Does anyone have any recommendations for a hack that would work best in a live music setting with constant changing lights and what not?

I'm curious as to whether there is an alternative to StreamParser that I can use on a Mac? In particular I would like to check that my hack has been correctly applied on my GH2.

Thanks.

The meanings of my account name "bkmcwd" are "Burger King, McDonald's, and Wendy's." LOL Please do not mistake! :-)

At the same time as the silent users of my settings have increased in number, the request to me has also increased. Moreover, those who improve my settings uniquely also appeared. Therefore, I start a new topic, in order to arrange them.

I am a resident of Official Low GOP Topics. I was shocked from @kae's 3GOP in August, last year. In compromise to image quality and motion, I have thought since then that 3GOP is the best solution, in some mode like 24p at least. Although surely many wonderful longGOP settings also exist, the clearness of noise grain does not match Intra and 3GOP.

It is serious that I acquire information from this forum since I am poor at English. And in Japan which is a home country of GH2, I was hardly able to acquire information. However, I have learned much know-how from many experts, @cbrandin, @LPowell, @Ralph_B, @balazer, @towi, @Stray, @proaudio4..., especially the great settings of @driftwood!

I do not know whether my settings are the best. However, since those who are pleased with my settings adhering to big I frame size and short GOP have also increased in number, I continue improvement further more.

Because my English is poor, there may be many unclear things, but I do my best in some questions to answer enduringly.

[The common feature of my settings]

For example, if some setting tries to use low qp with the frame size limited like Intra, many level lines of the high qp macroblocks will also appear in each frame pictures. Although it is unclear for appearance in looking with eyes, it means that the codec is not committing this correctly. I am making the settings which can use the lowest possible qp appropriately, avoiding this isuue by using the biggest possible I-frames. On the high definition scene, if the minimum qp is too low, the range of qp will spread and, as a result, many of these level lines of the high qp macroblocks will appear. Therefore, in my settings, on the high definition scene, it has adjusted so that the minimum qp may become high appropriately. On the other hand, it has adjusted so that the lowest possible qp can be positively used under the lowlight. I think that 3GOP can realize this all-round performance with the motion. Therefore, when using my settings as only for lowlight, you may feel thing insufficient only a few, although sufficient dark place performance is still given. However, also in a bright scene, the codec hardly wavers with my settings. This is the point that especially I am scrupulous. Another point to which I attach paramount importance is "recording does not stop by any means in any situations." In order to adjust so that recording may not stop in a high stress scene, you have to test supposing the stress beyond it. I have spent many hours also on the torture test for it.

If it may become unstable with SanDisk 95MB/s SDXC, please give me feedback.
These features are common in almost all my settings.

[The feature according to type]

About "Valkyrie", it is to here:http://www.personal-view.com/talks/discussion/4391/apocalypse-now-quest-for-simulated-444-smooth-cinema-quality-driftwood-cbrandin-bkmcwd/p1

Since the link place was closed, Valkyrie of the new improved versions have been released in this thread. Please look at the latest information on downward.

"GOLGOP3-13" series is the settings for using low qp under lowlight positively. Simultaneously, it has tuned up so that a codec may work also in the high stress scenes as correctly as possible. The value of "Q13" to which I have stuck from last year realizes high image quality by practically lowest qp.

Furthermore, the original matrix is adopted in the newest GOLGOP3-13s. It is the middle of a Sedna matrix and a stock character. If it says plainly, it will be the Sedna matrix optimized in 3GOP structure.

"GOP3ZILLA" series is the all-round settings which covers all the scenes with the mean bit rate. In a general shooting, this series realizes the highest image quality with the value of "Q15" to which I have stuck from last year.

This is the simple setting which harnessed the feature of the stock as it was. I recognize this to be the normal evolution version of the stock.

"natural" series is the economical settings which covers all the scenes with the mean bit rate. In these series, it has also aimed that a codec works correctly also in a however high-stress scene. The value of "Q18" to which I have stuck from last year realizes the safest and good balance setting.

"MAX" versions in each types are the settings using maximum I-frame size which GH2 can use in24p mode. However, with MAX version, playback in camera may not often be available in 24p. This is because the maximum frame size which can be played back by GH2 may be exceeded. Of course, the file which cannot be played back in camera can also be satisfactorily played in PC. Supposing you consider that the playback in a camera is important, I will not recommend you this setting.　Please use normal version. However, IQ of MAX version is better than normal versions, IMO.

"A" means "Almighty" or "All-around". Since former GOLGOP3-13s were not able to use the too much low base Q all around, "standard" and "lowlight" were prepared, but since latest GOLGOP3-13 controlled qp appropriately on all the scenes, it was taken as "A." Unlike "MAX", in this "A" edition, in-camera-playback can be available in all the modes also including 24p.

*I decided that I did not use the name of "standard" and "lowlight" in the newest settings.

"standard": The Almighty setting which the codec works correctly as much as possible on bright scenes, and realizes low qp under the lowlight.

"lowlight": Although the codec may waver in a satisfactory grade on bright scenes, realize strongest high image quality under the lowlight.

*These features are mainly in 24p.

All my latest settings are here: http://personal-view.com/talks/discussion/comment/57882#Comment_57882

All my latest experimental settings are here: http://personal-view.com/talks/discussion/comment/57882#Comment_57881

REMEMBER: IF YOU USE THESE SETTINGS PLEASE MAKE A DONATION ABOVE TO VITALIY KISELEV FOR HIS TIRELESS WORK IN MAKING THIS HAPPEN. THESE SETTINGS ARE TOTALLY DEDICATED TO HIM. THERE ARE MANY QUIET USERS OUT THERE WHO HAVE NEVER BOTHERED OFFERING ANYTHING. PLEASE, PLEASE HELP TO KEEP THESE HACKS GOING. NO MORE DONATIONS = NO MORE SETTINGS. IF YOU HAVE MADE A SMALL CONTRIBUTION IN THE PAST, NOW IS THE TIME TO DONATE AGAIN. Thank you, bkmcwd

Again, special thanks to @driftwood, @cbrandin, and of course @Vitaliy_Kiselev! :-)

Any clue?

Can anybody say to me if there is a 1080p 50p hack?

Thanks for you help!

Thank you.

Many, many thanks for any replies.

Its been a while since I burrowed through all the patch topics. I'm looking for a quicker answer...

Can you guys recommend the best, or a preferred patch w/ high-quality slow motion (72060p) & a great 100M+ ALL-I (GOP1) 24P .

I need this patch to be stable on both modes...

-Matt

Any ideas - perhaps this patch was a beta but I swear it worked fine until a week or two ago -I am shooting more clips now as well as shooting a few photos along with the video on the card. Shooting 24p highest bit rate setting. I also did some zooming at the same time as recording to the card today and my next slip did error out so perhaps that's the problem??

Bad card, bad patch? No like photos? Any suggestions.

So would be possible to the hack to implement this film mode in GH2 ?

The Canon cameras have a great feature, they allow the users to create film modes in computer and load these film modes to the camera, Canon call them Picture Styles. There are some Picture Styles to allow better dynamic range available for download. It would be great to the hack to try to create a Film mode or manipulate one of the available Film Modes in GH2 to do a better DR.

Best, Steven

Possible suggestions below:

-- Canon EOS can be remotely controlled for timelapse and exposure by "DSLR Controller" app shown in

Please chime in if you have insight about how the app project can be done (or not?) ... maybe compile a wish list of app functions?

Are there particular interface issues maybe with the USB port or something that might make it more difficult than for a Canon?

Are there any app makers who might want to jam on these concepts and take it on as a bit of a project?

Welcome to Apocalypse Now and two new matrices researched & supplied by Chris Brandin - adjusted by Nick Driftwood & bkmcwd and incorporated into a new selection of top quality settings - each tested by our 'Apocalypse Now' Beta team.

The theory behind the 444 matrix is an attempt to simulate a process that turns the codec into the equivalent of 4:4:4 encoding.

Many people complain about the “video” look. In part, this is caused by excessive sharpness and rather “crunchy” rendering of gradations.

These matrices are designed to soften the image and improve gradation rendering (smoothness). The softening was specifically targeted toward Panasonic lenses (or other, modern 4/3 lenses) – which are very sharp. Many people use soft lenses wide open to get a more “organic” look. The '444 Soft' and soon to be released 'Cinema Smooth' matrices were designed to provide some of that effect with the sharper Panasonic glass.

So, if you are using only soft lenses with the '444 Soft' matrix settings that amounts to double softening - and that may be too much in some cases.

In this scenario we will be providing a series of sharpened 444 matrices to offer a bit more balance between soft and sharp lenses (the first of which can be found in the Cluster v7 444 Sharp settings).

The factory matrices render detail rectilinearly, which results in more detail along diagonals than at right angles. Film renders detail the same at all angles. These matrices were designed to more closely render detail the way film does.

The ‘444 Soft’ versions of the matrices render color and luma detail with the same resolution. The effect is that detail, although softer, is rendered in a way that is similar to a 4:4:4 color space. This is accomplished by lowering the luma detail and raising the color detail. It’s not exactly the same as 4:4:4 – but its close.

The best way to test these is with sharp lenses because the entire design goal was to be able to produce a more filmic, organic look with standard optics instead of having to use soft lenses.

Older lenses designed before the digital era will nearly always be somewhat soft with digital sensors. This is because of the way the image is presented to the sensor. Film era lenses supply the image to the film/sensor at all angles. This worked because film is relatively flat compared to digital sensors so it doesn't matter at what angle light is presented. Newer lenses are designed to present the image to the sensor at a right angle - which is necessary for optimal sharpness with digital sensors.

The ‘444 Sharp’ versions of the matrix render color and luma detail with, of course, sharper detail. This is accomplished by lifting the luma detail from the softer 444 variation whilst retaining the color detail of the 444 matrix.

The best way to test the sharper 444 setting is with manual lenses because it slightly compensates for the somewhat softer matrix without overloading it and looking video-ish. This setting may need further adapting so look out for more adjusted matrices soon – and please give us feedback.

The 444 matrix set could also be good for green screen work – assuming, of course, that it still results in QP values of 16-18. Although this matrix is mainly directed at longer GOP's even the Intra based settings at mid to tight scene shots should produce exceptional results (as far as our tests go). The only problem we foresee with the Intra setting with these '444 matrices' is if there is a lot of detail and not enough light the range of Q values will vary greatly - beyond +-4 (the bitrate required to make Intra fully utilise this matrix would be greater than 250M). With Cluster's Long GOP implementation, prediction sampling affords us to use lower bitrate to achieve the same quality as top-end Intra.

The initial design of the Chris Brandin's matrices were intended for 1080p24 modes only but we've provided similar matrix versions in HBR/FSH and 720p patches anyway to see how people receive / perceive them. You will see that the encoder settings of all the 'Apocalypse Now' releases have been fine-tuned or rewritten from the ground up - including detailed analysis of data rate bandwidth, Rate Control, GOP weighting, etc - to bring even better performance.

The Cluster v7 '444 Sharp' releases have been tested under iA and iDynamic on their top settings - if you are of the consensus that you DO NOT require intelligent modes iA/iDynamic, we have decided to offer you additional 'AN' settings that make use of this bandwidth in the basic encoding patches and provide stronger GOP weighting - at the risk of failure in Intelligent modes.

The second Chris Brandin defined matrix, 'cbrandin Cinema Smooth' will be incorporated inside forthcoming Apocalypse Now settings. Details and info TBA.

We hope that you like these settings, a great deal of time and effort has gone into making what could be the last in the line of GH2 hacks with the announcement of the GH3 in the pipeline. Finally, a HUGE thanks to our team of Apocalypse Now beta testers for putting in the hours and testing dutifully.

Thank you guys,

cbrandin, driftwood & bkmcwd

CREDITS

These settings are dedicated to VK @Vitaliy_Kiselev and to all GH2 hack users. Long Live the GH2!

IF YOU DOWNLOAD THESE SETTINGS PLEASE PAYPAL DONATE (ABOVE) TO VITALIY FOR HIS BRILLIANT & TIRELESS WORK ON GIVING US THE HACK & PATCH TOOLS TO MAKE THESE POSSIBLE.

UPDATE: NEW EXPERIMENTAL SETTINGS CAN BE FOUND ON THE DRIFTWOOD EXPERIMENTAL THREAD 2

There is a lot to look at and I am a bit lost so I prefer to ask you what should I use.. this is the kind of shooting environment (Sorry for the crappy pics but you get the idea) :

https://www.dropbox.com/s/87jex09q4xjjkt3/2.jpg

https://www.dropbox.com/s/p6dttnqxwutgfvm/3.jpg

https://www.dropbox.com/s/dygqkkbri0o8oxo/9.jpg

Im going to be using the olympus zuiko 14-35 f2

I will like to get the maximum quality possible, I have all extreme cards so speed wont be a problem.

Its my first short with the gh2 so Im really excited.

This is the kind of work we do: "https://vimeo.com/33133076"

thanks so much in advance! Keep up the amazing work.

I own a Panasonic ZS20 compact camera and I am looking for a way to use it in Europe (switching it to PAL for recording proper video for EU). I believe that PTool allows to do that for the older TZ10.

Are there any plans for supporting the TZ30/ZS20 as well?

Best regards.

thanks for the help

Oh yes, my card is an Extreme Pro 95 MB 32 GB. Thanks in advance :)