Here are some shots I recently took with my GFX 100 and 32-64mm F4. We’ll also compare it with the 50mm F3.5 pancake. It is sharper than a prime and has nicer bokeh than a prime. Zooms have come a long way. Here we explore the GF 32-64MM F4, which in full frame equivalent terms is a 25-51mm F3.2. This doesn’t really mean a lot, because medium format at 100 megapixel can easily be cropped to full frame and maintain 70 megapixels. It is all formats in one – even Micro Four Thirds if you want to keep diving deeper into the frame! Wide open, the lens is of course sharp right across the frame and into the corners. The above shot of the forest landscape shows this. To get an idea of the resolving power of the lens, I usually take a brightly lit high contrast subject as this will reveal any ghosting or chromatic aberration. Continue reading Fuji GF 32-64mm F4: Thoughts on a powerhouse of a lens at EOSHD.com - Filmmaking Gear and Camera Reviews....
Published By: EOSHD.com blog - Thursday, 17 June, 2021