mm camcorder in its class – providing an assured upgrade path to 4K acquisition and delivery - with full HD 1080p for today.The camcorder will also have the capability to produce 4K RAW 3G-SDI output via a future upgrade.

Super slow motion at 10x at full HD or 40x at lower resolutions

Incredible super slow motion capability of up to 10x slow motion at full HD resolution or up to 40x slow motion at a reduced resolution, giving you creative options that were once only available with specialist high-end equipment.

E-mount interchangeable lenses offer a wide choice of lenses

The E-mount interchangeable lens system utilises an extremely short flange back distance allowing you to use a huge array of lenses via a range of adaptors giving you almost unlimited creative options.

Built-in ND filters

The NEX-FS700E features built-in, ultra-thin ND filters, offering exceptional shallow depth-of-field on highlights. It also means less accessories to manage as no external ND filters are required.

3G-SDI interface and HDMI

A 3G-SDI output enables easy integration with highest quality recording formats.

Exceptional ergonomics

The NEX-FS700E has a refined ergonomic design with a robust detachable handle and grip.

Switchable 50 Hz and 60 Hz shooting

The NEX-FS700E is switchable between 50 Hz and 60Hz to allow 24p shooting in PAL areas and no PAL/NTSC limitations.

Selectable magnification and positioning of expanded focus

Expanded focus improvement allowing 4x and 8x magnification and a moveable area of expansion for easy focusing with shallow depth of field.

Camera profile settings storage on memory card

Up to 99 camera profile settings can be stored, allowing rapid adaptation to multiple shooting environments without time wasted adjusting parameters. Settings are also easily shared in multi-camera productions

I took the info from nofilmschool.com:

• 1000fps in 4k (4096×2160) for ~5 seconds (64gb internal memory) / 3.2 minutes @ 24fps
• Uncompressed RAW on CineMag IV cards, with optional compressed ‘industry standard codec’ (TBA)
• Super 35 CMOS Sensor size, 4096×2304 (16:9)
• 12+ stops of Dynamic Range
• Optional 1920×1080 shooting mode in 23.976 with a Super 16mm sensor crop (up to 2,000 frames per second)
• Lens mounts come in PL, PV, Nikon F/G & Canon EF
• Weighs in at 13 lbs
• $140,000 with a 2 Terabyte CineMag
• Expected to be delivered by October, from AbelCine

Low light performance is important to me, so one of the things I did was take the ISO up to it's maximum - 16,000. The people with me couldn't believe what they saw. There was almost no noise! The picture looked essentially the same as it did at the lowest ISO, (which is 2000). This is phenomenal performance. I did notice a slight reduction in latitude at ISO 16000, but since you're starting with 14 stops, this is not a big deal. This camera is going to be killer in the night.

Next I tested the rolling shutter by whip panning the camera back and forth as fast as I could. I and the people had a hard time seeing any skew. There probably was a little, but it wasn't much. This is not your father's rolling shutter. Many people may write off the F5 in favor the more expensive F55 because the F55 has a global shutter. But, I wouldn't be so hasty. The F5 definitely deserves to be tested.

The OLED viewfinder is very nice, but $5000 is a bit steep for it. If I was buying the camera, this is one thing I would probably omit. You can easily attach any good LCD panel through one of the SDI ports or the HDMI port.

Another thing that impressed me was how easy it was to operate the camera. The menu structure is very similar to other Sony cameras. If you have experience with the EX1/3, FS100/700, F3, you'll be up and running in minutes.

All in all, the Sony F5 is a great camera.

I guess it is hacked GH2 and GH3 that is the best call. The Black Magic are not available for a long time. Would be interesting to get some perspective here.

Leif

• EF mount
• S35mm sensor
• magnesium body
• 2 XLR audio inputs
• 24/25/30p and 50/60i (yep, no 50/60p)
• ND filters
• ISO 320 – 20.000
• Canon Cinema Log Gamma
• AVCHD only small bitrate codec
• 2 slots for SD-/SDHC-/SDXC- cards
• AF function is completely absent, could be added via FW in 2013
• Price $7,999

Available at:

• http://www.bhphotovideo.com/c/product/889545-REG/Canon_EOS_C100_EF_Cinema.html

PR

Canon U.S.A., Inc., a leader in digital imaging solutions, continues its commitment to the advancement of tools for visual expression and expand its contribution to cinematic culture with the introduction of the new EOS C500 4K Digital Cinema Camera* and the EOS C100 Digital Video Camera*. The C500 will take its place as the flagship camera model in Canon's Cinema EOS System while the C100 provides another option for beginning filmmakers working on a budget. The C500 is Canon's high-end professional 4K (4096 x 2160-pixel) cinema camera capable of originating uncompressed RAW output for external recording to meet the demands of premium cinematic productions and other top-quality production markets. The C100 digital video camera is a compact, affordable entry-level model delivering full 1920x1080 HD video and integrating the popular AVCHD codec for universal compatibility with laptop and desktop editing systems. The C500 will be available in both EF- and PL-mount versions; while the C100 will be offered in EF mount only and will be compatible with the more than 70 zoom and prime lenses in Canon's EF, EF-S and EF Cinema lens lineups. All products in the Canon Cinema EOS line are engineered to provide exceptional image creation capabilities for professionals in the motion picture, television, and other diverse high-resolution digital production industries.

"We developed the Cinema EOS C500 digital cinema camera to deliver the benefits of full 4K motion capture to Hollywood's premier filmmakers, while the C100 is designed for economical productions that need sophisticated HD capabilities and optical lens diversity. As we said in November of 2011, the C300 was just the beginning to our Cinema EOS system and we now offer a more complete system of imaging solutions with a range of cameras for every level of production," stated Yuichi Ishizuka, executive vice president and general manager, Imaging Technologies and Communications Group, Canon U.S.A., Inc.

The EOS C500 4K digital cinema camera and EOS C100 digital video camera join Canon's Cinema EOS System which includes two other camera models, the EOS C300 digital cinema camera for mainstream HD production and the EOS-1D C 4K Digital SLR cinema camera for 4K and HD filmmakers favoring the SLR form factor. The Cinema EOS System also offers filmmakers optical diversity with seven EF Cinema lens models: the compact and lightweight CN-E15.5-47mm T2.8 L wide-angle cinema zoom and the CN-E30-105mm T2.8 L telephoto cinema zoom (available in EF and PL versions); the CN-E14.5-60mm T2.6 L wide-angle zoom and CN-E30-300mm T2.95-3.7 L telephoto zoom (also available in EF and PL versions); and the CN-E24mm T1.5 L, CN-E50mm T1.3 L, and CN-E85mm T1.3 L prime lenses for EF-mount cameras, in addition to the more than 60 lenses in Canon's EF and EF-S lens lines (which include macro, fisheye, telephoto, and tilt-shift models).

4K, 2K, and Full HD Image Quality

The Canon EOS C500 and C500 PL digital cinema cameras are designed to provide a versatile high-quality 4K imaging solution to high-end productions. High-quality 4K resolution imaging has become the new standard for advanced effects and is particularly important for big-budget motion pictures that include scenes compositing live-action cinematography with high-resolution computer-generated imagery. The C500 and C500 PL cameras output 4K resolution to external recorders as a 10-bit uncompressed RAW data stream, as well as offering the additional versatility of being able to output quad full-HD (3840 x 2160), 2K (2048 x 1080), full HD (1920 x 1080), and other imaging options. All of these digital image source formats fully conform to established SMPTE production standards. All 4K formats can be selected to operate from one to 60 frames per second. When shooting in 2K, the C500 and C500 PL cameras employ a 12-bit RGB 4:4:4 signal format from one to 60 frames-per-second (fps) as well. For high-speed shooting and slow motion capture the cameras can be set to a 10-bit YCrCb 4:2:2 mode, and can output 4K or 2K video up to 120 fps.

While outputting 4K or 2K video to an external recorder, the Canon EOS C500 and C500 PL digital cinema cameras simultaneously record a 50 Mbps Full HD video file in-camera to the user's choice of one or two CF cards. The 8-bit 4:2:2 in-camera recordings can be used as a proxy for offline editing of 4K projects, and they are also suitable for various projects that do not require 4K resolution. Equipped with Canon's exceptional Super 35mm 8.85-megapixel CMOS sensor, both C500 camera models are compatible with a wide range of interchangeable Canon lenses – the C500 is compatible with EF, EF-S and EF Cinema lenses for Canon SLR cameras, while the C500 PL is compatible with PL-mount EF Cinema lenses and other PL-mount lenses. Highly mobile and compact, the C500 digital cinema camera provides the same ergonomic features as the C300 model, with the exception of a fixed hand grip that incorporates a pair of 3G-SDI ports for 4K video output and another pair of video ports for monitoring purposes. Canon is working with several independent manufacturers of external video recorders to support smooth workflow options, and these recorders are expected to be available by the time the EOS C500 and C500 PL 4K digital cinema cameras ship to authorized dealers later this year.

One-Person Full HD With Automatic Functions

A cost-effective camera solution for a wide range of everyday users, the EOS C100 digital video camera is ideal for many full HD applications such as:

Low-budget television production and independent moviemaking Museums, galleries, and film schools that utilize Full HD video Wedding, corporate and event videography

The EOS C100 digital video camera is approximately 85% of the size of the EOS C300 model, for maximum mobility. Designed for professional operability, the C100 includes a push auto iris function, one-shot auto focus (or full manual focus and exposure control), a multi-angle 3.5-inch LCD control panel, a high-resolution electronic viewfinder (EVF), built-in ND filters, dual XLR inputs, and a locking HDMI output. These features combine with such advanced technologies as reduced rolling shutter artifacts in 60i mode, enhanced gamma modes (including Wide Dynamic Range (DR) Gamma and Canon Log Gamma), cinematic depth of field characteristics, and excellent low-light performance. The C100 records to dual SD cards contributing to the camera's reduced size and convenience.

Like its C300 sibling, the EOS C100 employs Canon's uniquely designed Super 35mm 16:9 CMOS sensor that captures individual R, G, and B channels for each full HD 1920 x 1080 frame. This high-sensitivity CMOS sensor provides creative depth of field capabilities for an excellent "bokeh" effect, and provides an ISO range of from 320 to 20,000, enabling the capture of images in low light with minimal picture noise. The Canon DIGIC DV III image processor in the C100 helps ensure high color fidelity and smooth color gradations. The camera's AVCHD codec utilizes MPEG-4 AVC/H.264 compression similar to the codec used in Canon's XA10 professional HD camcorder. AVCHD features a maximum recording bit rate of 24Mbps in full HD 1920 x 1080 and 4:2:0 color space for sharp, vivid images. Multiple recording modes, resolutions, and frame rates (including 24p) make the C100 creatively flexible for many production environments. The C100 also offers enhanced gamma modes (including Wide DR Gamma and Canon Log Gamma) for a peak dynamic range of 800% and the wide exposure latitude needed for creative post-production image processing, color correction, and contrast manipulation.

Designed for extensive operational versatility, the Canon EOS C100 digital video camera features a mobile core configuration that allows users to flexibly add accessory parts to the main camera body according to their production needs. A removable side-mounted rotating grip with start/stop button and miniature "joystick" menu control provides traditional SLR camera-style operation. A detachable handle unit connects to the top of the C100 and includes dual XLR connectors, a built-in stereo microphone, a bracket for an external microphone, audio-input level adjustments, and a tally light. The C100 records linear PCM two-channel audio or Dolby digital two-channel audio.

In addition to its ability to record to both SD cards simultaneously, or relay-record from one card to the other, the Canon C100 Cinema EOS camera can also output uncompressed digital HD to an external recording device via its locking HDMI connector. This HDMI output includes superimposed time code and 2:3 pull-down marker information. Additional outputs include a USB connector and stereo headphone jack.

Pricing and Availability

The Canon EOS C500 and C500 PL 4K Digital Cinema Cameras are scheduled to be available in October for an estimated list price of $30,000.

The Canon EOS C100 Digital Video Camera is scheduled to be available in November 2012 for an estimated list price of $7,999

I guess it's a luxury problem. I've seen amazing stuff from both cameras!

Is it just me or does the video they shot look very... video-y. Over-saturated. Skin tone looks unnatural. This project is sponsored in part by my favorite camera house, but man... not impressed with the footage.

Probably just bad grading...

Any thoughts?

Oh, and they advertise it with "easy to use". It´s not. (well maybe when it´s set up and properly functioning; it´s easy to zoom, pan & tilt and make presets, however when you need to dig into the menus you need their equally abysmal manual) It´s the most counter-intuitive piece of equipment I´ve used.

Osaka, Japan (November 5th, 2012) — Panasonic Corporation will release the new AG-AF100A Series Memory Card Camera Recorder in November 2012.

The AG-AF100A Series is the professional HD camera recorder with a Micro Four Thirds mount. As with the conventional model AG-AF100 Series, AG-AF100A Series can use a wide range of lenses including Micro Four Thirds compatible DSLR (Digital Single Lens Reflex) lenses and Cinema lenses with a mount adapter. AG-AF100A Series also features two-channel XLR audio input terminals and more functions to meet the professional needs.

In addition to the professional high quality PH mode (average approx. 21Mbps, maximum 24Mbps), AG-AF100A Series complies with the AVCHD ver. 2.0 (AVCHD Progressive) standard in its new PS mode (average approx. 25Mbps, maximum 28Mbps) for recording, playing and outputting (via HDMI only) Full-HD progressive (1080/59.94p, 1080/50p) images. The PS/PH modes support uncompressed 16 bit LPCM 2-channel audio recording.

The AG-AF100A Series can newly output HD signals with 10 bit 4:2:2 quality via the camera’s live output function and record onto the external devices, such as P2 Recorder, compatible with 10 bit high quality recording through SDI. P2 Recorder also syncs Rec Start/Stop with the AG-AF100A series trigger.

The AG-AF100A Series is newly equipped with the expand focus assist function, which enlarges the center of the displayed image, and 2.39:1 (cinema scope size) safety zone marker.

The AG-AF100A Series will be available in November 2012 at an open price in Japan.

Via: http://av.watch.impress.co.jp/docs/news/20121105_570918.html

I understand that the price is important but if I want to go with the Lumix GH3 I have to buy the Rig and all accessories so it will end up with the same price as C100 camera with lenses as will as FS100.

Lets get every one and Pro film makers opinion...

• E-Mount
• AVCHD 2.0 (50p,60p modes, PAL/NTSC switchable)
• up to 28Mbit bitrate
• Two XLR inputs, as usual
• Comes with E mount power zoom (will be availabe separately)

More info: http://www.sony.co.uk/pro/product/nxcamcorders/nex-ea50eh/overview#overview

http://en.akihabaranews.com/110816/camcorder/sony-hxr-nx30-a-compact-professional-grade-nxcam-from-sony

http://www.engadget.com/2012/04/02/sony-hxr-nx30-camcorder/

Specifications and info:

http://pro.sony.com/bbsc/ssr/product-HXRNX30U/

any ideas?!

PMWF3K/RGB, PMWF3L/RGB will have all features of CBK-RGB01 as standard without increase in price. SLog 422, RGB444, 3G, LUT's, etc

Via: https://twitter.com/#!/CineAltaNews

Sony EVI-H100s seems reasonable from the spec sheet but it seems impossible to find any footage from it.

I´m sure there are other options out there as well.

(edit: Vitaliy, feel free to move topic if you think it´s better suited elsewhere)

http://www2.panasonic.com/webapp/wcs/stores/servlet/prModelDetail?storeId=11301&catalogId=13251&itemId=672507&modelNo=Content04022012054037684&surfModel=Content04022012054037684

Panasonic AG-HPX250 improvements

http://www2.panasonic.com/webapp/wcs/stores/servlet/prModelDetail?storeId=11301&catalogId=13251&itemId=673004&modelNo=Content04022012052929413&surfModel=Content04022012052929413

HPX250 owners can take advantage of a free software upgrade that will enable Focus-in-Red and “Turbo One” One-Push Auto Focus functionality

MicroP2 memory SD cards

http://www2.panasonic.com/webapp/wcs/stores/servlet/prModelDetail?storeId=11301&catalogId=13251&itemId=671502&modelNo=Content04022012052157415&surfModel=Content04022012052157415

Software upgrade for AG-AF100

http://www2.panasonic.com/webapp/wcs/stores/servlet/prModelDetail?storeId=11301&catalogId=13251&itemId=671505&modelNo=Content04022012052729863&surfModel=Content04022012052729863

Panasonic has introduced a software upgrade to augment the recording and shooting functions of its popular AG-AF100 Large Imager HD Cinema Camcorder. The upgrade (AG-SFU100) will enable acquisition in the 1080/60p and 1080/50p HD recording formats (in new 28Mbps PS mode), and will substitute the 2.39:1 aspect ratio marking for the current 2.35 marker.

Recording in the high-resolution 1080/60p and /50p master-quality formats is rapidly gaining popularity in broadcasting, sports and scientific analysis. The 2.39:1 marker in the AF100’s viewfinder/LCD monitor will be valuable for narrative and documentary shooters, as it is a standard aspect ratio for presenting films in movie theaters.

The AG-SFU100 software will be available in May at a suggested list price of $250.

So, this is all. Besides Jan Crittenden herself looks so upset with the things they introduced.

My m43 engagement began with a GH1 which did not quite satisfy my expectations for stability and picture quality. Now I own a GH2 which is a significant improvement. Unfortunately I have to shoot 25p which we all know is only second best. The other well known issues are noise, dynamic range and picture styles. Despite these shortcomings I have invested in several m43 lenses which I am quite happy with. What I particularly like about m43 is the smaller sensor. It is large enough for shallow DOF esthetics but it gives me deep DOF if I need it, which actually is more often the case than with shallow DOF.

What's lacking is a serious professional camcorder with a m43 mount, something that can compete with the Sony FS100 and 700. Who knows whether and when Black Magic will come out with a m43 cinema camera. I am sure that Panasonic has the technology for a professional m43 camera and I am pretty sure that there is a large enough market for it. Instead all Panasonic offers is the lackluster AF100. Therefor I would like to start a thread with suggestions for a better camcorder offer for m43 film folks. If not Panasonic, maybe Olympus will cash in on it.