<?xml version="1.0" encoding="utf-8" ?> 
		    <rss version="2.0"> 
			<channel> 
			    <title>Canon | Personal View news aggregator</title> 
				<link>http://www.personal-view.com/news/canon</link> 
				<description></description><item>
			<title>Paul Thomas Anderson Breaking Down a &#039;Battle of Algiers&#039; Clip Is Basically a Full Film School Curriculum</title>
			<link>http://www.personal-view.com/news/articles/paul-thomas-anderson-breaking-down-a-battle-of-algiers-clip-is-basically-a-full-film-school-curriculum</link>
			<description><![CDATA[I&#039;m not sure TCM gets enough credit in this wild world. They are such a fun channel and so good at bringing in cool directors to talk about the classics that have influenced them.And this month, they brought in Paul Thomas Anderson, who sat down with Ben Mankiewicz to discuss the films that have shaped his cinematic DNA. The conversation covered Anderson&#039;s latest film, One Battle after Another, and dug into the power of film history and the visual language film created.Let&#039;s dive in.PTA on &#039;The Battle of Algiers&#039; and &#039;The Searchers&#039; So if you watch TCM, you know the conceit of these interviews is that the director ticks some influences and goes over  what they love about them. Anderson chose the 1966 masterpiece The Battle of Algiers for a very specific reason. In his new film, there is a scene where Leonardo DiCaprio’s character is watching the movie, and it&#039;s a nod to how it was viewed in the 1960s.A &quot;Training Film&quot; for Anarchists: Anderson called the film a &quot;blueprint&quot; for guerrilla movements like the Weather Underground and the Black Panthers. It was so authentic that critics at the time, like Jimmy Breslin, famously called it a &quot;training course&quot; for revolutionaries.The Power of Non-Professional Actors: One of the film&#039;s most striking features is its documentary-like realism. Anderson notes that almost every actor, except for Jean Martin (who plays the French General), was a local non-professional. And that&#039;s why he used those people in his movie, too. This &quot;pseudo-documentary&quot; style, influenced by Italian neorealism, makes the camera movement and the unfolding story feel so natural.Nuanced Perspectives: Director Gillo Pontecorvo isn’t blind to the brutality on both sides of the war. The movie explores the &quot;absurdity and ridiculousness of human nature&quot; through a cycle of back-and-forth violence. Sounds like a certain PTA movie, too. The SearchersAnother movie that PTA brought to the table in this discussion was John Ford’s 1956 Western, The Searchers. This is a movie that Anderson considers essential to the American cinematic canon.The Beauty of VistaVision: Anderson’s new film was shot in VistaVision. Invented by Paramount, it uses a larger portion of the 35mm negative, which gives you a deep, rich image. While it fell out of fashion for standard filming in the early 60s, it remained a staple for high-quality special effects, including the original Star Wars.John Wayne’s Performance: PTA highlights John Wayne’s role as Ethan Edwards, calling it &quot;one of the great performances you’re ever going to see&quot;. It&#039;s so cold and angry and brutal. He notes that the weight of the story perfectly supports Wayne’s stature as an actor. And you can see echoes of it in Leo&#039;s work in One Battle, but he does it with a softness, like it&#039;s the other side of the coin. Flawed Heroes: Mankiewicz noted a parallel between The Searchers and Anderson&#039;s own work, where we see the presence of &quot;massively flawed heroes&quot;. Anderson admits that when he makes films, he is constantly &quot;struggling to try to get&quot; the same kind of indescribable emotion found in Ford’s masterpiece. Summing It All Up I found this discussion to basically be a film school all unto itself. Hearing PTa break down the gritty, handheld realism of The Battle of Algiers and the sprawling, high-fidelity landscapes of The Searchers was inspirational. And I really love that these films continue to inspire one of modern cinema&#039;s greatest directors.Let me know what you think in the comments.]]></description>
			<pubDate>Mon, 09 Feb 2026 22:17:23 UTC</pubDate>
			</item><item>
			<title>Gitzo GM4562 Series 4 Carbon Fiber Monopod $249 (Reg $499)</title>
			<link>http://www.personal-view.com/news/articles/gitzo-gm4562-series-4-carbon-fiber-monopod-249-reg-499</link>
			<description><![CDATA[B&amp;H Photo has a great deal on the highly-rated and best selling Gitzo GM4562 Series 4 Carbon Fiber Monopod. You can grab one today for only $249 (Reg $499). Gitzo GM4562 Series 4 Overview The GM4562 Series 4 Monopod from Gitzo is a 6-section, lightweight carbon fiber support designed to be the most compact and travel friendly monopod within […]]]></description>
			<pubDate>Mon, 09 Feb 2026 22:15:55 UTC</pubDate>
			</item><item>
			<title>Canon Celebrates the 30th Anniversary of This Iconic Camera With A Limited Edition Release</title>
			<link>http://www.personal-view.com/news/articles/canon-celebrates-the-30th-anniversary-of-this-iconic-camera-with-a-limited-edition-release</link>
			<description><![CDATA[Man, those years are flying by for all of us as Canon has announced that one of the company’s most popular and iconic camera lines is hitting the big three-oh. To celebrate the 30th anniversary of the Canon PowerShot compact digital camera, the company is releasing a special 30th-anniversary limited-edition kit version of the PowerShot G7 X Mark III.Set to feature some exclusive perks like a special graphite finish with a diamond-knurled control ring and a custom strap, let’s look at what this special edition Canon PowerShot G7 X Mark III has to commemorate and offer.Canon PowerShot AnniversaryOriginally launched by Canon back in 1996, the first model was the PowerShot 600, which was released as an answer to its previous SV series and as one of the company’s first major moves to the newfangled world of digital.
Canon’s PowerShot line has remained one of the company’s most successful camera lines thanks to its focus on everyday ease-of-use, but backed by the company’s advancements in digital camera technology, which helped Canon launch into higher-end professional photo and video cameras as well over the years.30th Anniversary Edition Canon PowerShot G7 X Mark IIITo celebrate the legacy of the PowerShot, Canon has announced this special 30th Anniversary Limited Edition Kit for the PowerShot G7 X Mark III, which is set to feature an exclusive graphite finish with a diamond-knurled control ring, plus a custom wrist strap and an SD card.
The PowerShot G7 X Mark III is a nice camera for this special edition to be featured on, as it packs a nice 20.1MP 1&quot; CMOS sensor which uses a stacked design and pairs with the DIGIC 8 image processor to enable especially fast focusing performance, full-resolution shooting at up to 20 fps, and UHD 4K30p video recording. 
Optically, the G7 X Mark III houses a 4.2x zoom lens, which covers a 24-100mm equivalent focal length range for wide-angle to short-telephoto fields of view. Plus, with an f/1.8-2.8 maximum aperture range, the camera is well-suited to work in difficult lighting conditions.
Overall, the camera has a slim design with a 3.0&quot; 180° tilting touchscreen LCD plus Bluetooth and Wi-Fi for wirelessly connecting to a mobile device. All modern touches are far removed from the line’s simple beginnings.Price and AvailabilityThe Canon PowerShot G7 X Mark III Digital Camera Kit (30th Anniversary Graphite Limited Edition) is currently available on a waitlist for now, with units expected to ship in late April.
If you’re interested in checking it out, here are the full specs and price options.20.1MP 1&quot; Stacked CMOS SensorIncludes Wrist Strap and SD CardDIGIC 8 Image Processor4.2x Optical Zoom f/1.8-2.8 Lens24-100mm (35mm Equivalent)3.0&quot; 1.04m-Dot Tilting Touchscreen LCDUHD 4K30p and Full HD 120p Video20-fps Shooting, 30-fps Raw Burst ModeBuilt-In Bluetooth and Wi-FiLive Streaming &amp; Vertical Video SupportCanon PowerShot G7 X Mark III Digital Camera Kit (30th Anniversary Graphite Limited Edition)Celebrate 30 years of the Canon PowerShot G7 X Mark III with this 30th Anniversary Limited Edition Kit. It includes the iconic camera in an exclusive graphite finish with a diamond-knurled control ring, plus a custom wrist strap and an SD card.]]></description>
			<pubDate>Mon, 09 Feb 2026 21:30:04 UTC</pubDate>
			</item><item>
			<title>Sony α7 V vaults back to No.1 in Yodobashi’s camera chart: what the latest top 10 signals</title>
			<link>http://www.personal-view.com/news/articles/sony-α7-v-vaults-back-to-no1-in-yodobashi’s-camera-chart-what-the-latest-top-10-signals</link>
			<description><![CDATA[Yodobashi listed the Top 10 Best-Selling cameras in second half of January: Sony α7 V Body Sony α7C II Zoom Lens Kit Hasselblad X2D II 100C Body Fujifilm X-T30 III XC13-33mm Lens Kit Nikon Z50II Double Zoom Kit Fujifilm X-M5 XC15-45mm Lens Kit Sony VLOGCAM ZV-E10 II Double Zoom Lens Kit Canon EOS R50 Double…
The post Sony α7 V vaults back to No.1 in Yodobashi’s camera chart: what the latest top 10 signals first appeared on sonyalpharumors.]]></description>
			<pubDate>Sun, 08 Feb 2026 11:59:13 UTC</pubDate>
			</item><item>
			<title>Add a Versatile Nifty Fifty Lens to Your Bag With These On-Sale Options</title>
			<link>http://www.personal-view.com/news/articles/add-a-versatile-nifty-fifty-lens-to-your-bag-with-these-onsale-options</link>
			<description><![CDATA[Every filmmaker, videographer, or hybrid content creator these days needs this one lens in their camera bag. Even if you don&#039;t use it every day, you need it—just trust us on this! The 50mm is a rite of passage for any camera owner, and if you don&#039;t have one (or just want a new one), we&#039;re here to help.For our latest &quot;Deals of the Week&quot; roundup, we have some versatile and sexy nifty fifty lenses that are on-sale and all great options to consider for your camera bags. Here are some top 50mm lens options which we&#039;d recommend checking out today.Canon RF 50mm f/1.8 STM Lens: $219Nikon AF-S NIKKOR 50mm f/1.8G Lens: $246Voigtlander Nokton 50mm f/1.5 Aspherical II MC Lens: $699You can find more filmmaking deals here.]]></description>
			<pubDate>Fri, 06 Feb 2026 21:55:03 UTC</pubDate>
			</item><item>
			<title>The Canon EOS R5 Has Officially Been Discontinued</title>
			<link>http://www.personal-view.com/news/articles/the-canon-eos-r5-has-officially-been-discontinued</link>
			<description><![CDATA[The time was coming, and it has arrived. The Canon EOS R5 has been officially discontinued, This may not be news to everyone, but I think it could help with some buying decisions over the next few months for some shooters. What can you say about the EOS R5? It was Canon&#039;s true arrival into […]]]></description>
			<pubDate>Fri, 06 Feb 2026 16:11:14 UTC</pubDate>
			</item><item>
			<title>Tilta Nucleus Auto Focus Adapter Launched – Adds Autofocus to Manual PL Lenses via Sony E-Mount</title>
			<link>http://www.personal-view.com/news/articles/tilta-nucleus-auto-focus-adapter-launched-adds-autofocus-to-manual-pl-lenses-via-sony-emount</link>
			<description><![CDATA[Tilta has officially launched the Nucleus Auto Focus Adapter (E to PL), a lens mount adapter that brings phase-detection autofocus to fully manual PL cinema lenses when paired with Sony E-mount cameras. The adapter works with Tilta’s Nucleus-M II and Nucleus Nano II wireless lens control systems, translating the camera’s native AF data into motor-driven focus movements. It is available for pre-order starting at $269, with shipping scheduled after April 7, 2026.



After first teasing the concept back in August 2025 and showing a working prototype at Inter BEE 2025, Tilta is now making the Nucleus Auto Focus Adapter officially available. The product addresses a real tension in professional filmmaking: cinematographers love the character and optical quality of vintage and high-end cinema lenses, but those lenses are entirely manual, which can make them impractical in run-and-gun, documentary, or small-crew scenarios where a dedicated focus puller is not available.









How the system works



Unlike LiDAR-based autofocus solutions that independently measure subject distance, the Nucleus Auto Focus Adapter taps directly into the camera’s own phase-detection autofocus system. The adapter reads AF data from the sensor of compatible Sony cameras, including the FX3, FX30, and FX6, and translates that information into precise motor commands sent to a Nucleus-M II or Nucleus Nano II motor via Tilta’s standard 7-pin cable connection.



Because the system relies on the camera’s native AF engine, it inherits all of the camera’s subject recognition capabilities. That means Sony’s face detection and eye tracking work with PL lenses that were never designed for autofocus. According to Tilta, this approach gives the adapter a key advantage over distance-measuring systems: it understands what is in the frame, not just how far away something is. The adapter is compatible with Sony’s Alpha and FX camera lines up to the FX6.



The Tilta Nucleus Auto Focus Adapter in use with the Nucleus-M II. Image credit: Tilta



Lens library and calibration



One practical concern with any adapter-based AF system is calibration. Tilta has built a lens profile library directly into the adapter, pre-loaded with data for a range of common cinema lenses from manufacturers including ARRI, Cooke, and DZOFilm. For supported lenses, users simply select the appropriate profile from the on-screen menu and start shooting, with no additional calibration required.



For lenses not yet in the library, manual calibration is straightforward. Users enter just two data points, focal length and maximum aperture, and the adapter maps the lens mechanics accordingly. This process is handled entirely through the adapter’s own built-in display and controls, so no smartphone app or external software is needed. Custom lens profiles can be saved to the adapter’s internal storage and shared across connected Nucleus hand units, which is a useful workflow detail when swapping lenses frequently on set. Tilta has indicated that the lens library will expand through firmware updates.









Seamless AF/MF switching



One of the adapter’s most significant features for working professionals is its instant AF/MF override. When paired with the Nucleus-M II FIZ hand unit (our review here), a 1st AC can take manual control at any moment for precise focus pulls or creative racks, then release to hand control back to autofocus. This toggle approach preserves the traditional focus-pulling workflow while offering AF as a fallback or primary mode depending on the shot.



The system also supports iris control when two wireless motors are connected. In that configuration, the second motor drives the iris ring, and aperture adjustments can be made through the camera’s electronic control. According to Tilta’s demonstration video, the adapter works in photo mode as well, which opens up PL glass to hybrid shooters and photographers.



Tilta Nucleus Auto Focus Adapter from both sides. Image credit: Tilta



Compatibility and ecosystem



The Nucleus Auto Focus Adapter is designed specifically for Tilta’s existing wireless lens control ecosystem. It works with both the Nucleus-M II and the more affordable Nucleus Nano II (our review here) motor systems, which means users already invested in Tilta’s ecosystem can add autofocus capability without replacing their existing wireless control hardware. The adapter also includes a new rod support system that mounts directly without requiring a traditional baseplate.



This first version supports Sony E-mount to PL-mount only. Tilta has confirmed that Canon RF-mount and L-mount versions are planned for the future, though no specific timelines have been shared. It is worth noting that Viltrox has also entered this space with the NexusFocus F1 adapter, which launched on Kickstarter a few weeks ago at a considerably higher price point starting around $699 for early-bird kits.



Seamless switching between manual and auto focus. Lens data can be shared across devices. Image credit: Tilta



Pricing and availability



The Tilta Nucleus Auto Focus Adapter is available in two kit configurations during the pre-order period, which includes a 10% discount. The Base Kit is priced at $269 (regular $299) and includes the adapter, a 15mm rod adapter, two aluminum rods (15 x 100mm), a 3mm Allen key, a Nucleus 7-pin to USB-C power cable, and an Advanced Side Focus Handle USB-C control cable for the Nano II Motor V2. The Dual Nano II Motor Kit is priced at $449 (regular $499) and adds two Nucleus Nano II motors, a USB-C power cable, and a Tilta F970 battery plate V2.



Pre-orders are open now with no deposit required; payment is not charged until the order ships. Shipping is scheduled to begin after April 7, 2026, and there is a limit of one unit per customer during this initial run.



Do you see an adapter like this fitting into your workflow with manual cinema glass? Could phase-detection AF finally make vintage and high-end PL lenses practical for small crews and solo operators? Let us know in the comments below!]]></description>
			<pubDate>Fri, 06 Feb 2026 15:01:44 UTC</pubDate>
			</item><item>
			<title>Go Wide With Your Videography With These Two New Canon RF Wide-Angle Lenses</title>
			<link>http://www.personal-view.com/news/articles/go-wide-with-your-videography-with-these-two-new-canon-rf-wideangle-lenses</link>
			<description><![CDATA[If you’ve ever wanted a great lens to add to your camera bag for awesome wide-angle shots, then you have two new options to consider for your Canon RF mirrorless camera systems with these two wide-angle lenses just announced by Canon.Canon has unveiled a new 14mm f/1.4 L VCM and a 7-14mm f/2.8-3.5 L Fisheye STM zoom, both quite impressive and packed with wide-angle specs and features. Here’s what you need to know about these wide-angle Canon RF lenses.The Canon RF 14mm f/1.4 L VCM LensLooking first at the prime lens option, the Canon RF 14mm f/1.4 L VCM Lens is exceptionally wide and fast. It’s also uniquely compact and should be quite versatile for both photo and video projects.
Plus, it promises to be packed with function-first design features, which should help it excel for all types of hybrid content needs, as it should provide impressive image quality, L-series durability, fast autofocus, virtually no focus breathing, and intuitive, silent, and customizable handling.
For video specifically, the Canon RF 14mm f/1.4 L VCM Lens will feature an ultra-wide field of view and close-focusing design, which is added by its manual aperture ring with de-click switch. The matched design with other hybrid series primes is nice too, as it could be a nice option for those already shooting with Canon glass.
Here are the full specs and pricing:
Full-Frame | f/1.4 to f/16Ultra-Wide Hybrid Lens for Photo &amp; VideoVoice Coil Motor + Nano USM AF SystemDe-Clickable, Manual Aperture RingCustom Control Ring and Function ButtonBR, Fluorite, UD, &amp; Aspherical ElementsSuper Spectra, SWC and ASC CoatingsRounded 11-Blade DiaphragmWeather-Sealed Design &amp; Fluorine CoatingBuilt-In Lens Hood, Rear Gel Filter SlotCanon RF 14mm f/1.4 L VCM LensAn exceptionally wide and fast lens, the Canon RF 14mm f/1.4 L VCM is a uniquely compact and versatile ultra-wide intended for both photo and video use. The Canon RF 7-14mm f/2.8-3.5 L Fisheye STM Lens The second new wide-angle lens from Canon that we’re going to look at is the RF 7-14mm f/2.8-3.5 L Fisheye STM Lens, which is actually more affordable than its prime counterpart. As a true fisheye option, it’s also unique with its huge field of view, and it should be an excellent option for creating striking, dynamic photos and videos.
It’s actually the first fisheye lens for the RF series, and it will bring a very-wide 190° angle of view, both circular and diagonal coverage depending on focal length and format, and a host of convenient new design details for working with the unique lens.
Here are the full specs and pricing:
Full-Frame | f/2.8-3.5 to f/22-29Circular/Diagonal Fisheye Zoom, 190° AoVRear Drop-In Filter SystemLeadscrew-Type STM Focus MotorCustom Control Ring and Function ButtonInner Focus &amp; Zoom, Low Focus BreathingUD and Aspherical ElementsSuper Spectra and ASC CoatingsRounded 9-Blade DiaphragmWeather-Sealed Design &amp; Fluorine CoatingCanon RF 7-14mm f/2.8-3.5 L Fisheye STM LensCombining a huge field of view with distinct fisheye rendering, the Canon RF 7-14mm f/2.8-3.5 L Fisheye STM is an ultra-wide zoom for creating striking, dynamic photos and videos.]]></description>
			<pubDate>Thu, 05 Feb 2026 16:50:45 UTC</pubDate>
			</item><item>
			<title>Canon Celebrates the 30th Anniversary of PowerShot With A Limited Edition G7 X Mark III</title>
			<link>http://www.personal-view.com/news/articles/canon-celebrates-the-30th-anniversary-of-powershot-with-a-limited-edition-g7-x-mark-iii</link>
			<description><![CDATA[Canon has announced a limited edition PowerShot G7 X Mark III to mark the 30th anniversary of the PowerShot name. It all started with the PowerShot 600 and has led us to this moment! This is going to be one of those products that most people won&#039;t understand why it exists. Repackaging an existing product, […]]]></description>
			<pubDate>Thu, 05 Feb 2026 08:35:12 UTC</pubDate>
			</item><item>
			<title>Canon Limited Edition PowerShot G7 X Mark III</title>
			<link>http://www.personal-view.com/news/articles/canon-limited-edition-powershot-g7-x-mark-iii</link>
			<description><![CDATA[2026 marks the 30 year anniversary of Canon’s PowerShot compact digital camera. To commemorate this anniversary, Canon has released a limited edition PowerShot G7 X Mark III camera with a limited color body design and 30 year anniversary logo. It is currently scheduled to be released in April 2026. Since the launch of the original … Continued
The post Canon Limited Edition PowerShot G7 X Mark III appeared first on Newsshooter.]]></description>
			<pubDate>Thu, 05 Feb 2026 05:22:07 UTC</pubDate>
			</item><item>
			<title>Canon PowerShot G7 X Mark III Limited Edition Announced to Celebrate 30 Years of PowerShot Line</title>
			<link>http://www.personal-view.com/news/articles/canon-powershot-g7-x-mark-iii-limited-edition-announced-to-celebrate-30-years-of-powershot-line</link>
			<description><![CDATA[Canon is marking the 30th anniversary of its PowerShot compact camera line in 2026 with the release of a limited-edition PowerShot G7 X Mark III. The anniversary model retains the camera’s 1″ 20.1MP stacked CMOS sensor, 4.2x zoom lens, and video-oriented features, including a dedicated vlog mode. It features a graphite body finish, refined exterior details, and a 30th-anniversary logo. Scheduled for availability in April 2026, the camera, along with a limited edition Peak Design Cuff wrist strap and a 32GB SD card, will sell for $1,299.



Initially announced back in July 2019, the Canon PowerShot G7 X Mark III is the company’s premium compact “point-and-shoot” camera. Interestingly, in recent years, smartphones (with their increasingly good cameras) almost wiped out the affordable point-and-shoot models. However, in the name of social media nostalgia and new Gen Z-driven trends, compact cameras are somehow making a comeback. This is especially true for some popular models, and it seems like the Canon PowerShot G7 X Mark III is one of these. We have seen prices of new and used cameras increase, and naturally, camera manufacturers such as Canon are reacting to this as well – either by ramping up (or re-opening) production of legacy models or releasing new editions.



PowerShot G7 X Mark III – 30th Anniversary Limited Edition. Source: Canon



Canon PowerShot line



First introduced in 1996, the PowerShot line has played a consistent role in Canon’s digital imaging portfolio, targeting users who value portability without fully stepping away from manual control or image quality.



Today’s PowerShot lineup is organized into several series designed around different priorities. The G Series focuses on higher image quality and advanced controls within a compact body, appealing to enthusiasts, prosumers, and professionals seeking a secondary or travel-friendly camera. These models typically feature larger sensors, brighter lenses, and greater manual control compared to entry-level compacts.



The V Series emphasizes video usability, targeting creators who require straightforward video recording tools in a small form factor. Features such as dedicated video modes and simplified operation are intended to support solo shooting and content creation workflows. Meanwhile, the SX Series prioritizes high-magnification zoom capabilities, offering extended focal length ranges suited to travel, wildlife, and general-purpose shooting where lens reach is a key requirement.



To commemorate the milestone, Canon plans to release a limited-edition version of the PowerShot G7 X Mark III in April 2026, featuring a distinctive exterior design and anniversary branding.



PowerShot G7 X Mark III – 30th Anniversary Limited Edition. Source: Canon



Canon PowerShot G7 X Mark III 30th Anniversary Limited Edition



To mark the 30-year anniversary, Canon plans to introduce a limited edition version of the PowerShot G7 X Mark III. The standard G7 X Mark III is already established as a compact camera that balances still photography and video capabilities, and the anniversary model retains the same core specifications while introducing visual and packaging changes.



The camera features a 1.0-inch stacked CMOS sensor with approximately 20.1 million effective pixels. The integrated 4.2x optical zoom lens offers a bright maximum aperture range from f/1.8 at the widest angle to f/2.8 at the longest point. The focal length is 8.8-36.8mm (full-frame equivalent of 24-100mm). On the back of the camera is a 3.0″ tilting LCD touchscreen, which is especially useful for vlogging. The camera is lightweight at just 304g / 0.67 lbs.  (with battery and memory card).



PowerShot G7 X Mark III – 30th anniversary limited edition. Source: Canon



The limited-edition model distinguishes itself through its exterior design rather than internal hardware changes. Canon has opted for a “graphite” color finish for the camera body, paired with a front control ring featuring diamond knurling. These design choices are intended to give the camera a more refined, tactile appearance while maintaining the standard model’s compact dimensions.



A dedicated 30th anniversary logo is printed on the camera body, clearly identifying it as part of the commemorative release. While these changes do not alter performance, they position the model as a collectible or long-term keepsake for users with a connection to the PowerShot line, according to Canon.



PowerShot G7 X Mark III – 30th Anniversary Limited Edition. Source: Canon



Pricing and availability 



The Canon PowerShot G7 X Mark III graphite kit limited edition is currently scheduled for April 2026. Canon has announced an estimated retail price of $1,299. The anniversary edition will be sold as a kit that includes a limited edition Peak Design Cuff wrist strap and a 32GB SD card. The release is positioned as a limited offering aimed at users interested in both the practical capabilities of the G7 X Mark III and the commemorative nature of the anniversary edition.



I think the price is worth discussing in this case. When the G7 X Mark III was announced seven years ago, the release price was $750. Now in 2026, thanks to the recent hype around compact point-and-shoot models, the same camera (if you can get your hands on a new one) sells for slightly more – around $850 – $1,000. That means releasing a limited-edition camera with seven-year-old tech for $1,299 (around 173% of its initial retail price) might sound weird, but the new anniversary PowerShot G7 X Mark III actually might become a collector’s item and even increase in value on the second-hand market over time. I guess this will also depend on how limited the production of this model will be in the end.



What do you think about this move from Canon? Does this new limited edition G7 X Mark III make sense? Let us know your thoughts in the comments section underneath the article.]]></description>
			<pubDate>Thu, 05 Feb 2026 04:34:19 UTC</pubDate>
			</item><item>
			<title>Canon RF 7-14mm F/2.8-3.5 L Fisheye STM Announced</title>
			<link>http://www.personal-view.com/news/articles/canon-rf-714mm-f2835-l-fisheye-stm-announced</link>
			<description><![CDATA[Canon has just announced a new fisheye lens for their EOS R-series and RF-mount Cinema EOS cameras: the RF 7-14mm F/2.8-3.5 L Fisheye STM. This creative lens covers full-frame image sensors and gives you a 180° diagonal fisheye at 14mm, and a circular fisheye 190° angle of view at 7mm. So, let’s take a closer look at it!



Fisheye lenses are designed to capture a very wide field of view, often creating curved lines and a unique look. Unlike regular wide-angle lenses, fisheyes add distortion on purpose, letting you fit more into the frame or achieve a certain style. They are especially popular with action-sports photographers who shoot skiing, snowboarding, skateboarding, BMX, and similar activities.



Canon already offers an ultra-wide-angle zoom lens, the RF 10-20mm f/4 USM L IS STM, which was released in 2023. However, that lens is rectilinear and does not create the distortion or “fisheye look” you get with the new RF 7-14mm F/2.8-3.5 L Fisheye STM.



Canon RF 7-14mm F/2.8-3.5 L Fisheye STM. Image credit: Canon



Canon RF 7-14mm F/2.8-3.5 L Fisheye STM – features



The Canon RF 7-14mm F/2.8-3.5 L Fisheye STM is fairly compact, measuring 3.0 inches (76.5mm) in diameter and 4.3 inches (109.4mm) long without the lens hood. It weighs 476g, or about 1.05 pounds.



The circular fisheye effect you get at 7mm. Image credit: Canon



While definitely not for everybody, this lens delivers on a Full-Frame mirrorless or cinema camera, offering a tremendous 190° angle of view at 7mm (circular fisheye) that shifts to a 180° diagonal fisheye at 14mm.



For APS-C camera bodies, there is a “C” mark on the zoom ring. Image credit: Canon



For APS-C camera bodies, this lens provides a diagonal fisheye image from 8.7mm onward, with a convenient “C” mark on the zoom ring indicating the widest setting before vignetting. There is a zoom limit switch on the lens so you don’t override the “C” mark.



The removable lens hood and front cap. Image credit: Canon



The lens comes with a removable lens hood which exposes it massive, rounded front element. On full-frame cameras, you’ll see vignetting from the hood between 7 and 13mm. On APS-C cameras, there’s no vignetting from the hood between the telephoto end and the “C” setting.



At 7mm, the lens has a maximum aperture of F/2.8, which is quite bright for this type of lens. At 14mm, the maximum aperture changes to F/3.5.



As this is an L-series lens, it features a dust and weather-resistant construction, a dedicated control ring with click stops, and a Lens Function button for user-customizable operation. Also, the RF 7-14mm F/2.8-3.5 L Fisheye STM features internal zooming, which means it keeps its length constant throughout the zoom range. This internal zooming is great for this lens, as it’ll help prevent dust from entering.



The RF 7-14mm F/2.8-3.5 L Fisheye STM uses an STM focus drive for smooth, quiet autofocus. You can also make manual adjustments at any time.



The RF 7-14mm F/2.8-3.5 L Fisheye STM is dust and weather-resistant. Image credit: Canon



Lens design



The lens design of the Canon RF 7-14mm F/2.8-3.5 L Fisheye STM consists of 16 elements in 11 groups, including five Ultra-low Dispersion (UD) and two aspheric elements, along with Super Spectra (SSC), and Air Sphere (ASC) coatings on the rear surface of three lens elements for optimal image quality and minimized aberrations. A fluorine coating on the front lens element should help repel water and oil, making cleaning easier in harsh shooting conditions.



Back of the lens. Image credit: Canon



Like most lenses of this type, there are no front filter threads. Instead, there is a drop-in slot at the back of the lens, which works with the same filters as the EF–EOS R mount adapter. The lens comes with a clear drop-in filter A. It has a 9-blade aperture diaphragm, and the minimum focusing distance is 15cm (5.9 inches).



Image credit: Canon



Price and availability



The Canon RF 7-14mm F/2.8-3.5 L Fisheye STM will be available at the end of February 2026 for $1,899. It comes with the EW-76 lens hood, front and rear lens caps, and a pouch.



For more information, please visit Canon’s website here.



What are your thoughts on this new fisheye zoom lens for Canon RF mirrorless and cinema cameras? Do you use fisheye lenses often? Share your opinions in the comments below!]]></description>
			<pubDate>Thu, 05 Feb 2026 04:29:48 UTC</pubDate>
			</item><item>
			<title>Canon RF7-14mm F2.8-3.5 L Fisheye STM Zoom &amp; RF14mm F1.4 L VCM</title>
			<link>http://www.personal-view.com/news/articles/canon-rf714mm-f2835-l-fisheye-stm-zoom-rf14mm-f14-l-vcm</link>
			<description><![CDATA[Canon has announced its new RF7-14mm F2.8-3.5 L Fisheye STM Zoom and RF14mm F1.4 L VCM prime lenses. The RF7-14mm F2.8-3.5 L Fisheye STM zoom lens is claimed to be the world’s widest-angle zoom lens with a 190° field of view. It could be used for dynamic fisheye imagery in sports, landscapes, and virtual reality. … Continued
The post Canon RF7-14mm F2.8-3.5 L Fisheye STM Zoom &amp; RF14mm F1.4 L VCM appeared first on Newsshooter.]]></description>
			<pubDate>Thu, 05 Feb 2026 04:29:02 UTC</pubDate>
			</item><item>
			<title>Canon RF 14mm F/1.4 L VCM Hybrid Lens Announced</title>
			<link>http://www.personal-view.com/news/articles/canon-rf-14mm-f14-l-vcm-hybrid-lens-announced</link>
			<description><![CDATA[Canon has just announced a sixth hybrid lens to their premium RF-mount lens lineup: the RF 14mm F/1.4 L VCM. This new ultra-wide-angle lens covers full-frame image sensors, has a dedicated function button, and, since it does not have any front filter threads, features a rear insert-type filter slot. So, let’s take a closer look at this new compact and fun lens!



Canon launched their Hybrid RF prime lens lineup in June 2024 with the RF 35mm F/1.4L VCM . Within a year, the company released 20mm, 24mm, and 50mm models. The latest addition was the RF 85mm F/1.4 L VCM in September 2025. If 20mm was not wide enough for your projects, Canon now offers a new ultra-wide-angle option: the RF 14mm F/1.4 L VCM.



The Canon RF 14mm F/1.4 L VCM. Image credit: Canon



Canon RF 14mm F/1.4 L VCM – features



The RF 14mm F1.4 L VCM stands out for its ultra-wide 114° diagonal angle of view. As someone who started filming skateboarding in high school, I can see this lens being used for any extreme sport, such as mountain biking, skiing, snowboarding, or skateboarding.



Usually, ultra-wide-angle lenses have a maximum aperture of around F/2.8 to F/4, making the RF 14mm F/1.4 L VCM a rarity at this focal length. Other options exist, like the Sigma 14mm f/1.4 DG DN Art, but the size difference is significant. With such wide-angle lenses, nearly everything is in focus, but this low-light capability is rare and will also be useful for astrophotography and nightscapes.



The RF 14mm F/1.4 L VCM has an Iris lock, a function button, and an AF/MF switch. Image credit: Canon



The diameter of this lens is the same as its hybrid siblings at 7.65cm (3.01 in). It is slightly longer at 11.2cm (4.41 in) and weighs 578g (1.3 lb), similar to the other lenses in the lineup. As an L-series lens, it has a robust, weather-sealed construction, making it ready to withstand the harshest shooting conditions.



On the lens itself, you’ll find a control ring, a manual focus ring, an iris ring, and a customizable function button. Please note that this lens features an integrated, non-removable lens hood and a dedicated lens cap to protect the large and protruding front element.



In terms of autofocus, the lens is driven by dual Voice Coil Motors, ensuring fast, smooth, and silent focusing—critical for both stills and video. Full-time manual override is available.



Back of the Canon RF 14mm F/1.4 L VCM. Image credit: Canon



Lens design



The RF 14mm F/1.4 L VCM uses an advanced optical formula, with 18 elements in 13 groups. Canon has incorporated a suite of special elements, including one fluorite, one UD, and one Blue Spectrum Refractive (BR) optic, along with three aspherical elements to minimize aberrations, distortion, and color fringing, while guaranteeing maximum sharpness across the frame. Furthermore, the lens features multiple coatings, including Super Spectra, Subwavelength Structure, and Air Sphere, which further reduce flare and ghosting, while a fluorine-coated front element makes cleaning easier.



There is no front filter thread, but Canon includes a rear gel filter holder for creative effects. The lens is not compatible with extenders or extension tubes. The minimum focus distance is 24cm (9.45 in).



Image credit: Canon



Price and availability



The Canon RF 14mm F/1.4 L VCM will be available at the end of February 2026 for $2,599. The lens comes with a dedicated lens cap, rear cap, the Canon LP1219 case, and rear filter holder.



For more information, please visit Canon’s website here.



What do you think about this new Canon RF ultra-wide-angle lens? Would you prefer it over the new RF7–14mm F2.8–3.5 L Fisheye STM? Don’t hesitate to let us know in the comments below!]]></description>
			<pubDate>Thu, 05 Feb 2026 04:23:02 UTC</pubDate>
			</item><item>
			<title>Preorder: Canon RF 7-14MM F2.8-3.5 L STM &amp; RF 14MM F1.4 L VCM</title>
			<link>http://www.personal-view.com/news/articles/preorder-canon-rf-714mm-f2835-l-stm-rf-14mm-f14-l-vcm</link>
			<description><![CDATA[Preorder: Canon RF 7-14MM F2.8-3.5 L STM Fisheye Preorder: Canon RF 14MM F1.4 L VCM Canon RF 7-14MM F2.8-3.5 L STM Fisheye Overview Combining a huge field of view with distinct fisheye rendering, the Canon RF 7-14mm f/2.8-3.5 L Fisheye STM is an ultra-wide zoom for creating striking, dynamic photos and videos. The first fisheye lens for […]]]></description>
			<pubDate>Thu, 05 Feb 2026 04:03:01 UTC</pubDate>
			</item></channel> 
	                </rss>