http://www.amazon.com/25-Pack-Fluorescent-Philips-20905-6/dp/B005I422IG

Typically, these bulb holders are made to hold big fluorescent bulbs with an umbrella or a softbox.

They fit the standard E27 (ES) screw bulbs. So I'm wondering what other bulb options do we have with these bulb-holders? For example, I'm thinking of putting a 120W PAR38 bulb into it in order to achieve a very "spot" kinda light (for backlight). Another good use would be to use an ordinary bulb with some black foil. But then what wattage bulbs can fit to these?

So I'm wondering what other uses these bulb-holders have?

I was hoping to get some recommendations on lighting and grip gear. I have a budget of about $1500 US total for everything. I'll be doing a combo of Craigslist for the grip gear (found some c-stands and sandbags for a good price on there) and Amazon/Rest of the Web for the lights.

My main question is in regards to how many lights you all would recommend I get for a starter kit? There is a good deal on the CN-900 light over at ePhoto's site. I want to grab them quick, given the sale price. Not sure how much longer they'll be up for that price.

Light-wise, I was thinking about going with: 2 ePhoto CN-900 lights 1 ePhoto CN-600 light

Originally I was looking at getting 3 500-LED bi-color lights. They're cheaper, but I'm concerned about the amount of light in a larger room.

I read that Vitaliy recommends bi-color lights. But I'm not sure if the budget will quite work out for me on this one. It looks like I'll have to gel the single color lights.

This is primarily for interviews, both interior and exterior with a battery. I've read about a couple options on batteries.

Also, I will be shooting a short in the next couple of weeks. It's a single location, single-camera sitcom-style short. The main location will be a (hopefully) medium to large basement-style room.

Thanks!

I'm looking for 1-2 off camera strobes for my GH4 for an upcoming shoot. Heard the Panny FL360L isn't too great. So what would you guys recommend instead?

Thanks!

When looking for "the most lumens at the lowest price" (not really caring about CRI for the purpose) I stumbled upon the offering of a "Somikon FVL-1420.d" video light, 1440 lumens for just EUR 54,90.

If anybody is interested in a review, let me know what kind of test-shot or information you could use to tell if that cheap gadget is worth its small price.

Available on deals at http://www.personal-view.com/deals/lights-fresnels-led-kits/aputure-led-panels

http://www.wired.com/2015/03/plasma-lighting/?mbid=social_fb

Adjusting the voltage changes the color, down for blue tones and up for a warmer look—so a single lamp can replicate the glow of sunset or the blaze of high noon. Best of all, plasma is more energy-efficient than fluorescent without the sallow-making glow.

Pricey, but the results sure are nice. I'll have to get my hands on a few and see what the hype is about. http://hivelighting.com/shop

Cindy.

I made a little video comparing two different LEDs, check it out if you're considering buying LED-lights.

I need some grip heads like the Manfrotte Avenger D200 ( http://www.ebay.de/itm/Manfrotto-Avenger-D200-2-1-2-034-Grip-Head-Alu-Gobohead-Drehkopf-Griphead-Head-Gobo-/271533728709 ) to mount my flags/cutters to my c-stands, but this thing costs about 30 EUR.

Does anybody know about some other grip heads that cost less (here in Europe/Germany) or a lot less (to import from Asia/US)?

I don't need stepless angle adjustments, so a simpler construction would also do. Any ideas?

I am currently researching my first 3 point lighting kit. I am totally confused by all the options. My idea, 3 clamp lights, 3 led bulbs, 3 light stands but what led bulbs to take? or go cfl? or just buy a good and cheap kit? or some of those cheap limo kinoflos? I want to spent 200€ max and already got two light stands. where to take it from there for a very basic kit?

Which would you guys recommend, Aputure Amaran HR672W High CRI95 LED OR Yongnuo YN900 LED or Yongnuo YN600?

Is the Yongnou 900 better to buy in a fixed 5500k version (since i get all 900 bulbs to be usable together) or should i rather opt for the fixed 5500k YN600 Led.

Should i go for the Bi color models available in both these brands or the fixed 5500k ones are logically a better option. (Need suggestions, please dont reply saying depends on your needs). Planning on buying 2 of the ones that are suggested.

Also, i am aware the Yongnou are brighter but just wanted an expert opinion based on experience from fellow members. Is the Fan sound issue on the Yongnou's too much of a bother?

Any other LED suggestions are also welcome.

I'm planning to make four kino flo lights 2x 4ft 4Bank and 2x 2ft 4Bank. I'm in the parts sourcing phase at the moment and thought it might help me and others to discus it here.

Kino Flo Manual (has dimensions, images, part numbers) http://www.kinoflo.com/PDF/News/Operational%20Manual%20for%20the%20web/3100018-4Bank%20Double%20Single%20revised%2010-05-05%20Web%20Quality.pdf

more parts http://www.kinoflo.com/PDF/News/Literature%20PDF/2014%20Kino%20Flo%20Catalog%20PDF%20Sections/Accessories%20and%20Cases.pdf

Clear photo of Fixture Shell

Excellent 5300k tubes http://www.ecat.lighting.philips.com/l/lamps/fluorescent-lamps/tl-d/master-tl-d-90-graphica/21383/cat/?t1=ProductList

Electronic ballasts, Philips HF-P 236 TL-D EIII 2 X 36W http://www.cp-lighting.co.uk/Philips-HF-P-236-TL-D-EIII-2-X-36W?gclid=CMO60s2Mxb8CFSvjwgodVUQAtQ

Corrugated Plastic 2.4 x 1.2 http://www.ebay.co.uk/itm/Correx-Sheet-1-2m-x-2-4m-8x4-2mm-4mm-Corrugated-Plastic-White-or-Black-/151110513091

Gooseneck Tubing http://www.stayput-tubing.com

Baby wall plate

I haven't been able to find a good four bank reflector so I will probably buy kino flo ones (they aren't too expensive) and they are important

What are those gold color rivets in the photo of the fixture shell?

Does anybody know of any good flash triggers/transmitters that are GH4 compatible? With good range and reliability?

I'm using Nissin and Metz flashes

Would this tubes do the trick:

http://www.ebay.de/itm/10x-Philips-Leuchtstoffrohre-MASTER-TL-D-De-Luxe-T8-965-Tageslicht-58W-/400751514576 (6500K, RA 93)

Or do I have to use the more expensive ones:

http://www.ebay.de/itm/10x-Philips-Leuchtstoffrohre-MASTER-TL-D-Graphica-T8-965-Tageslicht-58W-/400751546950 (6500K, RA 98)

I think 50Hz flickering is not much of a problem, as there is no fast motion in the scenes and I can adjust the shutter speed as needed (using a BMPCC at 24 fps).

Any input about using fluorescent tubes are welcome:-)

http://www.came-tv.com/220v-2000w-yellow-head-continuous-studio-video-photo-light-p-315.html

I've been having a idea about an interface's POV, in that you see characters from behind the interface, so that formed the based of this test:

It took more time to set up than shoot (about 2 hours). In this test the Ring Light is set to 50% brightness and the white balance is set at 5600K. I believe its going to be a pretty useful addition to my lighting and the only downside it that I can't find a suitable soft bag to protect it in transit.

The music was assembled from kits from Big Fish Audio.

http://www.gaffgun.com/