You don’t need RAW when it’s beautiful. You need it when it’s not. In an ideal world, every single shot on set would be perfectly exposed, correctly color balanced, and would need only artistic touches in post. However, in reality, there are times when shots are just not properly exposed. Maybe the C camera operator forgot to set the menus correctly and you were only able to watch A and B camera. Maybe you lost light towards the end of the day but didn't have time to switch out from the zoom to the primes for that extra stop. Maybe someone just flat out made a mistake. But sometimes shots make it to post that are underexposed with the wrong color balance. What if our footage isn't perfectly exposed? Isn't that really what we love about RAW workflow? Read More...
Published By: NoFilmSchool - Tuesday, 19 June, 2018