Let’s look at RED’s current DSMC2 lineup to find which (if any) is the right option for your film or video project. RED’s digital cinema cameras seem to have a polarized effect on people in the film and video industry. Groundbreaking when first launched almost 20 years ago. Like founder Jim Jannard’s previous company, Oakley, RED Digital Cinema has been about disruption, brand-heavy aesthetics, and opening up a new, budding technology to the masses. In a recent event hosted by RED at the Austin Film Society, was able to get a hands-on look on RED’s current DSMC2 lineup and get some insights into their top-of-the-line digital cinema camera offerings. While there’s no reason to suggest going out and buying a RED is a necessity for anyone, if you are looking for a certain value camera that can shoot 8K and utilize REDCODE RAW recording, here are the best current options on the market. Read More...
Published By: NoFilmSchool - Monday, 19 November, 2018