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			    <title>Personal View news aggregator</title> 
				<link>http://www.personal-view.com/news/</link> 
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			<title>More Lens Turbo tests…</title>
			<link>http://www.personal-view.com/news/articles/more-lens-turbo-tests…</link>
			<description><![CDATA[
TheMartists (Click here) posted a full Lens Turbo Canon FD review. It’s a very well written test you have to read if you consider to buy it! Another test has been posted by Ney001 on Flickr. Overall it looks like the Lens Turbo cannot match the quality of the more expensive Speed Booster. But I hope we can see a direct comparison soon! P.S.: the original Metabones Speed Booster has been officially launched in Japan (DC.Watch).
It certainly isn’t fair, but most of the Chinese Stores sell the Lens Turbo with the “Speed Booster” title. SO if you search for “Lens Turbo” on eBay (Click here) you get 9-10 results. If you search for “Speed Booster” (Click here) you find zillions of adapters! So be aware that the official Meatbones Speed Boosters can be found here: http://www.metabones.com/buy-speed-booster
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			<pubDate>Sat, 25 May 2013 03:14:36 CDT</pubDate>
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			<title>Europe: Panasonic GF6 shipping.  GF5/G5 deals. Tamron 14-150mm coming in summer.</title>
			<link>http://www.personal-view.com/news/articles/europe-panasonic-gf6-shipping-gf5g5-deals-tamron-14150mm-coming-in-summer</link>
			<description><![CDATA[
Image courtesy: Fotohanskeuzekamp
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The GF6 is finally in Stock in European stores like for example Technikdirekt in Germany and Fotohanskeuzekamp in Holland. And the GX1 also got some discounts in Europe too (after so many US deals). The Silver body can be bought for 245 Euro only at FotoMundus (Click here). And with the 14-42mm X lens for 389 Euro again at FotoMundus (Click here).
 One more news: A German reader got a notification from Tamron Germany. The new Tamron 14-150mm F/3.5-5.8 Di III VC will ship in Europe this summer only.
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			<pubDate>Fri, 24 May 2013 22:57:30 CDT</pubDate>
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			<title>Micro 4/3 Metabones Speed Booster Now Shipping for Leica R &amp; Contax Lenses</title>
			<link>http://www.personal-view.com/news/articles/micro-43-metabones-speed-booster-now-shipping-for-leica-r-contax-lenses</link>
			<description><![CDATA[Metabones delayed the MFT Speed Booster for Micro 4/3 mounts earlier in the year, and it wasn’t clear when we might see the final version, even though a few pre-release adapters have been going out to different reviewers. If you’re a Leica R or Contax owner, however, you’re in luck, as Metabones has just started to ship the adapter for those particular lenses. (more…)]]></description>
			<pubDate>Fri, 24 May 2013 21:12:07 CDT</pubDate>
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			<title>New 20mm f/2.8 pancake gets DxOmarked.</title>
			<link>http://www.personal-view.com/news/articles/new-20mm-f28-pancake-gets-dxomarked</link>
			<description><![CDATA[
DxOmark (Click here) tested the new 20mm f/2.8 E-mount lens. They didn’t test the “older” 16mm pancake so we can’t know if the new 20mm lens is better. Obviously the lens can’t match the quality of other more expensive primes like the 35mm f/1.8.
I still think Sony should do a tiny bit faster and a tiny bit higher quality pancake. I know, it’s easier to be said than made  ]]></description>
			<pubDate>Fri, 24 May 2013 20:53:10 CDT</pubDate>
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			<title>Old School &#039;Photoshop&#039; Techniques That Still Apply: Touching Up Celluloid Stills Circa 1946</title>
			<link>http://www.personal-view.com/news/articles/old-school-photoshop-techniques-that-still-apply-touching-up-celluloid-stills-circa-1946</link>
			<description><![CDATA[Just as digital acquisition hasn’t rendered the light meter obsolete, nor NLE software altered what makes a well-paced scene — digital retouching plays by a lot of the same rules now as it always has. Recently, CreativePro dug up the fantastic-looking book Short Cuts to Photo Retouching, written by photographer Raymond Wardell in 1946. Wardell walks the reader through many techniques that will be familiar to Photoshop users — except he’s quite literally making his artistic alterations onto actual, physical film prints. Despite (or because of) this, the results are downright impressive — especially given the lack of a real-life ‘undo’ command. Click through to check out a few scans from this old gem, from which we can still learn plenty. (more…)]]></description>
			<pubDate>Fri, 24 May 2013 15:24:28 CDT</pubDate>
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			<title>Warner Bros. Hires Screenwriter from Black List Service, What Does This Mean for the Rest of Us?</title>
			<link>http://www.personal-view.com/news/articles/warner-bros-hires-screenwriter-from-black-list-service-what-does-this-mean-for-the-rest-of-us</link>
			<description><![CDATA[Earlier this week, both Deadline and The Wrap reported news that Warner Bros. hired new screenwriter Richard Cordiner for a two-film blind deal. The first script Cordiner will write for the studio will be Spacesuit, based on the book by Nicholas de Monchaux that tells the true story of bra designers from Playtex who designed the spacesuit for Neil Armstrong and Buzz Aldrin to walk on the moon (which leads to the natural realization that, yes, all you MTV Music Video Award winners, your trophies were essentially designed by Playtex). What is more interesting about the Warner Bros. deal with Cordiner is the writer was discovered and signed by his agent and managers via The Black List service after his uploaded script The Shark Is Not Working about the making of Jaws made the rounds in Hollywood. This is great news for Cordiner and The Black List service, but what does it mean for the rest of us? (more…)]]></description>
			<pubDate>Fri, 24 May 2013 13:23:40 CDT</pubDate>
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			<title>Sigma Four Thirds Lens price drop.</title>
			<link>http://www.personal-view.com/news/articles/sigma-four-thirds-lens-price-drop</link>
			<description><![CDATA[
Finally a deal that could be interesting for classic Four Thirds camera owners. Sigma launched a new rebate on three lenses:
$50 off on the Sigma 10-20mm at Amazon and BHphoto.
$100 off on the Sigma 70-300mm at Amazon and BHphoto.
$100 off on the Sigma Normal 50mm at Amazon and BHphoto.
For Micro Four Thirds user:
Panasonic Lumix G X Vario PZ 45-175mm for $299 at Amazon (Click here).
E-Pm1 with 14-42mmII kit lens for $285 at Amazon (Click here).
E-P3 with 14-42mm kit lens for $369 at Amazon (Click here).
E-M5 and 17mm f/1.8 lens bundle at BHphoto (Click here).
E-Pm1 with 14-42mmII kit lens for $285 at Amazon (Click here).
Full (and worldwide) deal overview at DealsRunner.com.]]></description>
			<pubDate>Fri, 24 May 2013 12:25:29 CDT</pubDate>
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			<title>cinema5D tops Premiumbeat’s ’10 Filmmaking Sites You Should Be Reading’ list</title>
			<link>http://www.personal-view.com/news/articles/cinema5d-tops-premiumbeat’s-’10-filmmaking-sites-you-should-be-reading’-list</link>
			<description><![CDATA[We feel honored that Premiumbeat.com, a leading site for royalty free music and sound effects, has named cinema5D as on of the ’10 Filmmaking Sites You Should Be Reading”. Premiumbeat.com is not also known for its production music and effects, but also their very frequently updated blog section that also covers a lot of video news and also features a lot of insightful blog posts of how to survive in our industry of filmmaking and media professionals.
Go check out the entire list by clicking here!

Regarding cinema5D, we have a lot of changes and enhancements of the site planned in the coming months, and we are currently working on a lot of stuff in the background. What’s for sure now is that we will update the site more regularly with even more relevant content, and provide you with the best video reviews and news from our industry that we can come up with. Bright times ahead!]]></description>
			<pubDate>Fri, 24 May 2013 12:08:32 CDT</pubDate>
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			<title>Sony NEX-F3 kit for $379. Gold Box deal on A35. Sigma A-mount lens price drop.</title>
			<link>http://www.personal-view.com/news/articles/sony-nexf3-kit-for-379-gold-box-deal-on-a35-sigma-amount-lens-price-drop</link>
			<description><![CDATA[
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The price of the NEX-F3 with 18-55mm lens dropped down to $379 at BHphoto (Click here). And there is a new Gold Box deal on the A35 at Amazon (Click here). And a couple of Sigma A-mount lenses got a price drop at Amazon (Click here).
More deals:
Sigma 35mm f/1.4 A-mount lens in Stock at BHphoto (click here).
NEX-6 body for $707 at BigValue (Click here).
RX100 for $494 at ElectroElectro (Click here).
Full Sony deals overview at DealsRunner.com.]]></description>
			<pubDate>Fri, 24 May 2013 09:46:28 CDT</pubDate>
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			<title>More Magic Lantern magic – the video “zoom” feature</title>
			<link>http://www.personal-view.com/news/articles/more-magic-lantern-magic-the-video-“zoom”-feature</link>
			<description><![CDATA[
		
		A few days ago we posted the story about “Magic Lantern adds 3x multiplier (zoom) to RAW video for the Canon EOS 5D Mark III” after discovering that the new RAW video module could also do a virtual lens zoom for your video – essentially changing the sensor ‘crop factor’ by extracting smaller sections of the video from the sensor.
This seems to have slipped by most people who are justifiably excited about the RAW video capabilities. But let’s not forget the Nikon D800 has several different crop modes – so this is even more capable as it turns out you can do different crops with the Canon EOS 5D Mark III.
Read about this RAW Digital Cropped Video on the 5D3 on Magic Lantern forums
 

Canon EOS 5D Mark III Magic Lantern RAW 5x Zoom Mode
Can&#039;t see the video in your RSS reader or email? Click Here!
This is a test using the new Magic Lantern RAW on a Canon 5D mkIII. Recorded on a Transcend 64GB 1000x CF card. This is testing the 5x Zoom Mode.
Huge south swell in this weekend! 6-8 feet with occasional larger sets. What a beautiful day in Hawaii!!!  
Here’s a similar video with no zoom (but 2 extenders)
Can&#039;t see the video in your RSS reader or email? Click Here!
This is a test using the new Magic Lantern RAW on a Canon 5D mkIII. Recorded on a Transcend 64GB 1000x CF card.
 
Magic Lantern Raw Sensor Crop
Can&#039;t see the video in your RSS reader or email? Click Here!

Make sure you download the footage (1920×840 / 10MB) to get an idea about image quality.
Workflow:
Import DNG into Lightroom 4
WB/Tint, only moon clip slightly sharpened and CC
Export 8bit uncompressed TIFF
Import sequence into Premiere Pro CS6
Export H.264 ~7mbit/s
Follow on Twitter: twitter.com/PeterHainzl

5D Mark II / Raw Video : Test 1000mm shots with x2 Liveview zoom
Here’s a Canon EOS 5D Mark II with several different zoom factors 
Can&#039;t see the video in your RSS reader or email? Click Here!
Canon raw video (DNG sequences) made with magic lantern.
Sigma 500mm with Canon Extender EF x2 (1000mm) tests
Test liveview at x1 x5
Sequence Full HD @ 25fps
Magic Lantern rocks!
Frankly, after reading thru some of the posts on the forums, I’m still confused about exactly what crop factors (zoom factors) are available, but they’re still working on Magic Lantern features so we’ll have to wait to see how it all falls out. 
Either way, this is yet another amazing feature of Magic Lantern! What do you think? Sound off!

(cover photo credit: snap from the video)
 

You just finished reading More Magic Lantern magic - the video &quot;zoom&quot; feature!  Consider leaving a comment!Thanks for reading planet5D! Have you seen planetMitch being goofy in the daily planet5D episodes?
  
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			<pubDate>Fri, 24 May 2013 09:04:08 CDT</pubDate>
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			<title>The Switronix PB70-BMCC PowerBase-70 for the Blackmagic Cinema Camera</title>
			<link>http://www.personal-view.com/news/articles/the-switronix-pb70bmcc-powerbase70-for-the-blackmagic-cinema-camera</link>
			<description><![CDATA[
		
		One of the immediate concerns about the Blackmagic Cinema Camera came from the internal, non-removable battery which lasts only 90 minutes. A good external power source is essential for any filmmaker and becomes absolutely mandatory when you cannot switch out batteries. I jumped at the opportunity to test my new BMCC and the Switronix PB70-BMCC PowerBase-70 battery pack because I, like many of you, have been searching for an easy to use, affordable and long-lasting product.
Enter the Switronix PB70-BMCC PowerBase-70.
Switronix PB70-BMCC PowerBase-70
 

Switronix PB70-BMCC PowerBase-70
Battery Life
Switronix claims to nearly quadruple the runtime over Blackmagic’s internal battery. After two hours of recording, playback and being on standby, the battery pack was still at 75%! I received just under 6 hours of total runtime with this flexible, affordable pack. It was incredible! The PB70-BMCC takes a good 5 hours to fully recharge but contrast that to the 8-12 hours one would need to charge the internal Blackmagic battery to achieve similar performance. That’s a huge time saver.
Switronix PB70-BMCC PowerBase-70 Battery Pack for Blackmagic
Mounting
The PB70-BMCC is a 70wh 14.8v lithium-ion battery pack with a 12″ cable providing flexibility when mounting to a rig. You can mount the pack under the camera or attach it to a support system via its 1/4-20 release plate or V-mount. It’s simple.
Switronix PB70-BMCC PowerBase-70 Battery Pack for Blackmagic
Flexibility:
This battery pack is ready to use out-of-the-box. The instructions are a mere few paragraphs. Charge (mine was 75% in the box), mount, plug it in and film. I also like the LED lights on the side which gives you an immediate analog reading of your remaining battery life.
Head over to B&amp;H for the Switronix PB70-BMCC PowerBase-70 Battery Pack. When you know you will have around 6 hours of recording time per pack, you can spend more time worrying about film-making instead of wondering if you’ll have a dead camera on set (that’s never good!)
Blackmagic Cinema Camera and Switronix
Finally, check out a little comparison video between the BMCC and the Canon 5dmkII I made while waiting for the BMCC to drain the battery pack (I had plenty of time on my hands). Here I use my Canon 50mm 1.4 lens at f10, ISO 800, white balance of 6,500k and a shutter of almost 180. See what you think.Can&#039;t see the video in your RSS reader or email? Click Here!

(cover photo credit: snap from the B&amp;H page)
 

You just finished reading The Switronix PB70-BMCC PowerBase-70 for the Blackmagic Cinema Camera!  Consider leaving a comment!Thanks for reading planet5D! Have you seen planetMitch being goofy in the daily planet5D episodes?
  
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			<pubDate>Fri, 24 May 2013 08:46:21 CDT</pubDate>
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			<title>Magic Lantern 5D Mark III raw video and camera reliability</title>
			<link>http://www.personal-view.com/news/articles/magic-lantern-5d-mark-iii-raw-video-and-camera-reliability</link>
			<description><![CDATA[
Image by Daniel Schweinerr (5D Mark III SSD attachment research)
5D Mark III raw recording install guide in 4 steps
Raw video recording on the 5D Mark III has been met with an overwhelming reception from users and a fantastic reception from most pros. Some are more guarded as they think their camera will blow up. What are the facts?
Raw doesn’t cook your camera
Uncompressed raw by its very nature is not processed in the camera. You do all the CPU intensive processing in post production with the raw sensor data. With the official Canon firmware the camera actually works harder as it needs to debayer and compress the raw data onboard the camera’s DIGIC 5 chipset, for 1080p video encoded to H.264.
No hardware components are pushed beyond the spec they were designed to operate at -
The Sensor
Raw data is sub-sampled (RGGB) from the 22MP sensor, using an electronic rolling shutter. The sensor sampling modes remained unchanged from the stock Canon spec and the sensor is doing what it does normally with the official Canon firmware. The sensor data is stored in memory during live view operation and Canon’s code uses this data to supply an image for the LCD, HDMI and video mode. Magic Lantern’s code simply addresses the memory containing the raw data and copies it to the compact flash card via the buffer.
Internal memory and buffer
The 5D Mark III’s internal memory is clocked to transfer data at approximately 700MB/s. Compact flash card memory runs far slower. In writing raw 1080p video to the card only 1/7th of the buffer memory’s performance is exploited. The card controller also operates within the spec it was designed for as 1080p raw video writes to the card at around 85MB/s. The card controller is designed for 167MB/s as per the new UDMA7 compact flash card standard.
No overclocking, no stress
Software isn’t the enemy of hardware – heat is. Hardware fails when it gets too hot, not through buggy code. Magic Lantern leaves all the CPU and memory clocks at their default MHZ. Their code is extremely professionally written and efficient. The camera has a temperature sensor and Magic Lantern reads this and displays it on the LCD.  As evident on any computer, merely copying data rather than processing it, isn’t taxing on the CPU. Obviously your Mac doesn’t heat up when copying a large file to a USB stick! Stress for silicon is considered in terms of heat, not how much data passes through it.
Reliability for paid work
Running development code on your camera on critical paid work assignments is not a good idea, no matter how much testing you do beforehand. Raw recording will reach a stage where it is extremely reliable and 100% tried and tested so it really does pay to wait. Magic Lantern for the 5D Mark III is still in the early Alpha stage of development. The raw recording module is even earlier in development and bug fixes are taking place virtually every day. Some confuse these bug fixes with the addition of new features. Instead a lot of the current development is focussed on making existing features work reliably.
Is there still a 4GB limit on continuous raw recording?
Not any more. Although I don’t recommend shooting hours of raw footage for events due to the sheer amount of data it would create.
Does HDMI work in raw recording mode?
Yes. I’ve had no problems with monitoring on my Small HD DP6. The camera currently uses the older 1.1.3 firmware from Canon so the HDMI output is only 720p and not clean, but in the future if Magic Lantern is updated for the newest Canon firmware it should even be possible to record high quality 1080p ProRes proxy files to an external HDMI recorder whilst recording raw video internally. A great feature.
Should I sell camera X since the image is now better on the 5D Mark III?
In my opinion raw video on the 5D Mark III doesn’t take away from the Cinema EOS series. Although image quality is now arguably better on the 5D Mark III than on the Canon C100 and C300, for those who migrated from DSLRs to the Cinema EOS cameras in the first place the reasoning still stands. Built in ND filters, XLR audio jacks, better ergonomics, broadcast ready codec, convenient to use, proven reliability and established workflow. There’s no right or wrong decision, no universally better or worse camera – it depends on the project and on the filmmaker. Personally, I always go for outright image performance and image control over practicality and ergonomics.
Other DSLRs and mirrorless cameras like the GH3, D5200 still have the advantage of being 1/3rd of the price of the 5D Mark III. The GH3 has a more flexible mirrorless lens mount, Speed Booster, 1080/60p and an articulated screen.
What about Blackmagic?
The more people shooting raw the better it is for Blackmagic because they are primarily a post production company. Their software, DaVinci Resolve, is in my opinion hands down the best tool for grading raw video in DNG format. 5D Mark III raw footage doesn’t yet open in Resolve because the DNG files seem to store a thumbnail and the actual full resolution raw image as sub-file. Once Magic Lantern’s Raw2DNG converter gives us Cinema DNG or fully compatible DNG sequences, I will be using it to grade my 5D Mark III footage and cutting out the length transcoding step in After Effects to ProRes. Oddly, considering it is Adobe’s own format, Premiere Cs6 does not yet work properly with DNG sequences – only supporting DNG at 8bit and giving a very poor image.
Blackmagic’s cameras are not very threatened either by recent developments because they still have unique features not found on the 5D Mark III for raw recording. There’s a mirrorless mount on the Micro Four Thirds 2.5K Cinema Camera and Pocket Cinema Camera, 4K, global shutter on the Production Camera, ProRes and Avid DNxHD recording in-camera and forthcoming compressed raw recording in-camera. The fact that Resolve is bundled with the Cinema and Production cameras is also a huge selling point.
Shall I learn a raw workflow?
There are a lot of existing 5D Mark III owners and photographers who now have the chance to shoot raw video with a free firmware update – a great opportunity. Until quite recently raw video workflows haven’t been accessible to enthusiasts, very low budget filmmakers or owner / operators who couldn’t afford Red. Ikonoskop and Blackmagic were the first to capitalise on this, and it turns out that now Canon are the next through no making of their own! As computing power and storage capacities continue to increase hugely year on year, raw video workflows are becoming more and more viable for when image quality matters most. It pays to at least try raw, and get used to the workflow. That knowledge, for pros and enthusiasts alike could be very useful in the future.
Is there any liability for Canon or dealers?
The Magic Lantern project is very mature, with a team of extremely talented open source developers. Canon know their own source code and for their engineers in Japan, raw video probably doesn’t even come as much surprise. If Canon felt raw video recording was going to be a step too far, they’ve had years to block it off. There hasn’t been a single negative word from Canon (officially) about Magic Lantern. I think this is the best thing to happen to Canon DSLR video since it began with the 5D Mark II.
Disclaimer: all the information is correct to the best of my knowledge, based on close contact with Magic Lantern and my own extensive research and testing. I accept no liability for its use or application.
The post Magic Lantern 5D Mark III raw video and camera reliability appeared first on EOSHD.com.]]></description>
			<pubDate>Fri, 24 May 2013 07:11:14 CDT</pubDate>
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			<title>POLL: Select the future A-mount camera key features!</title>
			<link>http://www.personal-view.com/news/articles/poll-select-the-future-amount-camera-key-features</link>
			<description><![CDATA[I am very busy working on the new A-mount camera roadmap. As you know new FF and APS-C cameras will be announced in Q1-Q2 of 2014 and they will be very “advanced”. It’s really a very exciting time for me and my sources. And I am not forgetting the E-mount system neither! There will be a new NEX-7 successor and plenty of new lenses (including a 85mm f/1.4). But while I am chatting with my source about all that new stuff I collected your “dream features” for the new 2014 generation A-mount cameras (yep, I read all your comments and put them in a poll). I am now curious to see what feature is the most requested and should be done to be really competitive in the DSLR market:
Note: There is a poll embedded within this post, please visit the site to participate in this post&#039;s poll.]]></description>
			<pubDate>Fri, 24 May 2013 05:51:17 CDT</pubDate>
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			<title>(FT5) GX2 is larger than the previous GX1.</title>
			<link>http://www.personal-view.com/news/articles/ft5-gx2-is-larger-than-the-previous-gx1</link>
			<description><![CDATA[
Another trusted source said that he saw the camera. And it’s larger than the current GX1. He couldn’t share the specs but he said it’s a beautiful camera that has all tech required nowadays. There will be a “special kit” for this camera too. Yep, he also said it’s has the lines and look that reminds of the L1-LC1.
As reported by Digicaminfo and my sources the camera has in-body IS, tiltable EVF, almost certainly a new 18MP sensor. And from what I read from the patent it could have the Anti Aliasing filter and a new resolution EVF (close to 2 Mio).
Question to readers:
Note: There is a poll embedded within this post, please visit the site to participate in this post&#039;s poll.
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The DMC-L1 on eBay (Click here).
The DMC-LC1 on eBay (Click here).
Rumors classification explained (FT= FourThirds):
FT1=1-20% chance the rumor is correct
FT2=21-40% chance the rumor is correct
FT3=41-60% chance the rumor is correct
FT4=61-80% chance the rumor is correct
FT5=81-99% chance the rumor is correct
]]></description>
			<pubDate>Fri, 24 May 2013 05:43:19 CDT</pubDate>
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			<title>Olympus E-Pm2 gets Dpreviewed.</title>
			<link>http://www.personal-view.com/news/articles/olympus-epm2-gets-dpreviewed</link>
			<description><![CDATA[
The cheapest of all MFT cameras with the Sony 16 Megapixel sensor got tested at Dpreview (Click here). The camera earned a Silver award with the following motivation: “The Olympus PEN-EPM2 is a point-and-shoot mirrorless camera which does exactly what a novice will need it to. For more adventurous users, there’s a lot of functionality hidden beneath the skin (including the image quality of the OM-D) making the E-PM2 a potentially very attractive second camera.”
A couple of weeks ago there was a deal on the camera+lens. While it’ gone form large US online stores it’s still available at NYC 17thstreetphoto on eBay: In Black (Click here), Silver (Click here), White (Click here) and Red (Click here). The “older” E-Pm1 with lens sells for $285 at Amazon (Click here). And 199 Euri on Finland at Rajalacamera…lol  
Editor’s note: Overall I still think Olympus should narrow the PEN range. The E-PL should be the entry level camera and the  E-P the more advanced camera. And the E-P5 should cost at least $100 less too. Now it has the same price of the OMD while the OMD has built-in EVF. Of course the E-P5 has some new Bells and whistles. But it will not convince many to buy it.]]></description>
			<pubDate>Fri, 24 May 2013 01:27:11 CDT</pubDate>
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