Specs

• 15 ultra multi coated elements in 10 groups
• 2 aspherical elements
• 1 extra-low dispersion element
• 4 high refractive elements
• Min focus distance 7.9 in
• Ultra-wide 116.6° view
• Rounded seven blade aperture for pleasing bokeh and star effects
• Built-in lens hood
• Weather sealed
• 3.67” long
• 16.7oz
• Available in September
• $799.00
  • https://www.adorama.com/rk1428afnk.html
  • https://www.bhphotovideo.com/c/product/1431537-REG/rokinon_io14af_n_af_14mm_f_2_8_lens.html

Product page - https://www.samyanglensglobal.com/en/product/product-view.php?seq=389

Samyang unveils their first AF lens for Nikon cameras: AF 14mm F2.8 F [Master the art of Ultra Wide-Angle]

Samyang Optics announces a new, ultra wide-angle lens, the AF 14mm F2.8 F. It is the company's first-ever autofocus lens for Nikon DSLR full-frame cameras. The AF 14mm F2.8 lens has been developed using Samyang Optics' globally renowned optical technology.

116.6° Ultra Wide-Angle with beautiful bokeh...

Inside the lens, there are 15 elements in 10 groups, including 2 aspherical elements, 4 high refractive (HR) elements and 1 extra-low dispersion (ED) glass element to minimise distortion and chromatic aberrations, for crystal clear resolution. This lens offers a powerful 116.6 degrees wide angle-of-view. It also features 7 rounded aperture blades, which help to create beautiful bokeh (out-of focus backgrounds) in portraits, still-lifes and night-time cityscapes.

Faster, accurate and quieter Auto Focus performance...

The AF 14mm F2.8 F autofocus function is upgraded with Samyang's advanced technology. The lens offers faster, more accurate and quieter autofocus performance than previous AF 14mm F2.8 lenses.

Capture vivid images anytime, anywhere...

This compact ultra wide-angle lens weighs only 484g (without lens cap and hood). The lens also features weather-sealing and a built-in AF/MF switch for increased usability. With a minimum focus distance of just 20cm, it is possible to capture more vivid close-up images of portraits, pets, food etc., anytime, anywhere.

Price: suggested retail price £649.99

Availability: from September 2018

Imported and distributed in the UK & Ireland by Intro 2020 Ltd.

For full details please visit www.intro2020.co.uk

SLR Magic will present a new CINE lens to the public from the APO-HyperPrime lens family in the upcoming Photokina 2014 fair in Cologne at the SLR Magic booth (Hall 5.1, L-011).

The SLR Magic APO-HyperPrime CINE 50mm T2.1 is the first lens of the family. It achieves outstanding images under challenging lighting conditions.

When taking pictures with many image-dominant, open light sources, it is common for correction defects to show up. However, because the SLR Magic APO-HyperPrime CINE 50mm T2.1 is an apochromatic (APO) lens, longitudinal chromatic aberrations are corrected by its unique optical design and selection of optical elements. The colour defects are therefore significantly lower than the defined limits. Bright / dark transitions in the image, and especially highlights, are rendered with no colourful artifacts. Thanks to the low level of longitudinal chromatic aberration, there are no visible aberrations. So an illuminated portrait scene by night with many light sources in front of and behind the actual focal plane appears close to reality, without displaying complementary, colour contrast edges.

The superior performance delivered by the SLR Magic APO-HyperPrime CINE 50mm T2.1 is consistent for all shooting distances. Its high performance with an open aperture also makes this lens a great choice for portraits or close-ups.

Features a completely new optical and mechanical design, which has been developed to take into account the special and increasing demands of high-resolution cameras including those with 4K and 6K sensors.

The APO-HyperPrime CINE lens series comes standard in PL mount and can be easily adapted to numerous camera systems. Optional mount adapters will include PL-mFT adapter, PL-E adapter, and EF mount conversion adapter. The lenses all feature a standard focus rotation angle of 300 degrees and uniform measurements. This combination makes the lenses ideally suited for professional cinematography.

As a continued dedication to anamorphic lenses, some of the lenses in the APO-HyperPrime CINE lens family would be compatible with the SLR Magic 1.33x 50 Anamorphot adapter.

SLR Magic plans to exhibit the first lens of its PL cinema series at the Photokina, Cologne 16th to 21st September 2014. The SLR Magic stand is located in Hall 5.1, Booth L-011.

SLR Magic will start shipping the APO-HyperPrime CINE 50mm T2.1 in early 2015.

Specs

• 9 blades
• 2.2m min focus distance
• 19 elements in 12 groups
• F5.6-F32
• 2300 g with collar
• $1399.95 - preorder at http://www.bhphotovideo.com/c/product/1175034-REG/nikon_af_s_nikkor_200_500mm_f_5_6e.html
• Available - mid-September

Samples

• http://www.nikon-asia.com/en_Asia/product/nikkor-lenses/fx-format/zoom/telephoto-zoom/af-s-nikkor-200-500mm-f-5-6e-ed-vr#photo_video_gallery
• http://www.nikon-image.com/products/lens/nikkor/af-s_nikkor_200-500mm_f56e_ed_vr/sample.html

PR

The new Nikon AF-S NIKKOR 200-500mm f/5.6E ED VR is an exhilarating new lens option, giving enthusiast FX and DX-format photographers the ability to go further with amazing zoom power and tack-sharp clarity. This compact super-telephoto zoom is ideal for bringing distant subjects closer, including birds, sports, wildlife and motorsports. This lens opens the doors for a fresh new perspective; with a maximum reach of 500mm on FX-format Nikon cameras and a staggering 750mm equivalent reach on DX-format cameras. With a maximum aperture of f/5.6, photographers have the ability to fill much of the frame with their subject and create a pleasing background blur, even in challenging light. This lens also features Nikon’s Electromagnetic Aperture for consistent exposures, as well as VR with 4.5 stops of image stabilization. Additionally, the VR features Sport Mode, which is well-suited for capturing vibrant, sharp images of distant subjects at high frame rates or when panning with fast-moving action. The lens also lets users focus as close as 7.2 ft. throughout the entire focal range, for when a decisive play comes closer than expected, or capturing intricate details of nature.

Whether spending all day at an air race or in the field, the new NIKKOR 200-500mm f/5.6 is surprisingly lightweight at only 5 lbs 1.2 oz. (2300 grams) including the tripod collar, making this lens easy to use handheld for extended periods. Photographers looking for even more reach can increase the zoom power using an optional compatible Nikon 1.4x, 1.7x or 2x E series Teleconverters** to capture even the most distant subjects.

The new AF-S NIKKOR 200-500mm f/5.6E ED VR’s optical formula features three ED elements to enhance sharpness and minimize chromatic aberration. A 9-blade aperture provides a desirable, smooth bokeh, while Nikon’s Silent Wave Motor technology helps to quickly and quietly achieve critical focus. The filter diameter of the new 200-500mm lens is 95mm, and Nikon will also offer optional 95mm NC (Neutral Color) and the 95mm Circular Polarizer CPL2 filters

Specs

• Price - $849

Sigma Corporation of America, a leading researcher, developer, manufacturer and service provider of some of the world's most impressive lines of lenses, cameras and flashes, today announced the new Sigma 24mm F1.4 DG HSM Art lens, the ninth Global Vision lens to join the company’s iconic Art line-up. The announcement comes at the start of the CP+ Camera and Photo Imaging Show 2015, which begins on Feb. 12 in Yokohama, Japan.

The much anticipated 24mm F1.4 Art wide angle lens is designed for full-frame DSLRs, and when used on digital cameras with an APS-C size image sensor, it effectively becomes a 38mm. The lens is ideal for capturing a variety of photography subjects, including cityscapes, mountain ranges, astrophotography and weddings and is great for videography work as well. The 24mm also excels at indoor photography in low illumination thanks to the combination of exceptional focal plane sharpness, and gorgeous bokeh rendered by nine rounded aperture blades. The lens achieves a maximum magnification of 1:5.3 with a minimum focusing distance of 9.8 inches. The 24mm incorporates both "F" Low Dispersion (FLD) glass and Special Low Dispersion (SLD) glass in a design of 15 elements in 11 groups to minimize chromatic aberration of magnification especially in the edge of the image field. Moreover, the optimized power layout includes aspherical elements that are positioned in the rear of the lens for improved wide open performance. This helps to ensure minimal distortion through the correction of axial chromatic aberration and sagittal coma flare. The new lens element design also delivers excellent peripheral brightness.

“The Sigma Art lenses are recognized by photographers for world-class performance, and the new 24mm F1.4 DG HSM will be a significant contribution to our selection of fast aperture prime lenses which is quickly becoming a strong force in the industry” said Mark Amir-Hamzeh, president of Sigma Corporation of America. “Sigma is redefining the expectations of fast-aperture full-frame prime lens performance, especially wide-open, and the results the 24mm F1.4 will deliver will be up to the exacting standards set by the 35mm F1.4 DG HSM and 50mm F1.4 DG HSM .”

Other updates to this lens include a new full-time manual focusing mechanism that switches to manual focusing, simply by rotating the focus ring, even when AF is being used, first introduced on the 50mm Art. This allows the photographer to make focus adjustments quickly and easily. As with all new lenses under the Global Vision categories, every 24mm will be tested using Sigma’s own MTF measuring system, “A1,” in the company’s factory in Japan.

Other lenses in the Art line include 35mm F1.4 DG HSM, 30mm F1.4 DC HSM, 18-35mm F1.8 DC HSM, 24-105mm F4 DG OS HSM, 50mm F1.4 DG HSM, 19mm F2.8 DN, 30mm F2.8 DN and 60mm F2.8 DN.

The 24mm F1.4 is compatible with Sigma’s USB dock, allowing photographers to update the lens’ firmware and change focus parameters as well as manual focus over-ride using Sigma's Optimization Pro software. It is also compatible with Sigma’s Mount Conversion Service. The lens will be available in Canon, Nikon and Sigma mounts, and timing, pricing and availability will be announced at a later date.

• Uses CCTV lens and adapter
• Lens incorporates advanced optical elements to ensure all-around sharpness and efficient light conductivity.
• Its iris can be manually adjusted according to available light levels.
• $76

https://www.amazon.com/Pixco-Fish-eye-Focusing-Infinity-Adapter/dp/B0775M8ZZ8/

Some good news for the format (including an 8,5 mm f/2.8)

Specs

• 35mm FF lens
• 18 elements in 14 groups, 1 ED element
• Maximum aperture - F4.5–32
• Minimum aperture - F5.6–40
• 9 diaphragm blades
• New 4.5 stops image stabilization
• Minimum focus - 1.25m
• Stepper motor
• Full time manual override
• 67mm filters
• 81mm x 146mm
• Comes with hood
• 680 g
• $746

Available at

• https://www.adorama.com/nk70300afpe.html
• https://www.amazon.com/Nikon-AF-P-NIKKOR-70-300mm-4-5-5-6E/dp/B073V6HXZZ/
• https://www.bhphotovideo.com/c/product/1349415-REG/Nikon_20068_AF_P_NIKKOR_70_300mm_f_4_5_5_6E.html

Specs

• 14 lenses in 10 groups (1 aspherical lens)
• ASC, fluorine coating
• Min focusing distance - 85cm
• 4 stops image stabilization
• USM ring type AF
• Filter size - 77mm
• Diameter - 88.6mm
• Length - 105.4mm
• Diaphragm with 9 aperture blades
• Weight - 950g
• Available for $1599 at
  • https://www.adorama.com/ca8514l.html
  • https://www.amazon.com/Canon-Fixed-Prime-Digital-Camera/dp/B074VQ6SGM/
  • https://www.bhphotovideo.com/c/product/1354803-REG/canon_ef_85mm_f_1_4l_is.html

Specs

• 8 elements in 7 groups
• 11 blade aperture
• m43 mount, Sony E mount. Fuji X-Mount
• $159
  • m43 http://www.amazon.com/Zonlai-Olympus-Panasonic-Mirrorless-Cameras/dp/B078GQJ15F/
  • X mount - https://www.amazon.com/Zonlai-Fujifilm-Mirrorless-Cameras-Manual/dp/B078BDYZPP/
  • Sony E - https://www.amazon.com/Zonlai-Aperture-Digital-Mirrorless-Cameras/dp/B07BGYGR54/

Official specs:

• 105 mm
• 14 elements in 9 groups, 3 ED elements
• Min aperture F1.4, max - F16
• 9 rounded diaphragm blades
• Minimum focusing distance is 1m
• Ultrasonic ring focusing motor
• 82mm filter thread
• 985g
• $2199, £2049.99 or €2419 (yes, UK and EU are ripped again)

Available at : http://www.amazon.com/Nikon-NIKKOR-105mm-Focus-Cameras/dp/B01J4S9YRI/

• Olympus want to set MTF record for 12mm MFT lenses with this one
• So, it'll be most sharp 12mm
• Will be very similar to other Pro line
• Will come with hood
• Olympus plans big expensive presentation even for very close bloggers right before Photokina

The Committee for the Promotion of Film (Chairman Oh Seok-geun) announced on June 12 that it will develop anamorphic lens (anamorphic lens) Field tests and demonstrations.

By developing anamorphic lens, which is the result of this support project, we are expecting the activation of Korean cinematography technology by providing opportunities to spread domestic lenses at economical prices.

http://www.kofic.or.kr/kofic/business/noti/findNewsDetail.do?seqNo=44218

Main goal will be to improve MTF and make focusing video friendly ala STM lenses.

Samyang 12mm 1:2.8 ED AS NCS Fish-eye is a bright, super wide-angle fish-eye lens designed for full-frame cameras, offering 180 degrees angle of view. Sophisticated optics consists of 12 lens elements arranged in 8 groups. Three elements are made from low dispersion ED glass and two aspherical lens elements to ensure perfect image depth and minimal chromatic aberration.

This 12mm Fish-eye is the third lens (besides 10mm f/2.8 and 12mm f/2.0) that features highly effective nanocrystal and anti-reflection NCS coating applied together with standard UMC coatings.

Hands-ons

• http://www.photographyblog.com/news/samyang_12mm_12.8_ed_as_ncs_fisheye_hands_on_photos/
• http://www.ephotozine.com/article/samyang-12mm-f-2-8-full-frame-fish-eye-lens-hands-on-26219

Samples:

Specs

• 17 lenses in 12 groups, one UD lens
• 9 circular aperture blades
• 1.2m minimum focusing distance
• 0.25x times magnification
• 4 stops IS
• 67mm filter
• 80mm × 145.5mm size
• 710g
• Nano USM drive
• Full-time manual focus
• $550 price
• Available at http://www.adorama.com/ca70300is2.html

• Made for APS-C sensors
• Very compact
• Quite sharp
• $79 only
  • Sony E mount - https://www.amazon.com/Neewer-Aperture-Aluminum-Compatible-Mirrorless/dp/B07CYS5H1Q/
  • Fuji X mount - https://www.amazon.com/Neewer-Aperture-Aluminum-Compatible-Mirrorless/dp/B07CYZ9YTZ/

Specs

• 7-blade aperture
• USB port to update lens firmware
• $199 price
  • https://www.amazon.com/F1-4-Standard-Distance-Indicator-EACHSHOT/dp/B07DDF1Y3D/

Key specs:

• FUJIFILM X-Mount
• 9 lens elements in 7 groups including one aspherical ED lens
• Super EBC (Super Electron Beam Coating)
• Weather-sealed at ten points
• Operates as low as 14 degrees Fahrenheit \ -10 degrees Celsius
• Compact, weighs just 200g
• Aperture and focusing rings
• Inner focusing AF system uses a stepping motor to drive lightweight focusing elements for a fast, silent autofocus performance
• Available for $449 at https://www.adorama.com/ifj502xfs.html

The new XF50mmF2 R WR is a mid-telephoto lens that is designed to deliver the very best results from Fujifilm’s unique X-Trans CMOS sensor. The XF50mmF2 R WR, perfect for any type of travel photography, is compact and lightweight, and features 9 elements in 7 groups, including one aspherical ED lens, and has an inner focusing system, driven by a stepping motor for fast and silent autofocusing. The premium XF50mF2 R WR is made of metal and glass for a stylish, robust design with a premium feel, while the aperture and focusing rings have been designed to be comfortable and easy to use. The lens is also weather and dust resistant, and operates in temperatures as low as 14°F\10°C, making it ideal for shooting in a variety of weather conditions.

• 9 lenses in 9 groups (UD lens 1 piece)
• ASC, fluorine coating
• 9 diaphragm blades
• Min focus distance - 39 cm
• 77mm filters
• 86.9 × 116.5mm
• 915g
• Available for $2199

• Preorders

  • https://www.adorama.com/ca9028.html

  

I have 3 options:

• Voigtlander
• Veydra
• Xeen

Voigtlander and Veydra are MFT, so I can't mount it on Full frame. Xeen are FF, but they are much heavier and not luminous (speedbooster will help).

Does MFT have a future ? Is it better to go with Xeen ? It's very hard to choose. What is your opinion ? (sorry for my english)

Specifications

• 14 Elements in 11 Groups
• Min aperture - F20
• Image stabilization
• Minimum Focus Distance - 57 cm
• Magnification max is 0.25x
• 11 Rounded Diaphragm Blades
• Filter Thread - 72 mm
• Dimensions - 85.2 x 118.1 mm
• Weight is 700g
• $1498 at https://www.amazon.com/dp/B06WRMXVKK/
• or https://www.bhphotovideo.com/c/product/1317561-REG/sony_sel100f28gm_fe_100mm_f_2_8_stf.html

Available at:

• http://www.ebay.com/sch/Lenses-/3323/i.html?_from=R40&_nkw=35mm%20F1.7&_sop=15

Specs

• 6 elements in 5 groups
• 7pcs diaphragm
• F22 min aperture
• 0.35m min focus distance
• 58mm filters
• 75mmx51mm size
• 162 gr
• Available for around $74 at https://www.ebay.com/sch/i.html?_nkw=yongnuo+yn50mm+f1.8+ii&_sacat=0&rmvSB=true

Supports USB-free Firmware Upgrade

Firmware of the lens can be upgraded through camera instead of using USB port, which not only meets the requirements of firmware upgrade and appearance design, but also avoids the incompatibility problems caused by different computer operating systems.（Note: this function needs to be supported by camera）

F1.8 Bright Aperture

Maximum aperture F1.8,bokeh effect is easily achieved ,which brings you more fun during photographing.

New Mechanical Structure, New Coating Technology

YN50mm F1.8 II has all the product advantages of the last generation. By improving the mechanical structure and coating technology, its focus accuracy, auto-focus speed and light transmittance are increased. Furthermore, it can control backlight ghost and glare.

Durable Metal Mount

YN50mm F1.8 II adopts chrome-plated and high-accuracy metal mount. It’s wearable, corrosion-resistant, and highly consistent with the body of the camera.

0.35m Closest Focusing Distance

Compared with the first generation, the closet focusing distance of YN50mm F1.8 II is shortened to 0.35m.You can get closer to the object for photography and enlarge the object.

Focus Modes: Auto Focus (AF) and Manual Focus (MF)

YN50mm F1.8 II supports auto focus and manual focus. The focus mode can be selected according to practical requirement.

Focus Distance Indicator is convenient for you to estimate the distance and the depth of field.

YN50mm F1.8 II has 7pcs of aperture blades, which helps to take picture of circular defocused spots or helps to stop down and take picture of 14-star effect.

Specs

• 3 LD (Low Dispersion) lens elements effectively compensate for axial chromatic aberrations, a potential issue for ultra-telephoto lenses, and other various aberrations
• eBAND　(Extended Bandwidth & Angular-Dependency) Coating, with superior anti-reflection performance to eliminate flare and ghosting, provides flawless, crystal clear images
• High-speed Dual MPU (Micro-Processing Unit) control system delivers quick and highly responsive autofocus performance and outstanding vibration compensation
• Lightest weight (1,115 g / 39.3 oz.) lens in the ultra-telephoto zoom lens category
• Optional accessory tripod mount is Arca Swiss-compatible
• MOD (Minimum Object Distance) of 1.5 m (59 in) and maximum magnification ratio of 1:3.6
• Moisture-Resistant Construction and fluorine coating for enhanced weather protection
• Fully compatible with tele converters and TAP-in ConsoleTM
• $799 at
  • https://www.bhphotovideo.com/c/product/1362803-REG/tamron_100_400mm_f_4_5_6_3_di_vc.html